Similarities Between In Cold Blood And The Awakening

First let us start with Edna Pontellier from Kate Chopin’s great novel, The Awakening. As the novel begins we meet the Pontellier’s family and most importantly Edna. We see through the exposition that Edna is a twenty-eight-year-old wife of a New Orleans businessman who see’s her as a mere possession that is the most fragile and important possession to have, but still just as a possession. Based on the culture around her we see her servility to her husband and her everlasting devotion that her life is to be controlled by whoever she marries(1878–1899: Lifestyles). This becomes very clear when reading on page two. In this situation we see Mr.

In the books Into the Wild, and In cold Blood they have striking differences and similarities that only parallel through writing format. In In Cold Blood the Clutter family was murdered for money they didn’t have, while in Into the Wild Chris McCandless died of starvation. To make them vairy even further, the personalities of the main character(s) are polar opposites. Chris is farel, and the Clutters are calm. In both books the American dream is presented, but the American dream is different in each book.

It seems that a “radiant peace settled upon her” only “ [as] she at last [finds] herself alone…[as] the children were gone” (Chopin 80). Only when she isn’t expected to behave the way a mother-woman should, does Edna feel peace and the visual imagery associated with the word radiant characterizes her as much happier without her societal role. It is only after Edna understands the potential fulfilment that she can gain by disregarding the social expectations in place for women that she attempts to find it. No longer does she long for the “little glimpses of domestic harmony” instead feeling pity for Adele Ratignolle’s “colourless existence” (Chopin, 183). Here the word “colourless” contrasts with “radiant” as something “radiant” cannot be without colour. Colour and radiance become symbolic of a life fully lived, one including personal happiness and identity. By awakening, Edna seems not only more aware but also more conscious of the rigidity and “colourlessness” that she has borne for so long. She is no longer confined by the expectation that women should sacrifice their own personal happiness and identity to fulfil those of their

In Kate Chopin’s novel The Awakening, Edna Pontellier and Adele Ratignolle have opposing viewpoints and personalities. Moreover, Edna is independent, strong-willed, and does not answer to her husband. In contrast, Mademoiselle Ratignolle is the ideal woman because she gives her whole self to her husband and children. Although Adele is the optimal woman, Adele is living a farce. In reality, Adele is intelligent and has the ability to think for herself. Despite Adele’s acumen, Adele plays the character of a subservient woman, due to the fact that an obedient woman was perceived as perfect in the late 19th century. Edna differs from Adele in that Edna does not hide who she really is; Edna voices her opinions and does what she wants. The two characters, Adele and Edna, are foils because Adele plays the game of a submissive wife while Edna is her true self.

It was easy to know them, fluttering about with extended, protecting wings when any harm, real or imaginary, threatened their precious brood. The were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels." (Chopin 10) This quote shows that the other women at the time would not let their children out of their sights and did everything their husbands told them to do. Edna, however, wanted her kids to be independent and did not always follow the expectations of her husband.

Additionally, Chopin shows how women were stereotyped as a mother-woman and etc. Many women in the last 1800s and early 1900s were viewed as a mother-woman, a person who’s job is to only to worship their husbands and carry children and idolize them. Many women during that time, did not like the stereotypes that the society put on them. In this quote, “In short, Mrs. Pontellier was not a mother-woman. The mother-women seemed to prevail that summer at Grand Isle. It was easy to know them, fluttering about with extended, protecting wings when any harm, real or imaginary, threatened their precious brood. They were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels.” (Chopin 19), shows how women were stereotyped in their society. This shows what Edna thinks. She does not want to be a typical woman in the society and follow the rules

Edna Pontellier was a very respectable woman from the 1800's that was unsatisfied with her situation in life. Mrs. Pontellier was a mother of two sons and had a husband whom she adored at the beginning of their marriage, but overtime they have became distant and her sexual desires were no longer being fulfilled. She soon broke the role society had casted upon her and became rebellious by leaving her womanly duties behind. Kate Chopin reveals Edna Pontellier's character through the her actions, through dialogue, and by telling the reader the thoughts and feelings that are circulation through Mrs. Pontellier.

Chopin tells of this younger woman with an older husband who runs with her intuition in search of her own mind. Another presentation of Romanticism in The Awakening is described during Edna's search for individualism when she says of her that "...no longer was she content to 'feed upon opinion' when her own soul had invited her" (124). Edna Pontellier has a desire to be her own person in her own world when she is placed in a setting that refuses to permit such an action.

