Sin And Symbolism In Bram Stoker's 'Dracula'

The word blood is not used in the novel until a few chapters in, but is a major motif. Blood symbolizes life in Dracula, because in every situation characters seem to be struggling without it. The Count is always craving it while some of the characters are constantly lacking it. As the readers all know Count is a vampire, but the characters are clueless throughout the beginning of the book, when poor Lucy is suffering. As Harker is a prisoner in Dracula’s castle, Dracula makes sure that it is clear to Harker that blood is something everyone should cherish. Harker thinks he is going crazy because of the weird sights, smells, and fears he has encountered while staying with the Count. Although he thinks he is becoming crazy everything that he think is unrealistically happening is actually happening.

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

The fear of the unknown is a common Gothic theme that is used to create fear and uncertainty in the responder. This is achieved through the use of a number of different techniques and conventions. The fear of the unknown is expressed through dark, uncertain and mysterious circumstances cause responders to feel vulnerable and fearful. In Bram Stoker’s Dracula the overpowering force of the sublime, the prominence of religion, death and use of darkness accompanied by typical Gothic techniques evoke a fear of the unknown in responders. This common Gothic themes can also be observed in The Road by Cormac McCarthy, in which the fear of the unknown is enhanced by the sublime, the prominence of religion, death and the use of darkness. Furthermore,

Bram Stoker’s Dracula does not follow the norm of the nineteenth century novels, that is, it is not written in a straightforward narrative but instead comprises of a collection of letters, journal entries and diary scrawls. Apart from that, it also includes a ship's log, numberless clippings from newspaper and also, a "phonograph diary.” This form of writing invariably helps in developing the “mystery” aspect of this horror novel since it either gives us no information about a particular thing or gives us information from various points of view so that it is impossible for the readers to come to one conclusion and they keep playing with different possibilities in their minds.

Because the Victorian Era was an age so heavily influenced by religion, it is hardly surprising, that Bram Stoker’s Dracula contains many religious references. The Victorian Era was a time period from 1837 to 1901, during which Queen Victoria reigned in the United Kingdom. During this time, women were expected to be quiet, proper, and pure. All people were expected to attend church, and sexuality was incredibly censored. Religion played an influencing role in Victorian art including visual and literary. Likewise, the fear of being sinful, or not following the Bible was still a fear from the under educated members of society. The prominent branches of Christianity in this era, Protestants and Catholics, dominated the popular culture of western societies. Given the religious context of the Victorian Era, Vampires in Bram Stoker’s Dracula represent sin and have inherently sinful behavior, whereas the humans represents goodness and religion, no matter which kind of religion.

The novel Dracula is a very popular book that was written in the form of Gothic Literature. This novel was written by Bram Stoker in the Victorian Age. A large portion of this piece of writing deals with many famous Gothic motifs. Gothic Literature combines the usual Gothic horror with fiction and Romanticism (Wikipedia). A motif is a distinctive symbol or dominant idea used in literature. So therefore, a Gothic motif is a literary symbol that usually combines fiction with either horror or romance. Bram Stoker’s usage of Gothic motifs not only helps define Dracula as a piece of Gothic Literature, but also helps the reader become better acquainted with what is happening in the novel. Gothic motifs are found in many different forms in pieces of work, and if readers are already accustomed to these motifs, it makes reading Dracula clearer and easier. Stoker uses many different Gothic motifs throughout this novel, but there are only a few that are the more important and stand out from the rest. These motifs are: castles and strange places, power and constraint, and revenants.

In this passage of Dracula, Stoker uses important diction and imagery to portray the image of Lucy. The character Lucy had died a while back, however she is found to be alive again after obviously dying. Written in Seward’s perspective, Lucy coming back alive goes against logical thinking that Seward and most people cannot comprehend. Lucy’s appearance is described through various literary devices. The use of literary devices such as imagery and diction contrast each other to signify the changes of Lucy from having pure morals as a human to having evil intentions as a vampire.

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Dracula is a novel composed of letters, diary entries, and journal entries. There are also occasionally newspaper clippings in this novel as well. The novel reads as a vampire story in Transylvania. Though Dracula can be read that way, the novel has a “strong religious thrust of this novel has correspondingly been ignored, not to say suppressed…” (Herbert 100). While Dracula often reads as a horror novel and has been interpreted by some readers as anti-religious, it nevertheless contains religious symbols, and Christian themes. This paper argues that Dracula can be read as a salvation narrative.

Bram Stoker’s use of characterization and imagery to convey one of his many themes in the book Dracula. In Bram Stoker’s Dracula, the author uses characterization and imagery to convey the theme, Follow your instincts.

The first relationship explored in the novel, that of Dracula and Jonathan, defies the constraints of heteronormative sexuality. Dracula’s interest in seducing, penetrating and draining another male are desires that are acted out in the novel, however not solely by the Count himself, but instead by his three vampiric paramours. The homoerotic desire between Dracula and Jonathan is offered a feminine form for the masculine penetration that is being detailed (Craft,

Bram Stoker’s Dracula magnificently portrays Anti-Christian values and beliefs through one of its central characters, Dracula. Dracula himself, a demonic figure, both in appearance and in behavior, could be considered the Anti-Christ. This idea of Dracula as a gothic Anti-Christ is a major element in the novel. Stoker displays numerous Anti-Christian values, superstitious beliefs, and compares and contrasts the powers of God with those of Dracula.

Dracula succeeds in doing so with Lucy. After Lucy herself becomes a vampire, she requests a kiss from Arthur Holmwood, her fiancée, which turns voluptuous – a word Stoker continually uses throughout. Here Stoker presents the female characters

Novel in particular and literature in general is more than just a work of fiction but in fact the hidden reflection of a specific historical era. Although, Frankenstein, Wuthering Heights and Dracula were written in different times and each leaves its readers with different emotion and contemplation stages, they all share an affinity: the presence of Gothic elements. Indeed, these novels are designed to lead their reader into thrilling journeys through spooky dark setting, suspense horrifying plot, and claustrophobic atmosphere. These elements, though appear in various forms throughout these three novels, still excellently accomplish their mission of enticing the readers to be caught up in the narrative.

All throughout the novel, the mentioning of blood is easily noticeable, but the question that stands tall is, why so many references to it? As Liz Kella states, “The heart of Dracula is blood. The vampire flourishes on the blood of others, and Van Helsing and his team’s whole effort is to fight