Comparing Pentheus And Dionysus The King Of The Bacchae

Theater in ancient Greece was considered the climax of the days long cultural festival of The City Dionysia. At the festival, various types of plays were shown but one of the most popular was tragedy. These tragedies show the main character, usually a god or person of myth, going through human suffering and the terrible sequence of events that followed; and were produced in 472- 401 BCE. In order for a play to be performed at The City Dionysia festival; tragic playwrights would first have to appeal to the state official that was organizing the festival by submitting ideas to him and his committee. The ideas submitted were outlines of main themes and points of interest to be performed in the play. If a playwright was selected by the state official and his committee, then they received a financial backer and a chance to compete in the drama competition of the festival. The state official, or his committee, was likely pushing their own agenda and choose playwrights that matched their ideals. This is just one example of how theater in ancient Greece was used to influence the morality of Greek culture by using the stories of tragedies, like those of Euripides.

The two types of Greek dramas would be popular and performances spread around the Mediterranean influenced Hellenistic and Roman theatre. The works of such great playwrights as Sophocles and Aristophanes formed the foundation upon which all modern theatre is based.(Ancient Greek theatre,Ancient history encyclopedia by Mark Cartwright July 14 2016) “ Greek theater is still one of the most important and long-lasting theatrical influences in the world, and with some Greek plays still being performed to this day.

One would clearly be able to see these noticeable similarities between Dionysus and Apollo, but I feel that their severe differences are not as obvious. When taken into consideration, half-brothers that are both Gods would not be deemed such opposites. Their character's express extreme parallels of personality, one being passive and the other more aggressive. I believe that for all of Apollo and Dionysus' similarities, that they are more different than anyone would conclude. It doesn't seem that they would meet eye to eye on any one subject and that

Theatre flourished in Greece, particularly in Athens, between c. 550 BC and c. 220 BC. During its beginnings theatrical performances were part of Dionysia, a festival held in honour of the god Dionysus. The plot of the plays was always inspired by Greek mythology, a theme that is still common today. Many modern plays and movies have been directly based on or incorporated elements of Greek mythology or simply mythology in general. Every play had a chorus, though the size and importance of it varied. The

The Greek used plays to talk about moral and social issues. For example comedies were humorous and mocked or made fun of social issues, people, and custom. The plays were also shown outside. In document 6, there is an excerpt from the play Antigone by Sophocles. The play is considered to be a tragedy, which is a type of drama. Tragedies tell a story about suffering and usually end badly or in disaster. In the play Antigone overstepped Creon’s laws and buried her brother. In the excerpt from document 6 Antigone states, “Nor do I think your orders were so strong that you, a mortal man, could overrun the gods’ unwritten and unfailing laws..” This shows us how the gods’ were very important in Greek life. Antigone believed that Creon’s laws are his and not the gods’. Antigone also believed that Creon was just a mortal man and that she should obey her conscience. Today, we still incorporate our own values and what is important to us into plays. Therefore, this proves how the ancient Greeks have made many contributions in the areas of architecture,art and performing arts to the Western civilization.

The culture where the sculpture was produced was Roman. During this period of time, Dionysus was a religious cult figure at the temples. As a mythological personification, Dionysus was believed to be a youthful, joyful and effeminate figure. He was the God of wine, celebration and divine intoxication of power. The female figure standing next to him is Spes, the Goddess of hope, who brought harmony to society. Both statues together represented peace, calm and prosperity to the lands.

When arguing the statement, the character of Pentheus in the Bacchae is portrayed as earning his fate, whereas the character of Hippolytus in the Hippolytus is portrayed as an innocent victim of the god, I must both, agree and disagree with it. I would definitely agree with it on a shallow point of view, but would have to disagree with it upon dissecting both the stories. The stories tell of Hippolytus being killed for something he did not do, while Pentheus was killed for not accepting the god Dionysus. But when you look deep into the meaning of each story, the apparent black and white assumptions of innocents and guilt change from definitive to doubt to say the least.

