War is an omnipresent evil. At times it might be necessary, as in stopping a tyrant from oppressing a society, but at other times, it causes more harm than good. War has demolished entire communities, reshaped lives, and damaged individuals’ mental stability. Not until recent centuries has the impact of war on a person’s psychological state been considered. One book, which was published in the middle of the twentieth century, Slaughterhouse-Five, by Kurt Vonnegut, is able to show the various possible results war can have on a person’s mind. In the novel Slaughterhouse-Five, Vonnegut is effectively able to portray the psychological effects of war through Billy Pilgrim and his fantasies, his indifference, and his alienation because of Vonnegut’s own personal experiences in war. Billy Pilgrim creates different fantasies after his experiences in Dresden. These fantasies are a direct result of Billy’s post-traumatic stress disorder (PTSD) and other problems he developed. Susanne Vees-Gulani states in “Diagnosing Billy Pilgrim” that “his problems are directly related to his war experiences” (293). PTSD is usually the result of people facing an event that involved serious threat to life or the well-being of themselves or others. A common symptom of PTSD is constantly reliving past traumatic events: which is seen through Billy’s cyclic timeline or his “time travel” (Vees-Gulani 294).
According to Vees-Gulani, Billy never “psychologically left World War II;” therefore, with
Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane
Where innumerous catastrophic events are simultaneously occurring and altering the mental capability of its viewers eternally, war is senseless killing. The participants of war that are ‘fortunate’ enough to survive become emotionally distraught civilians. Regardless of the age of the people entering war, unless one obtains the mental capacity to witness numerous deaths and stay unaffected, he or she is not equipped to enter war. Kurt Vonnegut portrays the horrors of war in Slaughterhouse Five, through the utilization of satire, symbolism, and imagery.
… Disorientation and confusion“ ("Trauma/PTSD"). Vonnegut writes, in one of the very first chapters, “Billy Pilgrim has come unstuck in time. Billy has gone to sleep a senile widower and awakened on his wedding day” (Vonnegut 23). Throughout the book we are taken on a spastic and wild journey from one moment in Pilgrim’s life to another. For instance, Pilgrim is walking through the horribly cold, bleak and depressing German landscape with “The Three Musketeers” and ends up being dragged by Weary most of the way. As soon as the two scouts ditch him and Weary and it seems their ordeal couldn’t get any worse, Pilgrim “time travels” to a moment in which he has just won the Presidency of The Lion’s Club and proceeds to gives an impressive speech. (Vonnegut 48-50). This sort of behavior, completely dissociating oneself from the horrible situation at hand, is typical of PTSD. Pilgrim wanted to escape completely from the cold and depressing “hell” he was in and be back in happiness, where he had just won a successful campaign for the Presidency of his club. This is what happens throughout the book and it is simply another example of Pilgrim’s widespread and horribly debilitating case of PTSD.
The psychological effects, the mentality of fighting and killing another human, and the sheer decimation of human values is what makes war atrocious. War is not only fought on the battlefield though. This book also describes the feelings of a soldier fighting his own demons that war has brought on. The battle that the soldier has with himself, is almost if not more damaging than the physical battle of war. He will never forget his experience with battle, no matter how hard he tries the memories of artillery, blood, and death cannot be erased. “I prayed like you to survive, but look at me now. It is over for us who are dead, but you must struggle, and will carry the memories all your life. People back home will wonder why you can't forget.” (Sledge). This struggle still happens to soldiers today. Sledge’s words of the struggles still captures the effects of warfare that lingers today. The other effects that war has on the men is the instability that surrounds them at every hour of the day. They are either engaged in battle having bullets and artillery fired at them, or waiting for battle just so they can be deposited back in the pressure cooker of survival. “Lying in a foxhole sweating out an enemy artillery or mortar barrage or waiting to dash across open ground under machine-gun or artillery fire defied any concept of time.”
Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.
In Kurt Vonnegut's Slaughterhouse Five he talks about many different themes. He quotes, makes fun of, and uses many different themes. I would like to talk about one major theme in Slaughterhouse Five, religion. In the book he uses religion to teach important lessons, he used it as inspiration, and he even pokes fun at religion.
Over the past few decades, the war changed everyone’s perspective. According to NCBI, 61% civilians suffer from psychological disorders caused by wars. Specifically, two books, Night and Persepolis, talks about the author experiences during the war and their struggles. Elie Wiesel, the author of Night, documents his childhood when he was maltreated by the Nazis, and Marjane Satrapi, author of Persepolis, share her experiences during the Iraq-Iran war of how it change her. War changes childhood because of near-death experiences, family departure, and witness horrific acts of violence.
