Sir Gawain And The Green Knight Loyalty Essay

The story of Sir Gawain works on an opposite level from that of Beowulf. Just as Beowulf emphasizes outward strength, the character of Gawain stands as a paradigm of inner strength as a path to outward glory. The battles Gawain fights occur inside his mind. The chivalric code is one concerned with honor and duty within a society of corruption and sin. The role of chivalry was one concerned with example. A chivalric Knight, such as Gawain, must abide by the inner code of morality in order to remain true to his self, his lord, and his God. Sin, for Gawain, would begin in the mind, and lead to dishonorable deeds in the outside world. Throughout Sir Gawain and the Green Knight, Gawain travels on a path which is as much one of inner contemplation, as it is of actual travel. We see Gawain at the beginning of his journey being,"...faultless in his five senses,/Nor found ever to fail in his five fingers,"(640-1). Gawain’s traits being likened to the five wounds of Christ sets up his eventual fall from the very start. However, like Christ, Gawain is reborn to a new life through the "scratch" the Green Knight gives him (2312). From that small wound, Gawain realizes that he cannot live up to the perfect image of chivalry he has sworn to uphold. To Gawain, this wound comes very close to being the death knell of the entire moral system Gawain has dedicated his life to.

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

Essay with Outline  Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is self admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be least of any" (Sir Gawain, l. 354-355). To continue on testing a knight that does not seem worthy certainly will not result in much of a story, or in

Back in the Medieval Era, a knight was known to be loyal to the King. They learned to have chivalry and do what the King said. Being loyal and chivalry were not only the only thing that they were know for, but they were know to go on adventures during their time as a knight. In these two stories, "Sir Gawain and a The Green Knight" and "Le Morte d'Arthur", there is Medieval Romance, the main characters are loyal, and they have chivalry.

Gawain knows that he has become unloyal and never wants to forget to be unloyal ever again. This shows that Gawain's

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Part of the essence of drama is conflict. A man cannot be considered a hero unless he has overcome some form of opposition. In many cases, this opposition comes in the form of another character. Typically, the conflict is simplified as a malignant character with wicked intentions committing acts which would be characterized as evil; the protagonist opposes this villain and usually overcomes that character, winning the day and the admiration of all. Sometimes, the main character becomes a hero by overcoming some force within his or her own self. In Sir Gawain and the Green Knight, this is ultimately what Gawain must do in order to be considered a hero.

Thesis: In Marie Borroff’s translation of Sir Gawain and The Green Knight, a happy ending is achieved through the spiritual and moral reconciliation of Sir Gawain which humbles him and exposes his struggle to be the model of Christian knights. (chivalry and christianity, the ideal christian knight).

Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

The epic poem, Sir Gawain and the Green Knight, presents the typical medieval hero going on a ridiculous quest. Gawain exemplifies the five principles of chivalry as he addresses each challenge on his journey, making him a true hero. However, the tale places this serious hero in an absurd situation, illustrating the comical elements the poem holds as well.

The poem, “Sir Gawain and The Green Knight,” is an extravagant poem that portrays chivalry and gallantry. This poem incorporates many symbols and parallels within itself. The lord of the castle where Sir Gawain is resting, proposes an offer to Gawain, which he accepts, three days after he arrives. The Lord’s offer to Gawain was, “That whatever I win in the woods be yours, and any achievement you chance on here, you exchange for it” (Lines 1106-1107). These two hunting scenes, the lord hunting a deer, a boar, and a fox; and the woman who “hunts” Sir Gawain, encompass many similarities between each other, including the lord and his wife being the aggressors and the animals and Sir Gawain being the prey.

A hero is a person who, in the face of danger, combats adversity through feats of ingenuity, bravery or strength, often sacrificing their own personal concerns for a greater good. During the time period of which the poem of Sir Gawain and The Green Knight was written there were actually things one had to possess that made them an “Epic Hero,” which consisted of things like a Noble Birth, Superhuman Capabilities, Vast Traveling, being an Unmatched Warrior, Cultural Legend, Humility, and Battling Supernatural Foes. Initially, heroism is the act of being a hero, bravery along with courage make a hero to be what they are for the world. “Every hero in the epic genre is a man who goes into dangerous situations either unafraid or with resolve, despite [their] fear” (Barclay, para. 6). In this case, Sir Gawain sets out to the Green Chapel to settle the deal between himself and the Green Knight despite knowing he will die. Sir Gawain fits the theme of heroism because of his chivalry acts through the honor code of a knight.

In “Gawain’s First Failure” Victoria L. Weiss claims that, “A closer look at the terms of the challenge reveals that Sir Gawain’s temptation begins before he ever leaves Arthur’s court, and that his first failure comes when he chops off the head of the Green Knight” (Source C). Victoria L. Weiss mentions that the temptations Sir Gawain faced started before he left the court, providing evidence that supports the idea that Gawain is young and inexperienced. Due to his lack of experience and his eagerness to prove himself, he easily falls for the temptations of the challenge presented by the Green Knight. Victoria’s examination of the idea that Sir Gawain was tempted before he left the court provides evidence that he failed his quest when he accepted the challenge. By accepting the challenge and striking the Green Knight so aggressively, Sir Gawain breaks pentangle code, which is a major part of his identity. By doing so, Sir Gawain diminishes his well-known trait of chivalry. This act of disgrace towards one of his most profound characteristic is repeated when fails to uphold his agreement with Lord Bertilak.

“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.