Similarities Between Way Down East And Sleeping With The Enemy

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

as the weaker sex, both the woman find a way to cope with the situation, and both stories have a tragic and ironic ending.

For this assignment, our group chose the movie “Sleeping With the Enemy” a terrifying domestic violence experience whose main characters were Laura and Martin Burney. They live in a private section of Cape Cod. Laura is a housewife who endures an abusive and controlling relationship (Ruben, 1991). Martin is her husband who maintains a belief that men control women by providing their wife’s with economic resources and that in return he believes that his wife should be obedient and submissive. Martin displays multiple signs and symptoms of obsessive-compulsive disorder. He is preoccupied with details, rules, lists, and being organized (Ruben, 1991).

In both play both wives Linda Loman and Rose Maxson express deep feelings of love towards their husbands, they both go through hardships with their husbands

The film begins with Thelma (Geena Davis) and Louise (Susan Sarandon), living repressed lives in Arkansas. Both women have stereotypical roles in this movie. As best friends, they decide to go on an adventure that takes a dramatic turn and ends up being an adventurous police chase to the sudden death. Thelma is an unhappy housewife who despises her husband (Daryl), who is a bumbling, controlling and narcissistic. Her character is somewhat infantile, in that she relies completely on her husband for support. She is too timid to confront him about going on a weekend getaway with her best friend Louise. Her timidity is evident in every act she displays. She is unhappy with her life as a housewife but doesn't blatantly show it. She cooks

In both stories, each woman was put into a stereotypical role of being housewives. This was popular in history because women did not have much choice or option rather then stay home and cook, clean, take care of their children, etc. Both women were married but instead of appreciating their lives in a joyful perspective, they were oppressed by their living conditions. In both stories, there is a window scene mentioned. The window seems to have symbolism of freedom which is ironic, because in reality they were both trapped in unhappiness. Each time the characters looked through their windows, the outside view is described through the characters perspective in a optimistic and desirable tune, while staying

Despite differing story lines, Charlotte Gilman’s The Yellow Wallpaper, John Steinbeck’s The Chrysanthemums and Kate Chopin’s The Awakening, depict the same suffering; the isolation that women have been forced to endure throughout history. In the time period that all three characters were placed, it was culturally acceptable for wives to be dominated by their husbands; their responsibility revolving around the needs of their children and those of their spouse. Most women simply did not have a means or an idea of how to rebel against their husbands. The women in all three stories are protagonists who have poor relationships of emotional attachment with their spouses. While the main character of Gilman’s story endures multiple psychotic

At first, John from “The Yellow Wallpaper” and Leroy Moffitt from “Shiloh” seem completely different from each other. John is a physician who only believes in what he can physically see, while Leroy is a man lost in his own life, looking for a purpose. John’s wife is very dependent on him, whereas Leroy’s wife Norma Jean has her own life. However, the two seem more alike than first appears. If we compare John and Leroy, we can see both stories demonstrate how husbands can drive their wives away by being too restrictive of them.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sinclair Ross’s “The Painted Door” are both stories about women protagonists who feel emotionally isolated from their husbands, who both go by the name John. Ann in “The Painted the Door” and the wife whose name may or may not be Jane in “The Yellow Wallpaper” are women who deal with emotional isolation. Emotional isolation is a state of isolation where one may be in a relationship but still feel emotional separation. In these two stories, both women feel emotionally isolated from their husbands due to lack of communication. In both stories, lack of communication results from one individual failing to disclose their true feelings and instead he or she are beating around the bush, hoping the other party will know what they want. If both parties directly disclose their desires and feelings to one another, there would be a better understanding of each other which as a result would help save marriages. This paper will look at how both women lack communication, how they both their approach their emotional isolation differently, and how their failure to communicate to their husbands and their approach, results in the failure to save their marriage. “The Painted Door” and “The Yellow Wallpaper” are stories that show how both women protagonists are emotionally isolated due to their failure to communicate their feelings and desires to their husbands. Instead of direct communication to their husbands, the women find other

In the novel Night by Elie Wiesel and the article “War Changed My Dad” by Michelle Crouch the two author’s use of imagery is different because one used visual and the other used auditory. An example of this difference in Night is visual. The imagery Elie Wiesel includes helps to create a picture in the reader's mind. An example of this in the novel is line 68. The imagery Michelle Crouch uses makes you imagine sounds. For example, “When the helicopters carrying the troops roared overhead, everybody cheered.”

Gender roles have been, and unfortunately still are, evident in our everyday lives for quite sometime. Women are often portrayed as sexual objects, or delicate individuals; a body with no brain or strength. These traits are easily found within many novels and movies- old and new. In Alfred Hitchcock’s films, Rear Window and Strangers on a Train, Hitchcock begins his films representing women with the same characteristics as stated above. They are very stylish, attractive and presented as second-class individuals to males. But after examining these two films, Hitchcock does something that many directors in his time would not have dared to do. By making the women the heroine and arguably the protagonist of the storyline, Hitchcock proves to

Marriage, the central part of the lives of the main characters, is viewed in opposing ways through their actions. Susan's, Edgar's wife, description of what Edgar's love did for her involves the contrasting natural elements of snow and heat, also the elements of

A young, married couple, part of this family also, is also struggling because the man is thinking on leaving. His wife is pregnant, but he believes the child is not his. She was rape, and this has drawn them apart. Two more women, are part of this family. They come to the island from the main land on the day the movie describes. One of them is religious; she believes in Jesus Crist. This is another struggle between religious traditions. The other women left the Island long ago to live in the main land. In this day she was coming back to her land to stay, to rediscover herself. However, she got rejected by many women in the family. They consider her a traitor because she left. The younger women accept her because they are more open-minded.

The film Carol, directed by Todd Haynes and starring Cate Blanchett and Rooney Mara, is a mid-century lesbian love story told unlike most others. Where the picture could have easily rejected femininity and the ideals of womanhood for a more dramatic transformation, Carol manages to achieve the same emotional and personal evolution whilst simultaneously focusing on themes of oppression of both women and lesbians to fit into societal norms. Carol and her love interest, Therese, are both in a constant battle between living the life where they will prosper socially or living the life where they can be happy with each other. As exemplified through various film techniques, the movie manages to portray the hardships of the strict rulebook a woman had to follow in the 1950s and how that could prohibit a budding lesbian couple from finding true happiness.

In the culture Nhamo and the surrounding villages follow, the words of the muviki and ngozis is not to be taken lightly and is almost always obeyed. In The Road Not Taken, the narrator chooses the path not many other have taken; similarities can be drawn to Nhamo choosing to disobey the muvuki and her entire village by running away to Zimbabwe to avoid an arranged marriage. Another similarity to note is how both characters seemed to get a better outcome from their decisions to be unique and disavow their