Slaughterhouse Five by Kurt Vonnegut takes places on two contrasting planets. One is Earth, where war tears apart families and minds, and the other is Tralfamadore, where supernatural alien beings share their extended knowledge of the world. Vonnegut uses the two planets, Earth and Tralfamadore, to show the contrasting ideas of chaos and order, and that human actions have limitations that render them helpless against a meaningless universe.
Kurt Vonnegut's novel Slaughterhouse-Five; or The Children's Crusade: A Duty-Dance with Death is, as suggested by the title, a novel describing a crusade that stretches beyond the faint boundaries of fiction and crosses over into the depths of defogged reality. This satirical, anti-war piece of literature aims to expose, broadcast and even taunt human ideals that support war and challenge them in light of their folly. However, the reality of war, the destruction, affliction and trauma it encompasses, can only be humanly described by the word “war” itself. Furthermore, oftentimes this term can only be truly understood by those who have experienced it firsthand. Therefore, in order to explain the unexplainable and humanize one of the most
Some people may think the novel Slaughterhouse Five by Kurt Vonnegut is a failure. In fact, Kurt Vonnegut himself calls it a failure. A lot of people disagree with that, many think that Slaughterhouse Five is one of Vonnegut's best novels. They say it is the most successful book they have ever read, just for reasons of the author himself. From him being bluntly honest, to his great wit. So if it is such a failure in his eyes, why did he write it, what was his purpose, and why was it even published? Questions everyone are very curious about.
Kurt Vonnegut was a man of disjointed ideas, as is expressed through the eccentric protagonists that dominate his works. Part cynic and part genius, Kurt Vonnegut’s brilliance as a satirist derives from the deranged nature of the atrocities he had witnessed in his life. The reason Vonnegut’s satire is so popular and works so well is because Vonnegut had personal ties to all the elements that he lambasted in his works. Vonnegut’s experience as a soldier in WWII during firebombing of Dresden corrupted his mind and enabled him to express the chaotic reality of war, violence, obsession, sex and government in a raw and personal manner. Through three works specifically, “Welcome to the Monkey House,” “Harrison Bergeron,” and Slaughterhouse-five,
The story of Slaughterhouse Five is about a man named Billy Pilgrim who goes through a series of strange events throughout his life time. And it all starts when he is in a war in Germany. Billy is resentful towards the war and he makes it clear that he does not want to be there. During the war, he becomes captured by Germans. Before Billy is captured, he meets Roland Weary. When captured, the Germans took everything from Weary, including his shoes so they gave him clogs as a substitute. Eventually, he dies from gangrene caused by the clogs. Right before Weary dies, he manages to convince another soldier; Paul Lazzaro that it was Billy’s fault that he was dying so Lazzaro vows to avenge the death of Weary by killing Billy.
Time travel is Billy’s way of dealing with the stress brought upon him by his traumatic wartime experience. Billy does not have an adequate amount of time to accept his experience for what is was before he is thrown back into the real world. Billy quickly transitions from wartime life back to working a desk job, having a love life, a family and also learning to interact with people on a personal level. This is psychologically exhausting to Billy, as he has “never fully left World War II” (Vees-Gulani 177). Vonnegut makes this apparent as he cites Billy as being “simultaneously on foot in Germany in 1944 and riding his Cadillac in 1967” (Vonnegut 58). Though Billy Pilgrim shows many symptoms of PTSD, his diagnosis probably goes deeper than that. This diagnosis goes not only for Billy but also, in many ways, for Vonnegut himself. Vonnegut created Pilgrim as a fictional representation of himself.
In the novel Slaughterhouse-Five by Kurt Vonnegut, a fictional character named Bill Pilgrim is used to depict the various themes about life and war. Vonnegut went through some harsh times in Dresden, which ultimately led to him writing about the tragedies and emotional effects that come with war. By experiencing the war first handed, Vonnegut is able to make a connection and relate to the traumatic events that the soldiers go through. Through the use of Billy Pilgrim and the other characters, Vonnegut is able show the horrific affects the war can have on these men, not only during the war but after as well. From the very beginning Vonnegut portrays a strong sense of anti-war feelings, which he makes most apparent through Billy Pilgrim.
Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian