Siren Song And Homer's Portrayal Of Sirens In The Odyssey

The portrayals of the Siren in The Odyssey and “Siren Song” can be compared through point of view, tone, and imagery. In Homer’s poem the Siren is seen as an irresistible desire, a toxic aspiration that manipulated and captivated men to come closer. In “Siren Song” the Siren is portrayed as merely a taunting boredom. She herself tells us that to her it is boring, “But it works every

The sirens in both texts have different views on the song and how it allures people. They describe what it does to people who come in close proximity of the song.

There is a universal ideology that suggests that each gender plays their specific, individualized roles in society: men acting as independent, powerful alpha males, and women being their dutiful submissives. Contemporary narratives depict women as such whereas mythology is rich with goddesses and other female figures who are brave and powerful warriors equal to men. So if mythology can be overflowed with stories about female leaders, how come contemporary narratives have derived from that viewpoint? Sirens in Greek Mythology are a perfect example of the derivation to the new idea of women in society: weak. By examining the myth of Sirens through a feminist critical lens, the question of whether society is “concerned with the ways in which literature and other cultural productions reinforce or undermine the economic, political, social, and psychological oppression”(Brizee Web) will be answered. The mythological legend of the Sirens highlights the superiority of these figures who could destroy by temptation through their melodic voices; modern interpretations of sirens- as in Disney’s The Little Mermaid (1989)- reduce the feminine power of the siren to a contemporary stereotype of the powerless, dependent, subservient woman.

Although having pride in yourself may be a positive in moderation, being too proud of oneself will lead to nothing. Many who look down on others will never learn from their peers, and will only boast of their own achievements. In the poems from “The Odyssey Book 12” by Homer and “Siren Song” by Margaret Atwood, both authors write of Odysseus’ struggle regarding the Sirens. Sirens are half-woman, half-bird creatures who use their music to tempt sailors to shipwreck on islands or to jump off the boat to their death. They call out to him on his journey back home, trying to get him to come to them. The Sirens sing of his great accomplishments, and use flattery to lure him out. These poems show that arrogance and vanity will get one nowhere.

In both, the sirens and laundry ladies are portrayed as very beautiful women who attract the men with their angelic singing. In The Odyssey, Odysseus and his men are able to resist their temptations in falling for the women. In addition, Odysseus and his men used strategy by tying Odysseus down to the boat and the men using beeswax in their ears to block out the sirens’ voices. However in O’ Brother Where Art Thou, Everett, Delmer, and Pete do fall under the ‘spell’ of the laundry ladies voices, and are put into a

Analyzing different mediums can enhance an individual’s overall appreciation and understanding of a particular idea or story. While analysis of a painting can reveal the mood of the artwork, an analysis of a poem can reveal the author’s tone. Much more then that, analysis provides an opportunity to explore each work in an attempt to understand human nature through each author’s perspective. While exploring the painting “Ulysses and the Sirens” by J.W. Waterhouse and the poem “The siren song” by Margaret Atwood, a universal truth presents itself. While the painting focuses on the thematic idea of Odysseus being stubborn while his men care for his safety to get home, the poem holds a different view. In contrast, the thematic statement from the poem discusses the idea that the Siren hates singing and being in a bird suit, but is asking for help but it’s still tempting to hear the song. Although differing in point of view, both the painting and the poem explore an aspect of human nature that are relevant to society today. There are two different authors for the painting and the poem. However, the two are different when compared to each

The sirens and laundry ladies symbolized temptation using their singing to lure captives. In The Odyssey, Odysseus evades the sirens by following Circe’s advice of having his crew’s ears be plugged with beeswax and have them bind him to the ship (Homer, Book 12, lines 161-190) However, in O, Brother Where Art Thou, Everett and his friends fall prey to the laundry ladies and they end up using one them as bounty (0:43-0:46)

For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"

The Sirens in the Odyssey represent more than just a maritime danger to the passing ship. They are the desires of man that he cannot have. The Sirens can also be construed as forbidden knowledge or some other taboo object. Whatever these singing women actually are, the sailors are wise to avoid them. As usual, the wily Odysseus cheats at the rules of the game by listening to their song under the restraints constructed by his crew.

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

Once the men are drawn to the Sirens, they are stuck and there is no way for them to escape. Additionally, Homer explains Odysseus’ encounter with the Sirens from Odysseus’ point of view. The Sirens try to attract Odysseus by singing compliments to “famous Odysseus,” so he will assume he is the object of their desire (14). The Sirens are intelligent, and therefore determine what Odysseus’ true weaknesses: flattery and the desire for recognition. His faults are similar to other men; however no other men share Odysseus’ unique wish. When Odysseus sails by, they attack his weaknesses, just as they do to the other ships, but Odysseus already is prepared. The Sirens sing to him and promise he will be able to “[sail] on a wiser man” if Odysseus listens to their song (18). His plan almost fails because the song captivates Odysseus and, thus, attempts to join the Sirens, risking his life to gain the knowledge that the Sirens guarantee. Odysseus navigates himself through the sea with hopes of becoming more intelligent. Homer describes the Sirens as beautiful yet cunning because of their ability to identify men’s weaknesses easily. Their beauty attracts men and thus draws them toward their death. Homer’s view of the relationship between Odysseus and the Sirens prove that the Sirens are extremely tempting and the men cannot help but fall for them.

As Odysseus travels through the epic, he is constantly trying to maintain his image, always bragging about his wisdom and talents. The Sirens expose and exploit this weakness of his when he encounters them. Their “honeyed voices pouring from [their] lips” (Homer, Odyssey, p. 277, 12.203) is a sticky trap that reveals just how much Odysseus yearns for glory and fame. They call him “Archaea’s pride and glory” and tell him to “come closer, famous Odysseus” (Homer, Odyssey, p. 277, 12.200). By making “famous” the new epithet to his name, they have already won his heart. They then proceed to tempt him in with promises of more wisdom. Odysseus had to literally be tied down so that he would not jump off the ship. All the while, the Sirens most definitely knew that humans are inherently greedy and susceptible to temptation.

The siren is one of the most widely used “monsters” today. By definition they are beautiful yet dangerous creatures, who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. These creatures are described as an irresistible mixture of woman and bird. Sirens, or otherwise known as “muses of the

In applying this image to a female, and especially to a female playing a role in the realm of relationships gives the idea new meaning. To think of a woman as a siren is to impose the notion that she lures men into a trap to play with them, almost as a cat would toy with a mouse. Atwood's siren describes her song as, "…The song that forces men / to leap overboard in squadrons / even though they see the beached skulls," (ll 4-6). With those words, Atwood describes exactly the effect that this songstress has on her victims. It is as if those men that are lured into her clutches are well aware of the consequences of their involvement with her - as they can very well see the "beached skulls" - yet they cannot resist the temptation she presents. Just as the seafarers were to be broken on the rocks of the island inhabited by the sirens, the men that involve themselves with this modern-day siren will also be destroyed. The song remained the same over the centuries, lethal and beautiful as ever.

The role of women in Greek literature has demoralized them and showing them in a maligned light. The women are portrayed as frail, cruel, insensitive, or as seductresses. These characteristics have been integrated into today’s society and [have] built the standards and defined the moral outlook of women. However, in Greek mythology, powerful and strong women are not as well celebrated, such as Athena. Homer’s The Odyssey construes the positive and negative role of women through the epic poem. The women in the poem are depicted through the contrasting actions of Penelope and the maids, in addition with the opposite personalities between the goddess Athena and the nymph Calypso.