Sixth Sense Essay

The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.

Lighting and sound are another two key factors that can be manipulated to heighten the dramatic value of the scene. With the opening of the first sequence, the musical motif that accompanies Abigail throughout the film begins to play as she is introduced. It follows her emotions, the tempo increasing as she hurries to ready herself and creep out of the house. As the forest comes into view, the eerie surroundings are complemented by the change in music.

He is able to use these parts to manipulate the audience’s emotions. The music playing from the car is an on-screen sound. As the man gets attacked, the volume increases. The sound helps intensify the scene that has been created by the film’s visual elements. The audience then subconsciously forms ideas, opinions, and feelings about what they are seeing. The viewers develop scared feelings as the scene intensifies to the happy upbeat tune. The increasing volume of the cheery song reflects the violence and the sinisterness of the scene. The song stops with the slamming of the car’s driver-side door as the man is abducted. There is a moment of silence and then a new song abruptly entered the silent scene. The music is non-diegetic and is an offscreen sound. The song is screechy, high pitched, and jagged sounding at first, continuing the anxious and scared mood. The song shifts into a sort of soulful hymn. The tone shifts along with the song. The audience begins to feel relieved and relaxes to the peaceful song.

Throughout the scene, the use of non-diegetic sound is used to make the audience feel worried and scared as to where Jasper is taking Charlie and what is going to happen. The deep, dusky scary music played in the background has an effect on the audience, creating a dramatic feel as Charlie did not know what was ahead for him in the shadowy, dark forest, fearing for his life as Jasper Jones is portrayed as a bad person in society because of his skin colour. Furthermore, throughout the scene, non-diegetic sound is used as an additional background sound, intensifying when Jasper and Charlie come near Laura Wishart’s hanging, dead body. As Jasper and Charlie closely creep up to Jaspers property, the music suddenly intensifies, creating a mysterious approach about what is going to happen next.

The music throughout the film plays a big role in the way it is perceived and the overall tone and message. The directors and producers used background noise and music very wisely in order to convey the emotions of a scene. In the movie, it reaches a certain point where it almost looks as though things are looking up for education. It is when the documentary starts describing the “new acting chancellor of the district of columbia schools”, during this scene the makers want you to really pay attention and become almost shocked by this turn of events. However, they do not only grab your attention by the words and clips shown, but also by the loud, upbeat music that is suddenly played while she is being announced. Also, later in the movie they use this same

     The music helped in elaborating this great film. As I mentioned in class different instruments helped create different moods for different scenes in the movie. We heard the cello and the violin to create sadness and remorse. The flute created eeriness and the trumpet created awareness. I thought these were instruments and tools that help make this film extraordinary.

All communication is cultural. It draws on ways we have learned to speak and give nonverbal messages. We do not always communicate the same way from day to day, since factors like individual personality, mood, and the context of the situation interact with the variety of cultural influences we have internalized that influence our choices. Communication is interactive, so an important influence on its effectiveness is our relationship with others. Do they hear and understand what we are trying to say? Are they listening well? Are we listening well in response? Do their responses show that they understand the words and the meanings behind the words we have chosen? Is the mood positive and receptive? Is there trust between them and us? Are there differences that relate to ineffective communication, divergent goals or interests, or fundamentally different ways of seeing the world? The answers to these questions will give us some clues about the effectiveness of our communication and the ease with which we may be able to move through conflict. The challenge is that even with all the good will in the world, miscommunication is likely to happen, especially when there are significant cultural differences between communicators. Miscommunication may lead to conflict, or aggravate conflict that already exists, or in the sad of case of girl developing epilepsy and both her parent’s Hmong culturally clashing with her Western medicine

The director M. Night Shyamalan used different methods to construct and format the theme of the film, “The Sixth Sense”. He uses foreshadowing, symbolism and motif to help the viewer understand the movie and see that it is more than what you first perceive. In “The Sixth Sense” a boy named Cole Sear has a sixth sense that is haunting him at the beginning of the movie. He sees things that other people can’t see. He can also hear things that other people can’t. He can see ghosts, among people as if living like nothing ever happened. A Doctor named Dr. Malcolm Crowe tries to help Cole with his “problem” until he realizes that Cole is very much like one of his other patients, Vincent Grey, who was a boy that had the exact same symptoms. Ultimately the director uses foreshadowing, symbolism and motif to construct the theme of communication within the film.

The music interacts with dialogue in the film; the techno beat is, at times, accompanied by vocals, which correspond with not only what is happening in the scene, but also the internal diegetic dialogue—another important motif.

Later on in the day, after a field trip to the local planetarium, Jim meets a group of kids that are troublemakers and want to fight with him. As a conversation begins, music also begins in the background, yet quickly changes when the gang wants trouble. The music becomes fast, louder, and more suspenseful. The style of mickeymousing, "type of score [that] uses music as a literal equivalent to the image" (Giannetti, 231), was also used in this same scene. Jim and the character of Buzz are fighting each other with knives, and at every jab of the knife the music changes and becomes more dramatic and even more suspenseful. It is said that, "music can serve as a kind of overture to suggest the mood or spirit of the film as a whole" (Giannetti, 233). Later on, James Dean's character is asking his father for advice, and the music becomes quiet, slow and mysterious. Another scene where the score plays a vital role in the atmosphere is during an argument with Jim and his parents. Jim and his father are yelling, and when Jim grabs his father as if to hit him, the music turns scary and very intense.

Examples include; Harrowell recreating past memories, as well as recounting the story repetitively and with talking head. By recreating Harrowell’s past with his narration voicing over as well as imposition with young Harrowell and present Harrowell, Buckley allows Harrowell to take the viewer by hand and drag them back to the past. This lets the viewer to experience what Harrowell experienced making the viewer feel empathy as well as sympathy. When Harrowell recounts his story directly to the viewer, he does so repetitively, causing the viewer to slowly conform to his voice, giving the viewer a sense of familiarity with him and thus allowing Harrowell to access the viewer’s emotions easier. Also when Harrowell is talking, the camera only captures his head and shoulders, which is a film technique known as talking head. Through using talking head, Buckley creates a situation with viewer that makes them feel as though they are having a private, personal conversation directly with Harrowell as the head and shoulders area is the general focus of a person’s gaze when in conversion. When Harrowell says something like “I was scared to damn hell”, whilst the viewer is still engaged, the effect is greatly intensified. As the viewers see what Harrowell has gone through, and feel as though Harrowell is talking directly to them heart to heart, they are further inclined to feel sympathy for

Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident

The music interacts with dialogue in the film; the techno beat is, at times, accompanied by vocals, which correspond with not only what is happening in the scene, but also the internal diegetic dialogue—another important motif.

Music has played a major role through out the entire film. It is used as a

(Mulvey, Nov. 2, 2017) Our society today is engrossed in the visualization of gore, horror, and violence. In the infamous scene where the murderer is unveiled, an orchestra plays a staccato melody that rises in tempo. “Incorporating music into your own films can not only make your final cut more interesting, but it also allows the audience the ability to connect emotionally to your characters and their situation, and you, the filmmaker, to reinforce your story and/or message.” (Bell, Nov. 2, 2017). Nevertheless, this would explain why a viewer's interest would peak at the moment of each murder. The music being played pre murder builds suspense and creates the feeling that the viewer knows what is going to happen before it even happens. For example, a creepy tune plays every time the mysterious murders carriage drives around the town. The viewer is left to assume that a murder is about to occur, but is left at the edge of their seat wondering if their assumption is a correct inclination of where the plot is going. Music not only builds suspense by allowing the viewer to have freedom of their own foreshadowed outcomes, but it keeps their interest as well.