Simone De Beauvoir : The Power Of Women

Teenage rebellion is typically portrayed in stories, films, and other genres as a testosterone-based phenomenon. There is an overplayed need for one to acknowledge a boy’s rebellion against his father, his life direction, the “system,” in an effort to become a man, or rather an adult. However, rarely is the female addressed in such a scenario. What happens when little girls grow up? Do they rebel? Do they, in a sudden overpowering rush of estrogen, deny what has been taught to them from birth and shed their former youthful façades? Do they turn on their mothers? In Sharon Olds’ poem, “The Possessive,” the reader is finally introduced to the female version of the popular coming-of-age theme as a simple

Throughout history, women have constantly been objectified and forced into submission by the male dominated society. Simone de Beauvoir’s philosophical work, The Second Sex, echoes the intense oppression of women and reflects the first wave feminist movement. Her existentialist decoding of genders resulted in the idea of the Other, which explores the phenomenon of women forced into the role of an object, while men are the subject. In the second chapter, “The Girl”, Beauvoir further studies the idea of this oppression during one’s transition from a girl into a woman. Beauvoir states that no matter how much freedom and sense of self a girl holds, she is always forced into the role of the Other in society. Beauvoir 's idea of the Other held

Louise Halfe’s “Body Politics” challenges the qualities and behaviour of the idealized feminine woman by contrasting the stereotypical “city woman” with a more masculine “real woman.” The poem’s speaker describes her mother’s opinion of what it means to be a real woman, which is seen through “Mama said.” Throughout the poem, the speaker uses vivid imagery to create a stark contrast between the idealized feminine “city woman” and a “real woman” who does not conform to the feminine gender norm. To begin with, the title of the poem itself can be viewed as an obvious critique of the feminine ideal. By definition a body politic is a group of people “considered as a collective unit” (Merriam-Webster). This is significant because in Butler’s theory, she emphasizes that a person’s gender can vary depending on a given situation, and therefore women cannot be grouped together and defined exclusively by their feminine qualities. Instead, she argues that women should be viewed as individuals capable of possessing both masculine and feminine behaviour. This belief relates directly to the poem’s title, as Halfe is clearly making a statement on the manner in which patriarchal societies expect women to conform to a singular feminine ideal. Moreover, it illustrates how women’s bodies become a political site for the masculinist culture to impose feminine gender on. With consideration to the title’s reference to a homogeneous group of women, it is interesting that stanzas two through four all

In the chapter titled “History” within the book called The Second Sex, Beauvoir talks about various of events and changes along with encounters that provided opportunities to seize greater freedom for women as a collectivity. For instance, when women were able to leave their homes and actually take an outside job, it allowed women a bit confused as to what roles she needed to partake in. Given that men were always gender-policing women to fit the ideal role, the women found it difficult to transitions and thus loose a sense of self along the way. De Beauvoir also states that gainful employment can stop the cycle of dependency on man and thus allow the two genders men and women to see each other’s as equals. It is within the book The Second Sex that De Beauvoir tries to understand the imbalance of gender roles to help her understand this she turns to the biology, psychoanalyst and the historical materialism. In her findings, she reveals that although there are some physical differences between women and men there is no proven facts that women cant do the same task as men in a workforce.

In a psychological study with five year-old children, Erwin Straus observes that boys and girls throw differently. He concludes that the reason girls throw the way they do is because they are “feminine” and thus throw with a “feminine attitude” in relation to the world and to the space surrounding them. He posits this to be a natural, biologically based “feminine essence.” Simone de Beauvoir rejects this notion and, instead, claims human existence is to be defined by the individual’s situation. Beauvoir places great focus on physiology when talking about the woman’s bodily being and her physical

Judith Butler’s essay, “Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory” calls for a new way to view sex and gender. Butler argues that “gender identity is a performative accomplishment compelled by social sanction and taboo”. In this case, gender is not constituted by what one is, but rather what one does; the performative acts constitute gender. In other words, gender is not the starting place; it is an identity repeatedly constructed throughout time. Butler is trying to show us a feminist perspective of sex and gender. She attempts to follow Beauvoir’s path in a fight against society norms.