In Kate Chopin’s novel, The Awakening, the main character, Edna Pontellier, has three distinct personality traits that define her throughout the book. One of her most perceptible traits is her irresponsibility, especially in how she cares for her children and husband. Related to this peculiarity, is her capacity to behave childish, particularly in terms of how she allows her emotions to sweep her away as well as her inability to think about the potential consequences. Her most prominent personality trait—the one that forms the backbone of the conflict, is Edna’s eagerness to defy society and the roles given to women. These traits are consistent throughout the novel and while the character does change by the end, these aspects never disappear. The main conflict in The Awakening is a woman’s need to have the right to act herself and live independently instead of how society 's set up what a woman should and should not do. This disagreement is amplified throughout the book as the narrator shows Edna’s “awakening” or her process of realization that she does not fit into the societies expectations. This occurs in a series of events in which Edna moves farther away from societal norms.

Along with living up to this towering expectation they were presumed to “live their lives largely homebound, taking care of the cooking, cleaning, and child rearing,” (Sallus) which restricted a woman of this time’s value to what she could do and how she could serve others. Edna says her children’s absence was a relief in a sense because “It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Chopin 25). This reveals that Edna feels as though she does not fit the role of the mother, nor does she want to. Edna later argues to Madame Ratignolle, the epitome of a motherwoman, that she would give up the unessential for her children, for instance money or even her own life, but she would never sacrifice herself. Madame Ratignolle demonstrates the values of a woman in their society when she replies with: “... but a woman who would give her life for her children could do no more than that--your Bible tells you so. I'm sure I couldn't do more than that.” (Chopin 64). This shows that Edna differs from the women in her society because she places herself above her family and focuses on her own happiness rather than tending to her children and husband’s every last need or want.

She raises her children with a distance between them. This void shows Edna’s lack of open wings, which is considered the norm of the 19th century expectations of women. Her newfound acceptance of neglecting her maternal responsibly ignited a much larger awakening within her. A sense of individuality and the “…realiz[ation of] her position in the universe as a human being, and ... her relations as an individual to the world within and about her” grew stronger (Chopin 15). She dislikes her role being entirely centered on domestic responsibilities so she begins to stretch the bindings of society.

The role of women in traditional societies was to tend to the house and the children. Women in those societies had no say in anything or in most cases men took away their voices. Now in our society women are able to speak out and do as they please. Men in those society’s wanted money, power, food on the table and for their women/wives to just be quiet and to sit back and be pretty. Although these women were from different backgrounds they were both dominated by the men and their family members. Leonce Pontellier (Edna’s Husband) dominated Edna by being a “good” husband and showering her with gifts and valuables. “Mrs. Pontellier was always very generous with the contents of such a box, she was quite used to receiving them when away from home…And the ladies selecting with dainty and discriminating fingers and a little greedily, all declared that Mr. Pontellier was the best husband in the world. Mrs. Pontelier was forced to admit that she knew of none better.” (Chopin.18-19) The fact that she’s

Immersion into the frame of mind of Edna Pontellier, in Kate Chopin’s The Awakening, is a fascinating experience, one with many conflicting internal and external influences. Like a marionette, Edna acts as a slave to her perceived social constraints in the beginning of The Awakening, a poignant contrast to her emotionally fueled, self-destructive choices towards the end. In the opening chapters of Edna’s story, she is described from an external viewpoint. Readers do not especially see the interworking of her thoughts and feelings through Chopin’s initial character sketch, “Mrs. Pontellier’s eyes were quick and bright; they were a yellowish brown, about the color of her hair” (5). Such a description is effective in producing a mental image of her appearance, yet her inner-identity remains a mystery. Although there is some foreshadowing lending readers to assume Edna’s dissatisfaction with her life, “She could not have told why she was crying. Such experiences as the foregoing were not uncommon in her married life” (Chopin 8). The true reasons for her distaste of being a housewife and mother are not revealed until later on. Eventually, the reader forms an understanding of Edna’s “lack of identity”, manifested through the relationships she becomes tangled in, from friendships to romance.

In The Awakening, the mother-women were “women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels (Chopin 19).” They readily relinquished their individual identities. Madame Ratignolle exemplified the role of the mother-woman as she was defined by and found pleasure in her roles of both wife and mother: she “played [the piano] very well, keeping excellent waltz time and infusing an expression into the strings that … inspired… keeping up her music on account of the children… because she and her husband both considered it a means of brightening the home and making it attractive (Chopin 61).” Although Edna revels in motherhood, she believes that there is an ideal truth beyond it. This truth, according to Dyer, cannot coexist with the social, the moral, or even the biological obligations of motherhood (105). Edna, therefore, finds

In several instances, she casually slips in French phrases and words. For example, the characters are referred to by social titles and not first names such as Madame Ratignolle and Mademoiselle Reisz. The central issue and theme is Edna's struggle with being the ideal, cookie cutter doting wife. She finds it hard to be as domestic and submissive as the women who were raised in a Creole household and community. She attempts to be a 'mother-wife" like the other women and ultimately ends up taking her own life because she despises it so much. Even though this work was published in 1899 it is still relevant today. Chopin's stories go hand in hand with modern feminism and the stigma that marriage is the ultimate goal.