Sir Gawain: A True Hero

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

In “Gawain’s First Failure” Victoria L. Weiss claims that, “A closer look at the terms of the challenge reveals that Sir Gawain’s temptation begins before he ever leaves Arthur’s court, and that his first failure comes when he chops off the head of the Green Knight” (Source C). Victoria L. Weiss mentions that the temptations Sir Gawain faced started before he left the court, providing evidence that supports the idea that Gawain is young and inexperienced. Due to his lack of experience and his eagerness to prove himself, he easily falls for the temptations of the challenge presented by the Green Knight. Victoria’s examination of the idea that Sir Gawain was tempted before he left the court provides evidence that he failed his quest when he accepted the challenge. By accepting the challenge and striking the Green Knight so aggressively, Sir Gawain breaks pentangle code, which is a major part of his identity. By doing so, Sir Gawain diminishes his well-known trait of chivalry. This act of disgrace towards one of his most profound characteristic is repeated when fails to uphold his agreement with Lord Bertilak.

In Sir Gawain and The Green Knight, Gawain exemplifies all the traits of a noble knight. When King Arthur accepts the Green Knight's challenge, Gawain steps in. He cannot allow the King to put his life on the line. Gawain says to King Arthur:

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

    Gawain’s loyalty to King Arthur is unquestionable. To begin this story, there is a Green knight who proposes a game to a room full of Arthur’s knights. When no man volunteers to play with the Green Knight, Gawain steps in to save his king’s life and reputation. Before accepting the Green Knight's challenge, Gawain asks Arthur to “...command me to step from the dias and stand with you there, / That I might without bad manners make down from my place…” (From Sir Gawain…, ln. 121-122). By doing so, not only does Gawain step up to the green knight for his king, but he also goes about it in a very chivalrous, respectful way to his king above all of us. By respecting his king and being the only man to step up to the challenge and risk his life for his king, Gawain shows loyalty, which in turn follows chivalry, putting his honor above his life.

The first chivalric expression of Sir Gawain in Arthur’s court is his loyalty. It was Christmas at Camelot-King Arthur’s court, where all the Round Table knights had gathered. An uninvited guest appeared-entirely emerald green, called Green Knight. For a knight, the most important is to remain loyal to God, King, and Lady Guinevere. When Green Knight challenge the court, Arthur initially was going to accept his challenge, but Sir Gawain stepped forth and said:

Gawain’s first portrayal of being a true knight comes when the Green Knight makes his appearance in Camelot. The Green Knight first speaks to King Arthur and proposes that they play a “game.” Arthur will strike the Green Knight with his axe, and in return the Green Knight will return the strike in a year and a day. King Arthur agrees to this game and its terms, but as he steps up to accept the challenge, Gawain comes forward and offers to participate in the “game” in place of King Arthur. Sir Gawain says to King Arthur, “I implore with prayer plain that this match should now be mine” (341-342). Gawain goes on to strike the Green Knight, cutting off his head. However, the strike does not kill the Green Knight; he picks up his head from the ground and repeats to Sir Gawain that he will return the blow in a year and a day. In this moment, Gawain’s bravery is clearly showcased. First, he takes a challenge in place of his king, which he did not have to do.

Gawain is said to be skilled in fighting, but does not boast about his battles and accomplishments like Beowulf does. This might be because he has not fought as many epic battles as Beowulf or because he is more humble about his deeds, though his reluctance to accept the Green Knight’s challenge would suggest that the former is more likely.

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.

During the fourth chapter of Sir Gawain and the Green Knight, the journey towards the Green Chapel commences. Sir Gawain is escorted by a member of the Red Manor, who gives the knight a heed of warning. The escort offers advice to not travel to the Green Chapel, and if he chose this path, the escort would not tell of his fleeing. Sir Gawain thanks the escort for his warning but tells him that he has to keep his word, otherwise he would become a coward.

What really proves Gawain to be a true hero is when he bares his neck for the Green Knight's axe. The Green Knight knows he has the green girdle, and decides to play with Gawain a little, but he knew that Gawain was not a coward, but human. "He told Gawain that he had lacked a little, but only because of his

Initially, Gawain’s strongest trait is humility, Beowulf’s is pride. In the beginning of Gawain and the Green Knight, a mysterious warrior enters King Arthur’s court to extend a challenge. Although he knows others in the court

“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.

This heroism is symbolized most effectively with his shield, which bears a pentangle. The points on this symbol represent the knightly virtues of franchise, fellowship, cleanliness, courtesy, and pity, and it is said that “For ever faithful five-fold in five-fold fashion/Was Gawain in good works, as gold unalloyed/Devoid of all villainy, with virtues adorned in sight” (Sir Gawain and the Green Knight, 632-635). The shield reflects the chivalric qualities Gawain possesses without fail, and shows him to be a knight of the utmost honor. The shield also symbolizes piety, which Gawain shows more in Sir Gawain and the Green Knight than in the other stories. On the inner part of the shield is an image of the Virgin Mary, and looking at this image gives him strength (649-650). As much as the shield represents Gawain’s chivalry, it also represents the driving force behind his actions, which is his faith. Of Gawain, it is said that “All his fealty was fixed upon the five wounds/That Christ got on the cross, as the creed tells;/And wherever this man in melee took part,/His one thought was of this, past all things else” (642-645). Gawain uses his faith to fuel his actions, and to early Christian audiences reading this story this would be a clear indication of Gawain’s

According to Christopher Reeve, “a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles.” In today’s culture, the hero is frequently depicted as a knight in shining armor, an image that originates from age-old literature such as the fourteenth-century Sir Gawain and the Green Knight. In such literary works, the heroic knight has several virtuosic character traits: friendship, chastity, generosity, courtesy, and piety; however, he must also endure a quest in which his virtues are tested. In Sir Gawain and the Green Knight, three obstacles challenge the hero Gawain’s morals, including the Green Knight, the seductress, and the threat of death, leading to a further maturity of