Skewed Appearences of Reality in Herman Melville’s Benito Cereno and Nathaniel Hawthorne’s “Young Goodman Brown”

"Young Goodman Brown," a story written by Nathaniel Hawthorne, should be interpreted on a psychoanalytical level rather than a religious one. It is my observation that "Young Goodman Brown" may very well be the first published work alluding to divisions of the mind and personality theory. Although religion is a direct theme throughout the story, "Young Goodman Brown" appears to be an allegory with deeper meanings.

In the short story “Young Goodman Brown,” a good and proud Puritan man; Goodman Brown, encounters a devil that causes him to become aware of the town he lives in. Goodman Brown believes that a meeting with the Devil cannot change his faith in religion. He desires to find more about his inner domains, but later finds out how hypocritical his town is. He then comes to realization that man is imperfect and defect. Goodman Brown later dies a sore death from the insight of his journey in the forest. In “Young Goodman Brown” Nathaniel Hawthorne uses imagery, symbolism, and allegory throughout the story to question the faith of man. The narrator uses dark and light imagery, people and names to illustrate the irony.

    In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism.  Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young

The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). It is the purpose of this essay to demonstrate the types of characters present in Nathaniel Hawthorne’s “Young Goodman Brown,” whether static or dynamic, whether flat or round, and whether protrayed through showing or telling.

Nathaniel Hawthorne constructs uncertainty throughout Young Goodman Brown by employing plot, point of view, and symbolism. For instance, the deception in plot occur as Young Goodman Brown traverses the threshold. Brown considers Faith to be pure and virtuous; a wicked act to leave such behind. Moreover, while conversing alongside the traveler Brown presumes the ethics of his ancestry and townspeople to be good due to high Faith in people. Brown’s perception shatters as the traveler discloses the sinful acts of the masses.

Though Nathaniel Hawthorne is an author of many great works, his short story “Young Goodman Brown” still stays relevant because it has themes and subjects that are relatable in today 's world. In the story “Young Goodman Brown,” Goodman Brown leaves his wife Faith, to go into the woods near Salem to have a meeting with the devil. Appearance vs. reality is shown in “Young Goodman Brown” through the plot, the character of Goody Cloyse, and the symbol of the maple staff.

Herman Melville 's Benito Cereno (1856) and Frederick Douglass 's The Heroic Slave (1852) provide social commentary on the evils, injustices and dehumanizing effects of slavery. Melville 's "Babo" and Douglass 's "Madison Washington" are similar in motive—the pursuit of liberty and destruction of slavery. The ways in which these characters are perceived, however, differ and stem directly from the author 's construction of the narrative. By examining the slave uprisings within the both texts, it is clear that Melville creates a story that depicts “Babo’s” rebellion as maliciously calculated, while Douglass paints the portrait of Madison 's resistance as rightfully deserved and necessary. Douglass 's novel is overtly an abolitionist narrative, unlike Melville’s Benito Cereno, which is quite ambiguous in its didactic message. Critic, William L. Andrews, notes that “The Heroic Slave uses the techniques of fiction to remodel the raw materials of history into a more meaningful and usable truth ” (Andrews 11). There is transparency in Douglass 's goal for the novel—to expose and unveil the atrocities of slavery (separation of families, murder of loved ones, perpetual subjectivity, etc.) and denounce preconceived notions of black inferiority. Madison Washington is a slave, but also a human being—not

Herman Melville’s short story “Benito Cereno” or “The Other Moby Dick” as Greg Grandin, a contributing writer for Mother Jones magazine, refers to it, is a fictionalized account of an encounter that an American ship captain and seal killer/trader by the name of Amasa Delano had in February 1805 in the South Pacific (Grandin). Delano, who was “quick to flog his men,” was “the sort of American sea captain Melville knew well and hated” (Stuckey 271). Delano chronicled his encounter in “A Narrative of Voyages and Travels, in the northern and southern hemispheres: comprising three voyages around the world, together with a voyage of survey and discovery in the Pacific Ocean and Oriental Islands” (Boston, 1817). Arguably one of Melville’s best works, “Benito Cereno” in all of its ambiguity is more than a fictionalized account of a seafaring vessel and its less than admirable captain, it is a historical reflection of what was happening in the world during the time it was written.

