Similes In Jane Eyre

One of the most famous passages from the novel comes from Jane’s very clearly feminist inner monologue. She states that “Women are supposed to be very calm generally: but women feel just as men feel…they suffer from too rigid a restraint…” (130). Jane, as a forward-thinking and progressive protagonist, exemplifies in every sense the essence of gender equality of her time. Bronte reveals the limitations experienced by the female sex and the effects of those limitations on her protagonist. By doing this, the author uses Jane to fulfill her feminist and pro-equality agenda. Another example of Jane’s inner monologue comes from her irritation with Rochester. When Rochester showers Jane with gifts soon after their engagement, Jane’s “…cheek[s] burned with a sense of annoyance and degradation” (309). She becomes increasingly irritated with Rochester because of the complete lack of respect Rochester has for her feelings due to his joy of becoming engaged. Because Jane is already considered inferior to Rochester because of her lack of wealth and her status as an unmarried woman, being pelted with lavish tokens of affection is less than an ideal situation for her. This imbalance between the two highlights the already sexist society of the Victorian era. After Jane’s engagement to Rochester, she recounts the fact that she “…could not, in those days, see God for His creature: of whom I had made an idol” (316). She becomes blinded by the overpowering love she held for Rochester, to the extent that she put him on a pedestal, seeing him as an “idol”, and not a human being capable of fallacies. Bronte uses this dangerous mental circumstance Jane is in to illuminate the clear disparity between men and women of the time. Jane’s infatuation with Rochester serves as an important device implemented by Bronte to further her argument against sexist Victorian

Throughout Charlotte Brontë’s novel, Jane Eyre is afflicted with the feud between her moral values, and the way society perceives these notions. Jane ultimately obtains her happy ending, and Brontë’s shrewd denouement of St. John’s fate juxtaposes Jane’s blissful future with St. John’s tragic course of action. When Jane ends up at the Moor House, she is able to discover a nexus of love and family, and by doing so, she no longer feels fettered to Rochester. Moreover, Rochester is no longer Jane’s only form of psychological escape, and thus Jane is in a position to return to him without an aura of discontent. At the end of the novel, Jane is finally able to be irrevocably “blest beyond what language can express” (Brontë 459) because she is “absolutely bone of his bone, and flesh of his flesh” (459).

In the early chapters of the novel Jane Eyre, our heroine resides at Gateshead and Lowood school; her character immediately inspires pity from the readers. She is an outcast within her own family, the Reeds, and is considered less than a servant. John Reed bullies her to the extent that she fears him, introducing weakness as one of her character flaws. Jane is somewhat jealous of her cousins’ lack of punishment and condemnation, although she believes they were “not fit to associate with [her]” (Bronte, 35). She feels wrongly accused, leading to a growing bitterness towards those who have treated her so harshly.

In the novel Jane Eyre, the author Charlotte Bronte utilizes devices to represent that she feels trapped. Bronte uses diction and imagery to represent her feelings to illustrate that she feels imprisoned.

In Jane Eyre by Charlotte Bonte, Bronte utilizes diction, imagery, point of view to demonstrate how Jane Eyre feels constrained and imprisoned by Mrs. Reed and her family. Charlotte Bronte uses diction to portray how Jane Eyre is mistreated. It demonstrates, "Jane, I don’t like cavaliers [people who find fault or criticize] or questions, besides there is something truly in a child taking up her elders in that manner. be seated somewhere; and until you can speak pleasantly, remain silent.” Jane Eyre is excluded and mistreated.

Charlotte Bronte created one of the first feminist novels--Jane Eyre--of her time period when she created the unique and feminist female heroine, Jane Eyre. Throughout the novel, Jane becomes stronger as she speaks out against antagonists. She presses to find happiness whether she is single or married and disregards society’s rules. The novel begins as Jane is a small, orphan child living with her aunt and cousins due to the death of her parents and her uncle. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Her cousin--John Reed--hits her and then Mrs. Reed chooses to punish her instead and sends her to the room in which her uncle

Jane Eyre, one of Charlotte Brontë’s most renowned pieces of work, secures a relentless connection between the reader and novel even in its most quiescent moments. The convoluted, but compelling relationship between the young Jane and tortured Rochester is utterly enticing, and leaves it’s observers breathless at the poetic phrases exchanged between the two. Inside the inner workings of this gothic love story the reader is exposed to constant acts of familial, and romantic betrayal that transform the emotional condition of the novel and the perspectives of Jane. After the death of Jane’s charitable uncle, she fell victim to her Aunt and cousins endless acts of vicious cruelty.

In the novel Jane Eyre by Charlotte Brontë the main character, Jane, stays conflicted with herself. Unable to keep her mind straight, doing one thing after another without end. Clearly Jane’s mental stability is quickly deteriorating. To illustrate her inner turmoil she expresses imagery of her scenery, tone in her attitude and figurative language to portray her feelings. Throughout the story she's able to express her feelings and she makes it explicit that she has some underlying issues.

