Sir Gawain And The Green Knight

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

Society expects ultimate perfection of all people. Due to this people are pressured to act a certain way that they would otherwise not act. The journey of obtaining perfection and maintaining it leads to success and failure. But what is considered failing while trying to become a different person? This topic is addressed in the poem, Sir Gawain and the Green Knight, written by Pearl Poet. The main character Sir Gawain finds himself on a journey that will test his knightly integrity and the true nature of his personality. Sir Gawain fails his quest when he responds to the challenge in an aggressive way; by doing so he shows his lack of concern for human life, he fails to uphold his agreement with Lord Bertilak, and succumbs to fear when the

 Sir Gawain and the Green Knight is one of the most intriguing Middle English chivalric romances known today. The poem is a delicately written balancing act between two cultures, clashing in a time of unease between the religion of tradition, (paganism) and the new religion, (Christianity). The poem is also one of the best known Arthurian tales, with its plot combining two types of folklore patterns, the beheading game and the exchange of winnings. The Green Knight is interpreted by many as a representation of the Green Man of folklore and by others as an allusion to Christ. The story is told in stanzas of alliterative verse, ending in a bob and wheel. Sir Gawain and the Green Knight is an important poem in the Middle English romance genre, because it involves all the typical plot progression of a hero who goes on a quest to prove himself. Yet what sets Sir Gawain apart from heroes of lore is his inability to finish his quest. The aspect which makes Sir Gawain and the Green Knight different is Sir Gawain’s failure. Sir Gawain and the Green Knight is a perfect example of the struggle between enduring Paganism and newfound Christianity.

“Sir Gawain and the Green Knight” is the classic tale of a knight of the round table who takes up the challenge of the mysterious Green Knight. The poem begins with the Green Knight’s sudden arrival and his declaration of his proposition: a knight may strike him, and then a year and one day from then he will return the blow. This tale is most well-known for dealing with the themes of a knight’s code of chivalry, loyalty, resisting temptation, and keeping one’s word. While the whole poem is full of great lines that beautifully deliver the message, one of the best passages come at the end of the poem after Sir Gawain has managed to survive his second encounter with the Green Knight. This passage perfectly encompasses the various themes of the poem, as it deals with all of the trials Gawain has faced up until that point and also explains how he deals with the shame he feels for surviving the game in the way he did.

Even though the green knight turns out to be good at the end of the story, he still presents Gawain with a variety of difficult challenges throughout the poem that make him seem evil. The green knight is first perceived as evil when he barges into king Arthur’s castle and insults the knights of camelot for hesitating to cut off his head. The moment that Sir Gawain volunteers to cut off the green knights instead of allowing Arthur to do so he is crossing the threshold from the ordinary world into the world of adventure. When Gawain departs on his journey to have his head cut off he is putting the greater good of camelot before his preference of not being decapitated by giant green knights. This choice that Gawain makes marks his first step towards becoming a better knight. Even

At first the hero possesses no clue of the excursion set upon them, he receives a call to a journey from the herald which changes his life. In the poem, during the celebration takes place when the Green Knight challenges Camelot, “If any knight be so bold as to prove my words, let him come swiftly to me here..” (Weston 6); thus ultimately making this request the call for Gawain. Even though the Green Knight displays this challenge towards King Arthur, Gawain wholeheartedly intervenes and presents himself as the one to undergo the challenge. As Gawain agrees to the “fateful region of both treasure and danger…” (Campbell 53); he hesitates towards the refusal of the call the Green Knight presents to the knights of Camelot, but knows he must do it for the reputation of Camelot. Gawain must decapitate the Green Knight with an axe and in return the Green Knight holds a right to deal him

As an avid recreational reader I enjoy reading books of all types, however, one of my favorite genres is fantasy. This love began in my reading of George MacDonald's Phantastes, and continued throughout the past year as I have been working my way through C.S. Lewis’ The Space Trilogy. What is so interesting, and simply enjoyable, for me about reading Sir Gawain is that it is a more original and classic take on the typical structure and plot of a fantasy/fairytale. In the beginning you already get a general idea of how the story is going to go, yet the story has its own quirks that keep it interesting.

