Similarities Between Madame Defarge And Lucie

Throughout the novel, the power of love triumphed over evil. When Miss Pross fights Madame Defarge to protect Lucie it shows Miss Pross’s love towards Lucie. Miss Pross is like a mother to Lucie and has been taking care of her for some time. Miss Pross

Justice is one of the main theme from this book, as each character tries to get justice. In this book we see the distress and agony that Madame Defarge suffers with. Mainly because of her sister’s deaths and family suffering, due to the Evremonde brother’s, Charles Darnay’s father and uncle. Ever since that happened she’s wanted justice for her and her family. The justice that Madame Defarge wanted later turn into retribution, which lead her to a path of darkness, making her wanting the death of Charles Darnay and his family. At the same time, she was fighting for justice for France, which made her want more lives to be dead for the good of her people. those dead are my dead, and that summons to answer for those things descends to me!’… “Then tell Wind and Fire where to stop,” … “but don’t tell me.” (Dickens 339) Many readers might portray her as the “villain” of this book, but she really is not. All she wanted is justice for what was done

Madame Defarge is portrayed as the condemner of death; she lurks the corners, as she continues to knit an endless kill list of all who have exasperated her. Dickens reveals Madame Defarge’s true intentions when Monsieur Defarge mentions, “To be registered, as doomed to destruction,”(p.7). Furthermore, Monsieur Defarge declared that Madame Defarge will never forget who is on the kill list. Madame Defarge holds an undeniable grudge against Charles’ father, thus meaning that Charles poses a threat to the Defarges, due to the fact that he is guilty by association. In Madame Defarge's eyes, murder is a virtuous necessity, in order to clear out the hazardous individuals who have in any way “wronged” her.

Lucy proves her love and impact on the men in her life with patience, loyalty and devotion. Although Lucie starts a marriage with Darnay, she manages to still take care of her father. In many conversations between Dr. Manette and Lucie, the doctor tells Lucie that “he found her more devoted to him married (if that could be) than single” (Dickens 219). Although marriage is a very demanding relationship, Lucie remains loyal to her

Dickens’ Madame Defarge develops a vast amount of hatred towards the Evremonde Family after the atrocities committed by them on

Lucie approaches, with tears in her eyes. The shoemaker asks who she is. Noticing her blonde hair, he removes a necklace he wears and reveals a scrap of paper containing some golden threads of hair—stray hairs from his wife, which he has kept all these years as a spiritual escape from his imprisonment. Overcome by emotion, Manette struggles to recognize his daughter. Lucie rocks Manette's head on her chest like a child. She promises him that his agony has ended, and gives thanks to God.

Although neither Madame Defarge nor Lucie Manette are well-developed as characters in themselves, both symbolize opposing forces. Lucie is lovely, golden-haired, and good, a symbol of light. By her very presence she draws the people together and brings them to their full potential. She enables Dr. Manette to return to health and peace, and inspires Sydney Carton to find redemption for his degenerate living in the ultimate sacrifice of his life. Madame DeFarge, however, is the symbol of evil and the inevitable forces of the French Revolution. Driven by the ravages of the aristocrats to an inconsumable hatreds she patiently knits the names of the tormentors soon to be

These individuals with extreme power were defeated partially because of the lower-class females, a group of individuals who had never before taken control over the people, as they were viewed as incapable. Lastly, Madame Defarge’s constant obsession with killing all who have hurt her personally and her class, is repeated multiple times in the novel. As the novel progresses, Madame Defarge becomes more obsessed and blood thirsty until she reaches one man , who she believes is worth killing after she simply “[observes] his face”(263). She goes on to demand that her husband allow her to “take care of his face.”(263) It is clear that Madame Defarge has reached a point of hysteria that makes her an extremely bloodthirsty individual, constantly searching for victims. Dickens uses Madame Defarge once again, to explain the extreme amounts of killings that were due to a woman’s decision. Through Dickens’ repetition of these phrases however, the reader can understand the power that women were able to execute over other females and the men, as the idea of a powerful female is visited multiple times throughout the

Ernst Defarge is first introduced as the wine-shop owner from Saint Antoine. He is introduced when Mr. Lorry and Ms. Manette come to find Doctor Manette. He was said to be one of Doctor Manette's servants back when Manette was an active doctor. He is also willing to help Lorry and Miss Manette with the Doctor. He is also shown as the leader of the Jacques and the revolution in that area. He was described as a sort of angry man with a "bull-neck" and "good-humoured looking on the whole, but implacable-looking, too; evidently a man of a strong resolution and a set purpose” (Dickens, 65). This description as one with resolution and purpose really describes his character

