Similarities Between King Lear And Much Ado About Nothing

In the play of Much Ado About Nothing, the characters of Benedick and Beatrice have a love-hate relationship. On the surface, it appears that their relationship is built on a war of wits and insults. However, in Benedick’s soliloquy, the reader discovers that at the core of their insults actually lie the true feelings of love. It is also apparent that Benedick even sees loving each other as a competition, in that he wants to love her to a point of outdoing her love for him. Not only is Benedick constantly warring with Beatrice, but he is also undergoing an internal struggle, which is made quite apparent in Benedick’s soliloquy in Act 2 Scene 3.

“Good comedy is tragedy narrowly averted”: these words were spoken by Jonathon Bate and Eric Rasmussen in their publishing of ‘William Shakespeare: Complete Works’. They show how many elements of comedy could be interpreted as almost tragic. The comedy in Much Ado About Nothing is often created when the audience can see that something could go horribly wrong, however it is saved in the nick of time. A sense of relief and light-heartedness is created, as customarily comedy is known to end in a meeting of characters at a gleeful point in time or occasion; most frequently with a wedding.

In Much Ado About Nothing, William Shakespeare depicts both Benedick and Beatrice as characters with one major flaw: both are full of pride. With the use of the masquerade scene, as well as the orchard scenes, Shakespeare allows the characters to realize their awry characteristic. By realizing their erroneous pride, Benedick and Beatrice are able to correct this and not only become better citizens, but fall in love.

In this Shakespearean comedy ‘Much Ado about Nothing’ two similarly obstinate characters of Beatrice and Benedick are presented between the rather normal relationship of characters Hero and Claudio. Shakespeare presents Beatrice and Benedick’s obstinacy towards the rather obligatory act of marriage and also their particularly similar personalities that cause reason for their familiar act of squabbling; he does this whilst also presenting two characters that are completely interested in marriage and who are hardly intellectually capable of squabbling in a similar manner. As the play unfolds both characters remain combative with one another but as love becomes the better of them, they begin to reveal that somewhat secretive sensitivity

 Much Ado About Nothing is one of William Shakespeare’s best comedies and love stories.  What is not to like about a play that is hilarious, romantic, and has a happy ending?  In this play the foremost and most intriguing character is Benedick, a man who is a devout bachelor and who does not believe he will ever find the perfect woman; --because perfect is exactly what he must have.  This may seem to be a harsh and pessimistic outlook on life, but the way Shakespeare brings this character to life portrays Benedick as a funny and caring man who really is not that certain about what he wants for the future.  Benedick’s counterpart in the play is Beatrice who is an independent woman

    Shakespeare's comedy, `Much Ado About Nothing' is a play revolved around the love and friendships of two young couples, integrated with each other through both friendship and love. Love and marriage are the two most prominent ideas in Shakespeare's comedies. The two couples are Benedick and Beatrice, an unpredicted match as they appear to be quite the opposite and are forever arguing in their poetic banter. The other couple is Claudio and Hero, the two who seem madly in love yet Claudio's untrusting and naive side takes power at one stage, in which the couple's relationship seems destined to be doomed. The two characters of Benedick and Claudio are very

A tragedy is beginning with a problem that affects everyone, for example, the whole town or all the characters involved, the tragic hero must solve this problem and this results in his banishment or death. A comedy is defined as also beginning with a problem, but one of less significant importance. The characters try to solve the problem and the story ends with all the characters uniting in either a marriage of a party. Although these two genres are seen as being complete opposites of each other, through further analysis one can gather that though they are different certain similarities can also be seen.

Shakespeare has written three different ‘types of genre’ in his plays. One of these is his Tragedies like ‘Macbeth’ and ‘Romeo and Juliet’. Another genre he writes within is Comedy, an example of which is ‘Much Ado About Nothing’.

For centuries, William Shakespeare has been a beacon of storytelling genius. He has the ability to tell timeless stories that can be classified within the genres comedy, tragedy and history. Proving as relevant today as they were 500 years ago, these stories conform to certain elements that define what genre the story falls under. Comedies such as The Taming of the Shrew and A Midsummer Night’s Dream, Tragedies such as Romeo and Juliet and Hamlet and Histories such as King John and Henry V have all played a relevant role in defining the genres Shakespeare writes

Nothing”, is no exception, leaving the audience or reader somewhat at a loss about whether or

A tragedy in literature is a tragic hero who falls due to a tragic flaw. Romeo’s immature personality has a huge effect on the end of the play. Romeo never thought before he acted, causing things to go wrong. For instance, before he killed Tybalt, he was angry in the moment not thinking about what would happen. When Romeo met Juliet he was in love with another girl. From here, his judgements eventually lead to his death. His tragic flaw is his unripe personality. Romeo enters this risky relationship as a young and carefree man, who doesn’t realize what could happen during this. The play Romeo and Juliet by William Shakespeare fits perfectly with the definition of a tragedy, beginning with two hopeless teens and ending in their death by their own violation.

While tragedies and comedies have some similar characteristics, there are some key differences that set them apart: tragedies focus more on characters to make the audience emotionally invested in each one and eventually in their inevitable downfall. On the other hand, comedies tend to focus more on situations than on characters preventing the audience from empathizing with the plight of the characters, to keep their attention on the humor of each scene. The goal of each ending is therefore very different. In a tragedy, once the audience is sufficiently invested in the protagonist, the play

In a comparison of comedy and tragedy, I will begin by looking at narrative. The narration in a comedy often involves union and togetherness as we see in the marriage scene at the end of Midsummer's Night Dream. William Hazlitt tells us that one can also expect incongruities, misunderstandings, and contradictions. I am reminded of the play The Importance of Being Ernest and the humor by way of mistaken identity. Sigmund Freud tells us to expect excess and exaggeration in comedy. Chekhov's Marriage Proposal displays this excess both in language and in movements. Charles Darwin insists that in a comedy "circumstances must not be of a momentous nature;" whereas, Northop Frye identifies

William Shakespeare is one of the utmost writers of all time. He is an English poet, playwright, and known actor. He was born in 1564 and grew up in England to become a very well-known playwright. Shakespeare was famous for his plays. Some of his famous works include, Hamlet, Macbeth, Romeo and Juliet, and King Lear. All four of these places have a common ground and that is tragedy. A tragedy is a play that possesses a comical situation that eventually leads to a difficult decision and the downfall of the protagonist of the story (Roberts 1022). A comedy is another form of playwriting, which is the antonym of tragedy. A comedy is a play that starts off in a tragic situation and eventually leads to a difficult happy ending (Robert 1257). In the play A Midsummer Night’s Dream, Shakespeare used comedy, tragedy, and denouement as a form of playwright to create his intriguing play.

In a genre that contradicts a novelist's affluence of narrative explication, the language in its purest form becomes Shakespeare's powerful instrument, wherein he controls it with the unusual combination of force, subtlety, and exactitude”