Sir Gawain and The Green Knight is considered not only a most brilliant example of Middle English poetry but one of the jewels in the crown English Literatures, and sits in the British Library under conditions of high security and controlled humidity. In the anonymously written story, Sir Gawain And The Green Knight shows Sir Gawain’s chivalry form his loyalty to his King, being testing by Green Knight, and his behavior during game playing.

Gawain and the Green Knight is a poem about of honor, courage, and knightliness. Gawain had to go on an adventure to face the Green Knight after cutting off his head. He faced many challenges to his honor and his faith. The section that showed his faith and honor the most was the hunting scene and the courtly scene. Gawain and the Lord’s scene were very similar because they both had main ideas connected to them, such as fate, courage, and deceit. The hunting scene and the courting scene portrayed Gawain and Reynard escaping their fate for a while. Reynard escaped the hunt for a while by hiding before dawn. Gawain rejected the ring the lady gave him but could not reject the girdle. Reynard’s fate was to die as Gawain’s fate was to accept the

Gawain’s first portrayal of being a true knight comes when the Green Knight makes his appearance in Camelot. The Green Knight first speaks to King Arthur and proposes that they play a “game.” Arthur will strike the Green Knight with his axe, and in return the Green Knight will return the strike in a year and a day. King Arthur agrees to this game and its terms, but as he steps up to accept the challenge, Gawain comes forward and offers to participate in the “game” in place of King Arthur. Sir Gawain says to King Arthur, “I implore with prayer plain that this match should now be mine” (341-342). Gawain goes on to strike the Green Knight, cutting off his head. However, the strike does not kill the Green Knight; he picks up his head from the ground and repeats to Sir Gawain that he will return the blow in a year and a day. In this moment, Gawain’s bravery is clearly showcased. First, he takes a challenge in place of his king, which he did not have to do.

During the fourth chapter of Sir Gawain and the Green Knight, the journey towards the Green Chapel commences. Sir Gawain is escorted by a member of the Red Manor, who gives the knight a heed of warning. The escort offers advice to not travel to the Green Chapel, and if he chose this path, the escort would not tell of his fleeing. Sir Gawain thanks the escort for his warning but tells him that he has to keep his word, otherwise he would become a coward.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.

At the end of the poem when Gawain discovers that he has been tested throughout his quest, he feels like a failure, as he was unable to uphold all of his knightly virtues. An ambiguity is a part of the text that can be interpreted in a variety of different ways and as Gawain advances through his quest, there are several ambiguities present. While there is much debate among scholars about the true purpose of Gawain’s quest, there is ample evidence to support the belief that the true object of his quest is to prove his perfection, therefore, highlighting the importance of adhering to a moral code.

The events of the poem begin with a feast in the court of King Arthur at New Year which the Green Knight interrupts to offer his challenge. King Arthur’s custom is to not sit down to eat until either someone has told a story about “sum aduenturus þyng”(l. 93) or if such an event actually occurs, which follows the Gawain-poet’s source of the First Continuation of Chrétien de Troyes’ Perceval . King Arthur thus symbolically invites the Green Knight into the court as providing the adventure he was waiting for, so that the Green Knight “does not disrupt the courtly ceremonial so much as complete it.” However, the Gawain-poet deviates from his source by having King Arthur accept the Green Knight’s challenge, and then Gawain interrupt the King just before he is able to do so, as opposed to the rash Caradoc who leaps forth to take up the challenge immediately. As Benson writes, by making this change from the source, Gawain “is thus no longer a free agent.” As demonstrated even by the seating in the hall , it is inevitable that Gawain should take the place of King Arthur, since for King Arthur to take the challenge is “not semly”(l. 348), and since Gawain is the second after his uncle. Gawain, introduced in the poem as “gode Gawan”(l. 109), and it is precisely on the reputation of Arthur’s knights that the