After marrying Lucie, Charles gets a letter from an old servant, saying he needs to go to Paris to help the servant out of prison. When Charles goes back he is arrested for being an aristocrat and for being an emigrant. His trial is one year and three months after he is imprisoned. Dr. Manette saves Charles Darnay during his first trial because he related to the crowd with his story of his imprisonment in the Bastille. The people took pity on Darnay and were inspired by Manette’s story and allow Charles to go free. This was the second time Charles is recalled. Charles is condemned again by three people who are later revealed as Monsieur and Madame Defarge, and Dr. Manette. He then goes back to prison to await his second trial. At this point, Sydney Carton is also in France. He knows of Charles’s danger and is planning a way to save him. Charles is waiting in his cell for his trial when Sydney comes in to talk with him. Sydney gets Charles to switch clothes with him and gives him something to sedate him. Once he is asleep and they have swapped clothes, John Barsad takes Charles out to an awaiting carriage. The next day Sydney goes to the guillotine in Charles’s place. Before he goes to die he is completely happy and content because he knows that this is what he meant when he told Lucie he loved her. “I see the lives for which I lay down my life, peaceful,

Olivia Miller Ms. Farmer Honors English 10 December 2016 Madame Defarge and Hatred Madame Defarge functions as a symbol of vengeance and hatred throughout A Tale of Two Cities. When she first appears on page thirty-five, she is described as being “a stout woman of about [her husband’s] age, with a watchful eye that seldom seemed to look at anything, a large hand heavily ringed, a steady face, strong features, and a great composure of manner.” Although she is built to be a strong figure, she is unassertive throughout the first book and seems to take the surrounding actions into account without looking from her knitting. Hatred (in any instance) boils under the surface before it is exposed; it is revealed in an attempt to modify the course of

When terrible things happen to good people there are two paths that can be traveled: forgiveness can be offered, or vengeance can be pursued. Madame Defarge from Charles Dickens’ A Tale of Two Cities, takes the latter of these two options and religiously lives by it, seeking revenge on the cruel heartless aristocracy plaguing France with famine, poverty, and oppression; however, the reasons behind her malice force the reader to understand why she performs such hateful acts during the French Revolution. Madame Defarge, though intelligent, is consumed by her hatred and has transformed into something just as bad, if not worse, than the members of the aristocracy.

The character Lucie Manette has grown a great deal and has been “recalled to life,” through her strength. The first couple chapters of the book Lucie faints due to the news she heard about her father. As it got to the very end Lucie was told her husband would die, and learning from her experiences she

Although the “rebirth” does not take place right then Lucie’s love for her father is never doubted for even a second. In chapter six, when she sees her father for the very first time Lucie says to him, “…that your agony is over...I have come here to take you from it...” (49), this marks the beginning of the doctor’s rebirth. Through this statement Dickens has Lucie promising that she will do anything for her father out of pure love. As the Manette’s travel back to England, in time it becomes clear that Lucie’s love towards her father is beginning to have an impact on his behavior. In chapter five, of the second book Dr. Manette is able to carry on a complete conversation, which shows the readers that he is regaining his sanity. Later on in chapter seven of the third book, Dickens reminds his readers again of how far Dr.Manette has come since that first day in the Defarge’s attic, “No garret, no shoemaking, no One Hundred and Five, North Tower, now! He had accomplished the task he had set himself…" (285-6). It is at this moment that the reader knows he has been resorted back to his old self before he was in prison. Throughout all the hardship and pain the doctor has to endure, his daughter Lucie never leaves his side.

Madame Defarge appears to be a minor character in the beginning, but turns spiteful and deceiving in the end. Always knitting, Madame Defarge seemed to be a watchful woman: “Madame Defarge, his wife, sat in the shop behind the counter as he came in. Madame Defarge was a stout woman of about his own age, with a watchful eye that seldom seemed to look at anything, a large hand heavily ringed, a steady face, strong features, and great composure of manner” (Dickens 21). Of this description, one would not assume anything of the character. In the end, it is realized that the two that were killed by Charles’ uncle and father were her siblings, leaving her the remaining sibling to carry the rage and hurt left by the wrong-doings of Marquis Evremonde and his brother. She is a strong advocate for the French Revolution, as she has been knitting the names of those whom the rebels, under the name “Jacques”, planned to kill. Once it became apparent Charles was the descendant left to take the repercussions for his family, Madame Defarge plans to attack Lucie and her child due to the fact that they were associated with Charles and his family. Her plan of murder ultimately fails, and in turn, she ends up dying herself at the hand of her own bullet.