Nathaniel Hawthorne’s “Young Goodman Brown” is an excellent example of the use of allegories and symbolism as a form of satire on Puritan faith. According to Frank Preston Stearns, author of The Life and Genius of Nathaniel Hawthorne, “Hawthorne may have intended this story as an exposure of the inconsistency, and consequent hypocrisy, of Puritanism” (Stearns 181). Throughout the story of “Young Goodman Brown,” Hawthorne tries to infuse as many symbols and allegories as he can to enhance the overall meaning of his story. He uses the village, Goodman Brown, Faith, the man in the forest, and the time spent in the forest as either a symbol or an allegory to get his point across that Puritans are not always what they seem to be.

Nathaniel Hawthorne, in his short story “Young Goodman Brown,” details the frailty of human morality when he has the story’s protagonist (Goodman Brown) journey through the forest on All Hollows Eve to witness/participate in a witches’ Sabbath just to see what evil/sin is all about. During Young Goodman Brown’s journey, his faith is shaken as he witnesses those he respects the most also journeying to and participating in the witch’s Sabbath. In “Young Goodman Brown,” Nathaniel Hawthorne demonstrates that an idealistic faith in our fellow man’s righteousness could lead to disappointment, distrust, and fear.

Throughout Benito Cereno the author Melville uses a dark tone. This quote is an extraordinary case of Melville's dim investigation of his characters' minds. We have Babo, who's

Symbolism is a literary technique that is used to clarify the author's intent. Sometimes it is used to great effect, while other times it only seems to muddle the meaning of a passage. In "Young Goodman Brown," Nathaniel Hawthorne uses objects and people as symbols to allegorically reveal his message to the reader.

Nathaniel Hawthorne made seems to illustrate the prices we pay for deserting or abandoning our faith in this eery story. Here is a young man who has just found out that what you see is not always what you get. Why did Goodman Brown leave his wife, Faith, to begin with? I believe that his wife may have simply been a manifestation of the actual term for faithfulness in God. It is difficult to judge Goodman Brown as having any good intentions with his journey in the woods, after all, he left his wife alone and afraid with every intention of meeting a dark stranger for a reason unknown to the reader. One theory I have is that Young Goodman Brown experienced a form of limbo where he was stuck between his earthly life and heaven. It’s quite obvious

Decisions are what separate one’s life from another life. In this case, metaphors have different meanings to them, which can make them have different interpretations. Therefore, one has to make a decision on how they interpret a metaphor. This is proven to be true in Nathaniel Hawthorne’s story, Young Goodman Brown. It is very crucial to look for metaphors as an individual reads. It helps foreshadow what is going to occur in the story. In addition, looking deeper into the meaning behind metaphors may give the reader a better understanding. Using metaphors may give the story much deeper meaning than just the text itself. Using the story Young Goodman Brown, the metaphors that Hawthorne used that enhances the story is the fire in Salem, names that are involved within the story, and the darkness that surrounds the character. During the time of interpreting metaphors, one will also see how Brown will be faced with several challenges that he is going to encounter. Also, Brown will be faced with the temptation in everything he will do. Contributing to this is using the five senses: smell, taste, feel, see and hear that actually deals with metaphors as well.

Young Goodman Brown by Nathaniel Hawthorne provides historical, societal, religious, scientific and biographical contexts. The story is set in the period of the Salem Witch Trials in Puritan New England. The story describes Brown's journey into the depths of the forest, where he believes that he sees many of the members of his community, including his wife Faith, attending a satanic ceremony. The narrator implies that Brown may be sleeping, but either way the experience was real. It affected Brown very much. The story is often read as Hawthorne's condemnation of Puritan ideology, as it proposes that Puritan doctrine could strain so much doubt that believers were doomed to see evil-whether or not it truly existed-in themselves and