In the Iliad it is an interesting piece of literature, that gives the reader more than just a story, but also gives a sense of close connection with the story. One of the tools used in the book is the Epic Simile, which are sentences used to describe with more detail previous lines. This gives the reader a more intense point of view of the book. In many cases, those lines are described with lions representing the warriors that were fighting the many battles present in the Iliad. It is safe to say that the epic simile puts the reader in the book and adds even more drama to what is an Epic war. For my assignment, it was written an epic simile from page 245, line 213 to 217. In this section, it is described how an angry Little Ajax seeks revenge
Epic Similes are featured largely throughout The Odyssey, comparing epic task to something mundane. As Odysseus describes his experience in Polyphemus’s cave, he mentions the large
There are many lessons that can be learned from reading Homer's The Iliad. One of which is understanding the stages of grief. One can literally watch Achilles go through all five stages when he morns the death of his comrade Patroclus. Achilles moves through Denial and Isolation, Depression, Anger, Bargaining and Acceptance in the short time after his close friends death.
Homeric or epic similes can be found all throughout The Odyssey written by Homer. A simile is the comparison of two unlike objects using like or as. Homer’s similes are considered to be “epic” because of how elaborate they are to help the audience “feel” and picture a scene. One of the most glorified scenes in The Odyssey, full of epic similes, is when Odysseus stabs the eye of Cyclops Polyphemus. As soon as Polyphemus fell asleep from the over-consumption of wine, Odysseus put his plan into motion to escape the Cyclops’ cave. Courage took over Odysseus and Homer writes:
I will argue that we may view the woman as representative of Odysseus’ grief in his moment of pity and pain, the simile in its entirety may be regarded as analogous to a potential future for his own oikos. Should he fail to return home or succeed to return only to deceit and demise, Odysseus will initiate the splintering of his home into the rabid hands of the suitors. The simile shifts from referring solely to Odysseus to encompass the possible fate of his entire household. This promotes the idea that this hero reaps what he sows for, as the perpetrator of like monstrosity, he faces the tragedy of a future akin to that of his own surviving victims.
In Homer’s Odyssey, Odysseus transitions into manhood after enduring a grueling journey back to Ithaka. One observes his valor and courageousness being put to the test and sees how he gains a new understanding of what it means to be a man after tragically losing what he values most. To illustrate this, Homer offers the following simile: “[…] as when a man, who well understands the lyre and singing, easily, holding it on either side, pulls the strongly twisted cord of sheep’s gut, so as to slip it over a new peg, so without any strain, Odysseus strung the great bow,” (21.406-9). Homer contradicts the graceful precision of the lyre with the barbaric twisting of the cord of a sheep’s gut in order to allude to Odysseus’s triumph over the
In The Odyssey of Homer, translated by Richmond Lattimore, readers are sure to feel a strong sympathetic feeling towards Odysseus in this particular section. Readers feel this through the author’s quality vocabulary choices and effective use of similes. When Odysseus realizes his mother has passed and that she will no longer be with him, he is utterly heartbroken. He specifically states, “My heart was urgent to hold her”, and, “The sorrow sharpened at the heart within me”(Homer Xl, 206 & 208). The vocabulary used to describe the ache in his heart intensifies the despair that Odysseus is going through.
In The Iliad, Homer uses extensive figurative language to enhance the storytelling experience. While he uses intense imagery, multiple metaphors, and several similes, his most effective storytelling technique is his use of epic similes. Homer uses epic similes multiple times throughout the text—such as when he compares the Greeks to bees, the Trojans to sheep, and Paris to a stallion. Through these, he shows his support for the Greeks, and his belief that they are physically superior; his belief in the frailty of the Trojans; and his characterization of Paris as he races off towards the battle.
In Homer's epic, The Iliad, there are many great characters, both mortal and immortal. However, no characters seem to match the greatness and importance of Achilles, the mightiest of the Greeks and Hector, Trojan prince and mightiest of the Trojans. Although they are the mightiest of their forces, their attitudes and motives for the Greek-Trojan war are completely different.
Pope said it best: “Homer was the greater genius, Virgil the better artist.” Both are esteemed poets that have written works that correlate strongly to each other: The Iliad and The Aeneid. Homer came up with the storyline, plot, and characters that were originally seen in The Iliad. By writing a sequel, Virgil made a new story out of Homer’s world, and added his own nuances and style to it.
be looked at as "the wife of Hektor, who was ever the bravest fighter of
In the Iliad there are many characters that could be considered heroic. But the two main characters that stand out as heroes to me are swift-footed Achilles and flashing-helmet Hector. Numerous times throughout the epic they display qualities and traits that are unsurpassed by anyone on their side. Many times throughout the epic Achilles and Hector are tested for their strength, and will to win in battle, which for both warriors always ends up positive because they always win their battles. Although both fighters are among the elite status in the armies, they each show human and god-like qualities that help them be as a fierce and feared as possible.
Portions of modern society believe fate to be concrete and unchanging. However, in ancient times, it was believed to be influenced and guided by the actions of the gods. Similarly, in The Iliad by Homer, the actions of the gods influence the life, death, and fate of each and every individual. Gods such as Zeus, Athena and Apollo take great influence in human affairs in The Iliad. These actions cause life, death, sorrow, and triumph to befall various individuals of the story. Achilles’ fate results, solely, from these actions the gods undertake. In particular, the gods influence on Achilles’ fate shows when the gods keep Achilles from killing Agamemnon, staying out of the war, and holding onto his rage.
The article in titled Between Lions and Men, Images of the Hero in the Iliad by Michael Clarke is a very innovate piece of work. In the article Clarke puts forward the idea of how the referencing of wild animals in the Iliad is symbolic and highly significant to the ethical and psychological problems of heroism within Homer’s Iliad. The focus that Clarke is placing in relation to the animal similes within the Iliad is the lion similes. As the Iliad is focused on Achilles and his death, it is no wonder that the lion similes are associated with this so called hero. Achilles and how he associates himself with the wolf and particularly the lion is the focal point of this article. In this essay I will analyse and comment on the argument put forward by Clarke in his article Between Lions and Men, Images of the Hero in the Iliad.
Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer’s time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.
This decision of prideful betrayal brings many casualties to the Achaean army. Once Agamemnon apologetically offers Achilles many valuable gifts along with the return of his war prize, Achilles refuses. In this rejection, Achilles is putting his own animosity toward Agamemnon above the needs of his fellow Achaeans. His friend Phoenix tells him to think of his diminishing honor, but Achilles answers, “…what do I need with honor such as that ?/ … It degrades you to curry favor with [Agamemnon],/ and I will hate you for it, I who love you./ It does you proud to stand by me, my friend,/ to attack the man who attacks me…”(p 147). Not only does Achilles reject honor, but he egotistically asks his father figure, Phoenix, to give up his in order to take his side.