Similarities Between The Lion King And Claudius

The Royal Shakespeare Company’s 2009 adaptation of Hamlet shows resembance to Disney’s 1994 production of the Lion King. Each film revolves around a male protagonist, who must cope with the death of his father, murdered by his uncle. Both characters are a prince, and threats to the throne which makes them targets for murder. They each experience emotional trauma in order to overthrow the corrupt king. Gregory Duncan had an unusual vision for his modern rendition of Shakespeare’s Hamlet, just as Roger Allen had for his African themed one. One parallel event which stands prominent is Hamlet’s second encounter with his father’s spirit compared to Simba’s with his. Each director effectively used characterization, as well as manipulated their script to fulfill their interpretation of this scene from the classic story. Thus, proving that each film reflects the positive and negative connections within a family in a monarchy's society.

After the process of making their way back home, both princes end up with fighting with their uncles. In “The Lion King”, Simba fights with Scar and Scar gets killed by the hyenas. Prince Hamlet in Hamlet kills king Claudius with a poisonous knife. Both “The Lion King” and “Hamlet” allows the main character to overcome a moral struggle. In “The Lion King”, Simba must act and be the king of his palace for sake of the animals of the kingdom and his father instead of running from what happened in the past. In “Hamlet”, prince Hamlet must decide to kill his uncle and take the risk of getting himself killed, or to keep the secret of King Claudius killing King Hamlet and live with it for the rest of his life.

When King Hamlet passes away everyone seemed to want to just forget about him and act like he never existed, including Queen Gertrude. That would explain why Hamlet really wants to get revenge on Claudius so bad. He wants his father to still have some sort of legacy and not just be thrown away like a piece of trash. Since Claudius became king he just shows his true self more and more which makes Hamlet angrier and his sense for revenge stronger.

In comparison, Scar’s selfish character is similar to that of Claudius. Both Scar and Claudius have an unpleasant image. Scar is dark in colour, skinny, with long black nails and green evil eyes. The eyes represent jealousy, greed, and envy. Both characters are “thinly veiled” and scheme to destroy people they dislike. In the opening scene of the Lion King, Mufasa confronts his brother Scar. “Don’t turn your back on me!” Mufasa stops Scar with a warning. Scar shoots back – “No, perhaps you shouldn’t turn your back on me!” This is a veiled threat on the king’s life. Because the king is never introduced in Hamlet, the audience is left to wonder whether the king had any notice that his brother wanted him dead. However there is a

There is a lot of similarities between the Lion King and Hamlet. One of the biggest similarities is the characters, their traits, and their aspiration. In the Lion King Simba’s uncle Scar killed Simba’s dad and in the play Hamlet, Claudius killed Hamlet’s father. Simba and Hamlet are super alike. They both are loving, caring, empowered, fighters and they both want to kill their uncles because of what they did to their dads. Ophelia and Nala are both loving, caring and care about Simba/Hamlet. Ophelia and Nala are both the love interest of the main character. Scar and Claudius both want control of the kingdom. Simba and Hamlet both disappear from their families for a little. Both of the families in the Lion King and Hamlet are royal families. There is still a lot more similarities, but they mostly all have to do with character traits and what they do.

Hamlet had the opportunity to kill Claudius at the chapel but restrained himself, he believed it was too good of a death for Claudius and that if he were killed his sins would be forgiven. This shows his lack of action and proves he is a procrastinator. In his soliloquies he constantly criticizes himself for the obvious avoidance of responsibility saying, "Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, as deep as to the lungs? who does me this?" (Act 2 Sc. 2, 571-575)

Hamlet really wanted the revenge on Claudius but was really on the fence of what to actually do to follow through with then plan. Claudius was brave to feel so free, as Hamlet had opportunities to take advantage of him and had plenty of hate towards him for more than one reason. The action Hamlet may want and outcome of it, may be completely different as to what his father would do or like him to do.