Simone De Beauvoir in The Second Sex suggests that to resolve the tension between bad faith and authenticity, people must regard women as subjects and not objects. They must also collectively fight against the idea of womanhood in order to remain authentic to themselves.

Simone de Beauvoir, in her 1949 text The Second Sex, examines the problems faced by women in Western society. She argues that women are subjugated, oppressed, and made to be inferior to males – simply by virtue of the fact that they are women. She notes that men define their own world, and women are merely meant to live in it. She sees women as unable to change the world like men can, unable to live their lives freely as men can, and, tragically, mostly unaware of their own oppression. In The Second Sex, de Beauvoir describes the subjugation of woman, defines a method for her liberation, and recommends strategies for this liberation that still have not been implemented today.

In her essay, One is Not Born a Woman, Monique Wittig explains, “‘Women’ is not each one of us, but the political and ideological formation which negates ‘women’ (the product of a relation of exploitation). ‘Women’ is there to confuse us, to hide the reality ‘women’ . . . For what makes a woman is a specific social relation to a man, a relation that we call servitude.” Monique Wittig attacks the concept of naturalizing biology and the ‘woman’ category. She believes that the form of a woman’s identity is a product of normal and intrinsic human facts. Thus, her main point is that one is not born a woman but becomes a woman based upon the social constructs of gender and

In “Foucault, Femininity, and the Modernization of Patriarchal Power,” Sandra Bartky utilizes Michel Foucault’s concepts about power to help explain femininity. Throughout the article, she details how society forces women to fit within the confines of this construct and how it affects them.

In the chapter of her book The Second Sex entitled “the Woman in Love,” Simone de Beauvoir characterizes the romantic ideal of the relationship with a man as a woman’s purpose as a form of self-deception (translated here as “bad faith”). The self-deception de Beauvoir describes is based in the thesis of The Second Sex. This is the idea that women have been deceived into believing that they are second-class humans. Western culture, according to de Beauvoir, teaches us that women are missing some elusive element of the self that endows men with freedom- a concept essential to the existentialist definition of the conscious being. Therefore, a woman can never find fulfillment as a thinking person as

The following text comes from Simone de Beauvoir called “The Second Sex,” which discusses the ideas of the feminist

De Beauvoir’s “Woman as Other” lays out an elaborate argument on gender inequality; using the term “other” to establish woman’s alternate, lesser important role throughout her work, the author dissects and examines from its origin the female’s secondary position in society in contrast to man. Indeed, from the beginning of recorded history, the duality of man, by definition, positions woman at the opposing end of the spectrum in relation to her male counterpart. Even by today’s modern and accepting standards, the female suffers under the brand of being the sub-standard half of the duality equation; compared to her male opponent, women are paid lower wages, have fewer and limited expression of rights, achieve lower

Therefore, it is evident that literary techniques are utilised to exploit the Beauvoirian idea of women “denying [their] feminine weakness” in order to justify their strength, while the “militant male... she wish[es] to be” however, Marlene accepts femininity and only wears a skirt to work.

It may be possible to imagine a place where no one would make a fuss over the differences between a white or a black man, but unfortunately, it is likely impossible to imagine a society that would not comment on the differences between a man and a woman (Heinämaa, 127). Simone de Beauvoir was quite determined to give society a glimpse into what it meant to be a woman within her time period, and did so by writing her novel The Second Sex which brought many controversial topics to light. There are four concepts I will be mentioning in different sections of this paper, and it is best to know how Beauvoir personally defines these terms. Firstly, “alienation” refers to the action of projecting oneself into a different person or object, thereby losing all responsibility for yourself (Moi,