Similarities Between Richard III And George Martin's Baratheon

However, an argument contradicting this idea lies in the persona of Richard, Duke of York, who was the King’s closest adult male relative and the most famous and influential of the great magnates in 1450. Also before 1453 York was heir presumptive. He was descended from Edmund of Langley, 1st Duke of York and fourth son of Edward III on his father’s side. On his mother’s side he was descended from Lionel of Clarence, Edward’s second son. York’s close blood relationship to the king could admit him to the throne. Not only did he claim the descent from King Edward III, but also claimed to the throne. The Battle of St. Albans is the straightforward proof of it. He evidently felt that he had a sense of duty and a right to play a fundamental role in government. Richard was an obvious threat to Henry’s kingship: unlike the last one he was a competent politician, a distinct warrior and a father of healthy sons. In other words, his power of personality harmonized his goal, which by 1450s, had come to embrace the crown of England.

These traits that Richard displayed were not befitting to a king and a man who was suppose to lead. Rather than look out for the

he finally wins the mayor and the alderman over and receives the offer to "the

Richard’s political ambition is revealed through his strategic calculations based on the order of birth in his York family which puts him third away from the throne. Ahead of him is his elder brother, George Clarence, a barrier which will have to eradicate. His brother, King Edward, is another political barrier, by simply being alive, in power and equally by being the father of the two young princes . Richard’s creates a political mistrust between his two

William Shakespeare’s Richard III is a historical play that focuses on one of his most famous and complex villainous characters. Richard III or The Duke of Gloucester, who eventually becomes king, is ambitious, bitter, ugly and deformed. He manipulates and murders his way to the throne and sets the tone for the whole play with his very first speech, which is the opening of the play.

Richard III, King of England, murdered his two nephews in order to maintain his power. This novel also

A deeper understanding of ambition and identity emerges from pursuing the connections between King Richard III and Looking for Richard.

Shakespeare used the physical deformities and the gray areas of history to create one of the most well known villains of all time. Shakespeare’s play, Richard III, is the leading voice in the Richard III story. He is portrayed as an ugly villain, an image that is fueling the way people think, talk and reference Richard III. In reality he differed as a person, but many mysteries remain unsolved. The murder of the princes in the tower at the hand of Richard III is still undecided. In more recent terms we are able to see what he actually looked like and if his physical appearance played the role it did in real life. Richard III is an unloved king by many people even though we base most of our assumptions on a play.

Richard’s aspiration for power caused him to sacrifice his morals and loyalties in order to gain the throne of England. Shakespeare refers to the political instability of England, which is evident through the War of the Roses between the Yorks and Lancastrians fighting for the right to rule. In order to educate and entertain the audience of the instability of politics, Shakespeare poses Richard as a caricature of the Vice who is willing to do anything to get what he wants. As a result, the plans Richard executed were unethical, but done with pride and cunningness. Additionally, his physically crippled figure that was, “so lamely and unfashionable, that dogs bark at me as I halt by them,” reflects the deformity and corruption of his soul. The constant fauna imagery of Richard as the boar reflected his greedy nature and emphasises that he has lost his sense of humanity.

Hastings is manipulated into believing that Richard will protect him in any situation as he says, “As thou and I, who, as thou know’st, are dear /To princely Richard and to Buckingham.” (66-68) Richard’s concealed operations are proven successful as Hastings is deceived by Catesby’s illusive words. The many occurrences of double entendre through Catesby’s replies add to the irony, but also demonstrate how Richard’s mischievous implications are hidden from Hastings, but not from the audience. Richard’s manipulative expertise can also be shown by, not only his enemies, but also his friends and followers.

King Robert’s brothers Renly and Stannis Baratheon both claimed to be the rightful king because they believed that Joffrey was born of incest. The other main problem was the conflict with the Others. So far, only the Night’s Watch has encountered them while ranging, but in those few encounters, numerous lives were lost. The Others are planning to destroy the Night’s Watch and then the rest of the realm.

Richard II is an authoritative and greedy king of England, and he is living in a period of transition that medieval knights who are swearing total loyalty to a king has been disappearing and an aristocracy starts to gain a power for their own good. However, Richard II keeps believing the power of kingship, and he also is too confident himself. He overestimates his authority and power; furthermore, he ignores the periodical change. Therefore, he speaks confidently how firm his position as king is to the people in Wales, but his attitude changes when he suffers a defeat by Henry Bolingbroke that he

Throughout all great works of literature, the authors try to include a theme or center point to base their writing on. Within the plot there can be found many similar references and coinciding points to be discovered among the lines the author writes. Richard III is a play written by the great playwright, poet, and storyteller, William Shakespeare. He was a man who wrote many popular stories known today as some of the greatest works of literary art ever read. He lived throughout the late 16th century into the early 17th century, a time where he produced many plays that were appreciated by the masses and even some royalty. Richard III, one of his popular works, is rife with political criticisms while simultaneously veiled by comedic coverage full of metaphoric insults.

Early on in the play, we learn of the character Buckingham and his allegiance sworn to Richard, the Duke of Gloucester. One can view Buckingham as Richard’s partner in arms. Throughout most of the play, we see the two conspirators design and carry out evil and malicious acts to place Richard as the king. They were willing to remove any obstacle in order for a new king to be crowned. Clarence, Hastings, and Lady Anne are a few of the characters who befell a gruesome fate due to the conspiracy of Richard and Buckingham. Buckingham is completely devoted to Richard’s cause and will stop at

A general conclusion of most critics is that Richard II is a play about the deposition of a "weak and effeminate" king. That he was a weak king, will be conceded. That he was an inferior person, will not. The insight to Richard's character and motivation is to view him as a person consistently acting his way through life. Richard was a man who held great love for show and ceremony. This idiosyncrasy certainly led him to make decisions as king that were poor, and in effect an inept ruler. If not for this defect in character, Richard could be viewed as a witty, intelligent person, albeit ill-suited for his inherited occupation.