Beyond Claudius’ need for admiration, he also tends to disregard the feelings of people around him. This is shown in a similar way as his need for admiration, being that he kills his brother to gain power. Such a selfish action will obviously impact those around King Hamlet, but Claudius disregard that and simply does it for his own gain. He doesn’t think about how Hamlet’s death will affect Gertrude, young Hamlet, Polonius, or anyone else close to him. In the aftermath of this, instead of helping Hamlet through the hard time following his fathers sudden death, he tells Hamlet he’s not a man for mourning for such a long time. Staying on the topic of the death of a father, Claudius uses Polonius’ death to get Laertes to want to avenge his

Green with envy, Scar and Claudius result to murder to achieve victory in gaining power over the thrown. Scar, from the beginning of the film, clearly shows distaste and envy of his older brother; his first lines towards a rodent he has caught for lunch are “Life’s not fair is it? You see I-well, I…shall never be King. And you…shall never see light of another day” (Minkoff & Allers, 1994). Scar’s opening lines are a deep foreshadowing of the upcoming plot and the reason why he decides to murder his own brother. Scar later in the film murders his brother, Mufasa by throwing him over the edge and falling into a pack of wild beasts. Claudius, in Hamlet, keeps

In Shakespeare’s play Hamlet, various characters manipulate others in order to gain power and fulfill their personal desires. The character who portrays the most immense manipulation is King Claudius, the brother of the late King Hamlet. Thus far, Claudius advertises himself as a sensible, honorable man who lives to serve the greater good, yet his manipulation exposes his dubious intentions, leaving him with an unfortunate fate.

In the play Hamlet, Claudius is known as the villain of the play. He is the lead antagonist who is characterized as a cunning, incestuous, and vile, usurper. Many readers and critics of the play do not dispute this perception, especially after reading how Claudius became the King of Denmark; He steals the throne by poisoning his brother, the previous king, and quickly marrying Queen Gertrude his widowed sister in law (1.5.42, 60-74). The general reading of Claudius’s character paints him to be a corrupt, cowardly politician, in addition to being Hamlet’s (the protagonist) foe. This portrait engages first-time readers to judge Claudius immediately and although this perspective of his personality is proven to be true, it is limited. Claudius

William Shakespeare’s Hamlet explores and condones the same variety of themes in Disney’s The Lion King. Through a number of events, both the antagonists want to take revenge upon their evil uncles. The reader and audience learn the importance of finding happiness when Simba meets Timon and Pumba, but Hamlet is neglected leaving him to spiral into dark thoughts. Another theme explored by both texts is power and how easy it is to lose what’s all around you as well as the even bigger struggle it is to gain it all back. Both texts have a variety of differences, yet they are very similar which makes them unique. Especially The Lion King, being aimed at a younger audience, it is evident to see how Disney has purposely left out harsh topics, such as suicide, to cater for the indented audience.

Hatred and betrayal lead to nothing but pain and death. Shakespeare references Emperor Nero, and how his mother's betrayal led to Nero sinking her ship, and when that didn’t kill her, sending out an group of legionnaires to kill her. This is similar to Hamlet and his position in the play. Although he doesn't have the same bloodthirst as Nero, he shares the idea of betrayal. Both Nero and Hamlet share the idea that their mother betrayed their father, both of them have a stepfather whose name is Claudius, and both can be acknowledged as killers. This revenge of theirs will forever change how they are portrayed.

One of the main aspects that connects The Lion King and Hamlet is the characters. Simba and Hamlet are both princes of their kingdoms. Hamlet, a man, and Simba, a lion cub, are in the same situation which is coping with and avenging their fathers’ deaths. Hamlet goes crazy and creates a whole plan of revenge but Simba simply runs from the problem altogether

Unlike Hamlet though, Claudius thinks about his actions because he wants to make sure he makes a decision that will be the best for him. He knows if he just kills Hamlet the people of the kingdom will turn on him because of the love they all share for Hamlet. He sends in Rozencrantz and Guildenstern to find out what is wrong with Hamlet so that Claudius can decide what to do from there. His decision to send Rozencrantz and Guildenstern to spy on and talk to Hamlet is illustrated when he says, “So by your companies/To draw him on pleasures, and to gather/So much as from occasion you may glean/[Whether aught to us unknown afflicts him thus]/That opened lies within our remedy” (II.II.14-18). Claudius and Hamlet are both extremely sly and cunning and posses similarities with their ability to act, but this could merely be because of the education they both have which has brought them common sense and the ability to think before acting. One major difference of their ability to act is when Hamlet acts on impulse and kills Claudius’ advisor Polonius. Hamlet unlike Claudius has so much anger built up inside of him because of his father’s death and it kept building and building until he finally let it out when talking to his mother about Claudius. He heard a noise from behind a curtain which was Polonius’, and without thinking Hamlet stabs him releasing some of his pent up aggression. Hamlet shows the anger he has within when he says, “A bloody deed-almost as