Throughout Jane Eyre Charlotte Brontë uses the character Jane as a tool to comment on the oppression that women were forced to endure at the time. Jane can be seen as representative of the women who suffered from repression during the Victorian period, a time when patriarchy was commonplace. Brontë herself was affected by the time period, because according to Wolfe, she was deprived “experience and intercourse and travel.” (70) Thus Jane offers a unique perspective as a woman who is both keenly aware of her position and yet trapped by it despite repeated attempts to elevate herself and escape the burden placed on by her different suitors. Although superficially it seems that Jane wants to break away from the relationships that further

Throughout the novel, Bronte recognizes both the male and the female as equivalent in terms of what is needed to establish true bonds in relationships. By refusing to accept the idea of marriageability and suitability, she has denied society’s objectification of women. Bronte exemplifies that love should be the true bond that individuals should strive to discovery. Through Jane’s behaviors power cannot be given to her male counterpart Rochester. Instead a balance of power is formed. Consequently, through Jane’s need to be seen and appreciated as an equal the torment that she endures strengthens her character and allows her to become an independent woman versus the naivety that is seen in women conforming to social requirements. Rochester tries

Although feminism was not a prevalent idea during the time that Charlotte Bronte wrote Jane Eyre, Bronte still valued feminist ideas and displayed them as a primary theme throughout the novel through the characterization of Jane. Through Bronte’s repetition of the contrast between the rights and treatment of the different sexes in this passage, it become evident to the reader that Bronte intends to educate the reader on her opinions on feminist ideals. During this passage, Jane gazes out her window in her room at Thornfield. In this passage, Jane reflects on her mundane and routine life, and contemplates what she would encounter if she could venture beyond the rolling hills she observes.

Bronte’s feminist ideas radiated throughout her novel Jane Eyre. There were many strong and clear examples of these ideas in Bronte’s protagonist, Jane, her personality, actions, thoughts and beliefs. From the beginning of the book, Jane’s strong personality and her lack of following social expectations were quiet clear. “Women of the Victorian era were not part of a man’s world, as they were considered below them.”(VanTassel-Baska, 4) The class divisions between a man and a woman were very distinctive. Jane however ignored this. When Jane first met Rochester, the whole scene presented a feminist portrait of Jane. A women walking alone in that era should never address a man, but Jane went out of her way to help Rochester stating that “if you are hurt, I can help” (Bronte, 98), Jane even let him place a hand on her shoulder. Jane believed that “women were supposed to be very calm generally, but women felt just as men felt” (Bronte, 116), which showed her perseverance and persistence in being independent and proving that men should be equal to that of women. This was of

Jane’s approach could be considered romantic and embodies conventional feminist concepts; she remains headstrong and stubborn in the face of injustice. The representation of Jane as a strong, independent woman upholds the belief that woman can achieve their goals. Jane does precisely this; she marries Rochester, becomes a part of a family as well as gains financial independence. The way in which Bronte represents Jane is emphasized through her narrative stance. The reader is presented with a firm and rebellious character, her diction is simple and assertive. She addresses the reader directly and is able to identify and challenge the problems she faces with determination. Furthermore Jane is able to identify and comment on how she feels woman are subjugated by their society; she denounces that “woman are supposed to be very calm generally: but woman feel just as men feel […]” (Bronte

Jane Eyre, a novel by Charlotte Brontë, contains several notable themes and messages sent to its readers. Jane Eyre is a coming of age novel that is a story of a girl's quest for equality and happiness. A common theme that recurs throughout the novel is the importance of independence.Charlotte Brontë utilizes several techniques to convey this message, incorporating her personal experiences, as well as including symbolism and motifs. Charlotte Bronte subjects Jane to several conflicts that occur because of Jane’s desire for independence and freedom, such as love, religion, and gender inequality.

Charlotte Brontë uses her novel Jane Eyre (1847) to show the feminine oppression that occurred throughout history, specifically the time period of the novel, and Brontë’s life. The main character, Jane, is the main representation, but other minor characters who suffer the same oppression include Miss Temple, Mary and Diana Rivers, and Adéle. Throughout the novel, Jane is forced to pick between two men for marriage; Edward Rochester, whom Jane initially describes as having “a dark face, with stern features and a heavy brow; his eyes and gathered eyebrows looked ireful and thwarted just now; he was past youth, but had not reached middle age; perhaps he might be thirty-five. I felt no fear of him, and but little shyness” (134) and St. John Rivers, whom Jane introduces more pleasantly, saying, “his eyes were large and blue, with brown lashes; his high forehead, colorless as ivory, was partially streaked over by careless locks of fair hair” (396). Despite her attraction to both men, both force her to change or give up parts of herself. This raises the argument that Jane Eyre is a novel focuses around female oppression and abuse, using the historical context of a patriarchal society to emphasize it. Although Brontë seems to think she is making a protest against female oppression, she forces Jane into the situation while showing that she accepts the oppression happening to her because of the character’s desire to be married, even if neither of her options are great, as if marriage