I chose to compare and contrast two works of art that featured the god Dionysos. Dionysos was a god of celebration and wine, promoting both the intoxicating power of wine and its social benefits for bringing people together. He was an advocate of peace and a promoter of peaceful civilization. Both The Hope Dionysos and the Triumph of Dionysos and the Seasons Sarcophagus represent why Dionysos was such an important and celebrated figure in mythology, which is why I chose to analyze two works of art that centered on him. My first impression of each piece was of Dionysos as a peaceful, benevolent and joyful figure. I was struck by the calm peacefulness he embodied in The Hope Dionysos and the happiness he shared on the Triumph of Dionysos and the Seasons Sarcophagus. Though there are many elements to compare and contrast, my analysis will show that both pieces are tributes and representations of Dionysos meaning and purpose in Roman art.

As far as I know the Apollonian and the Dionysian are both the sons of (God of the sky’s) Zeus, Apollonian is the god of reason and the rational, while the Dionysian is the god of the irrational and chaos, and that is coming from the Greek mythology. From that mythology I understand that the Apollonian is based on reason and the logic thinking, and the Dionysian is based on chaos and

As Pentheus interrogates Dionysus he again is issued a direct warning not to go against the will of the gods by persecuting one whom the gods favor. As Dionysus calmly states, "Very well, I¹ll go along with this wrongful undestined destiny, but remember this: Dionysus, who you say does not exist, will wreak revenge on you for this" (Euripides 417). The story culminates in Dionysus playing on Pentheus¹ curiosity and voyeurism regarding the intoxicated hordes of Thebian women, by tricking him to go out to see them in action. Pentheus is brutally ripped apart by the possessed women, yet in effect it was his own actions that caused his destruction. As Dionysus directly addresses the hubris of Pentheus, "The sins of jealousy and anger made this Pentheus deal unjustly with one bringing blessings, whom he disgracefully imprisoned and insulted; and so he met his end at the hands of his own kin‹ an unnatural end and yet a just one" (Euripides 453).

Greeks took entertainment very seriously. They used drama to investigate the world in which they lived. One of the main themes they used was the theme, "What it meant to be human". There are three major Greeks drama genres; comedy, satyr, and tragedy. All of these help in telling us how Greeks went about deciding what plays to put on and when.

Dionysus moved on to Thebes, which at the time was ruled by his cousin Pentheus. Pentheus did not know who Dionysus was, or that he was a god. Dionysus was with his group of followers, we were singing and dancing while drunk on wine. Pentheus did not like the strangers, and ordered his guards to imprison all of them. Pentheus insulted Dionysus, and called him a ‘cheating sorcerer’. The prophet Teiresias, who had already dressed as one of Dionysus's followers gave Pentheus a warning: "The man you reject is a new god. He is Semele's child, whom Zeus rescued. He and Demeter, are the greatest upon earth for men.” Pentheus laughed at Teiresias, and ordered the guards to continue.

Ancient Greek Theater is the first historical record of “drama,” which is the Greek term meaning “to do” or “to act.” Beginning in the 5th century BC, Greek Theater developed into an art that is still used today. During the golden age of the Athenians plays were created, plays that are considered among the greatest works of world drama. Today there are thousands of well-known plays and films based on the re-make of ancient drama.

Tragedy as a form works differently than modern drama when compared to the ancient Greeks. When it comes to modern drama, the main character is usually an ordinary person, someone who is middle class. Where as with Greek tragedy, the main character is someone important and noble, such as a king or queen. Modern drama revolves around everyday problems such as social, economical, or personal conflicts. Greek Tragedies seem to be very linear. It’s mostly about the hero making a bad decision from the beginning of the play, which leads to his or her downfall in the end. Although, they were of higher ranking, ancient Greek’s beliefs made the main character powerless to avoid their fate, which was controlled by the gods. As far as conventions go, Greek Tragedies are very unified. The tragedy of the royal protagonist will go through only one time span, a day or less, one setting, and one story. In a modern tragedy, however, the ordinary protagonist’s story goes through multiple realistic settings and a realistic time line. Also, the story would contain multiple plots, which may contain flashbacks.

In the play Oedipus the King, took place around 429 BC in a place called the royal house of Thebes. However, “many years have passed by since Oedipus solved the riddle of the sphinx and now a plague has struck the city.” it’s Oedipus fate that encourage him to make bad decisions. In the play Lysistrata, was introduced around 411 BC, during a war comedy by the ancient Greeks in a city called Athens. The annual theatre festivals started in Athens, which gave birth to democracy. Over a period of time, Athens was known as a city-state that was divided among four different tribes. Both plays were a part of the festivals, which were produced by the people and citizens. It was a gift for the entire city and they enjoyed it.