Similarities Between Night And Night Michelangelo

Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only amazing by the meaning but the glorious detail that Michelangelo was able to go into with practically a hammer and chisel.

Michelangelo’s art, which relied heavily on the human body reflected the Renaissance Period’s interest in humanism and the individual experience. Michelangelo often studied the human anatomy, and even looked at and dissected corpses. Great examples of this are two of his earlier sculptures; the Pietå and the David, revealed his true talent and also his disposition to bend rules of anatomy and proportion i the service of greater expressive power. His ability to portray humans in the Renaissance Period, which was his great talent, showing the values of the period though his sculptures and paintings, which appealed to the people of this period. Arguably his most well known work, the painting on the ceiling of the Sistine Chapel, which was painted to show humanity’s need for salvation offered by God through Jesus.

The Medici family was the most powerful political family of Florence. They saw themselves as being the reason for Florence’s supremacy and wanted to used Florence’s symbol of David as their own. The Medici were aware of Donatello’s earlier sculpture of David in Florence’s town hall and commissioned Donatello to create them their own sculpture of David. Donatello’s bronze sculpture of David possesses both the relaxed contrapposto and the nude beauty of the Classical period and the style of the Greeks. He was the first Renaissance sculptor to portray nude male figure. “In the Middle Ages, the clergy regarded nude statues as both indecent and idolatrous, and nudity in general appeared only rarely in art”

From the late fifteenth century to the genesis of the sixteenth, a new movement influenced art in Europe, expanding the bleak limits of past art and created some of the most memorable masterpieces in history. The creators of these artworks during these decades of the Renaissance include Leonardo da Vinci, Michelangelo Buonarroti, and Raphael Sanzio. Influenced and sometimes driven competitively by each other, these artists share differences and similarities in their life, art style and techniques, and interests.

While male nudity was straightforward and hiding nothing, female nudity was more reserved. In the first fully nude female sculpture, Aphrodite of Knidos by Praxitales c. 350-340bc., "the ‘feminine principle’ (is invented) which as a demure pose where the knees are brought together and sometimes the hand is discreetly before the genitals"(Riffert). This reference shows that in art as in life, women are depicted as less than equal to their bold male counterparts. Usually female statues were either draped in some way or

Reclining nude female is a common subject matter in art history since the Venetian Renaissance, Titian’s Venus of Urbino painted in 1538 is one of the earliest reclining nude female in painting history. It described a beautiful young female laying on her bed with her sleeping dog, on the back ground is her maids looking for cloth or her in the cassone. Manet’s Olympia that painted in 1865 is a painting with a similar composition, A nude young female who was suggested a prostitute, behind her is her black female maid holding a big bouquet of flower which is possibly from her customer. On the same part of the composition, there is an animal as well, but this time it is a cat. Titian and Manet’s reclining nude female have a same composition and subject matter, however They are very different in art history, both stylistically and culturally.

The Renaissance was a period in Europe civilisation that immediately followed the Middle Ages. It was an era of cultural growth that was introduced in Italy and was carried on throughout northern Europe lasting the 14th to 17th century. Many artists and scholars of that time period believed that they were contributing in a revival of the ideals and worth of the periods that arrive before them. The Renaissance period open doors for individuals to rediscover one’s will and obligations of observing the environment. It was an opening for them to express themselves in human terms. They shifted their interest from God centred to humans centred, known as Humanism. The Renaissance had expanded into four periods which were classified as Early Renaissance,

The reading claims that nudes throughout artistic history have been an important source of beauty and controversy. Nudes began to spike during the Baroque period as they were used for the more expressive and emotional arts of the time. In the nineteenth century, nudes became more common, yet became more sensitive. Artists would train by drawing nudes of ancient Greek statues and figures from myth. However, many artists would then move on to create works depicting prostitutes or peasant naked women. This would not please patrons as they were extremely societally taboo. However, this did not start artists from making them, as they moved into the twentieth and twenty-first century. This shows the importance of artistic nudes and their impact

Michelangelo has a humanist upbringing that influenced his work. He wants to portray how humans have potential rather than they are sinful. That is why he portrays God and angels with human forms. There is no shame in nude sculpture

It was determined that the women in the portrait was most likely a freeborn, upper-middle class citizen of Rome. The portrait seems to have been a part of a funerary monument, a conclusion which was drawn due to the pattern of cleavage observed at the back of her head and the sides of her face. It was also observed that there was a

From Pollaiuolo creator of the engraving Battle of the Nudes to Michelangelo's David the human form was not about reality but idealism the ultimate portrayal of God's ultimate creation. This perfected view of the human form can also be seen later in Da Vinci's Vitruvian Man and Michelangelo's muscular figures whether male or female. Humanism’s affects did not stop there. The topics of paintings also began to change. Botticelli’s Primavera and The Birth of Venus depict this change clearly. Both show mythological themes. The focus on these themes inspired Raphael and Titan to develop their famous pieces as the early Renaissance became the High Renaissance. From here interesting occurrences began to evolve. Humanism itself develops a new school of thought known as Neo-Platonism; an idea that mixes ancient philosophy and Christian truth. For example, the reaction to Botticelli's creations was that of others trying to find a religious meaning within the mythological topic. Slowly however, even this will fade as the Mannerist style develops. Along with the movement toward secular and eventually erotic portrayals of art the artist began to enjoy a new status. Duke explains that they became “practitioners of the high-status liberal arts” someone to be sought after, someone to study and someone to stand in awe of. Humanism’s affect spread north but there

Twenty eight years after Giorgione’s death, as a close friend to him, Titian created another version of the reclining female nude, which is also one of the most famous female nude in art history - the Venus of Urbino in 1538. It was an oil painting on canvas, and now located at Uffizi gallery in Florence.

Another one of Michelangelo’s Renaissance masterpieces known as Pieta was created between 1498 and 1499. This masterpiece was displayed in St. Peter’s Basilica in Vatican City. The Pieta depicts the Virgin Mary holding the body of her son, Jesus Christ after His crucifixion. Like Michelangelo’s famous sculpture David, his masterpiece Pieta has also been re-created many times by other painters and sculptors.

Artist and people viewing the art work have always had a fascination with the female nude. Even when I was a child my attention was captured by the nude art not because I was a kid and I saw a nude lady , but it forced me to wonder more about why the female nude was so amazing as a tool for art and why this is repeated so many times throughout the centuries. One female nude painting in particular was the subject of controversy and exposed the syncretism and or the power of the female nude painting.

By the time Michelangelo returned to Florence, he had become somewhat of an art star. He had taken over commissions for a statue of “David”, and several other commissions, including a important project for the tomb of Pope Julis II, but this project was interrupted due to a request for Michelangelo to decorate the ceiling of the Sistine Chapel. Michelangelo continued the work on the tomb of Julis II after the Sistine Chapel was completed, and even designed the Medici Chapel and the Laurentian Library.