Slaughterhouse-Five Essay: Three Themes of Slaughterhouse-Five

          Billy didn’t want to marry ugly Valencia. She was one of the symptoms of his disease. He knew he was going crazy when he heard himself proposing marriage to her, when he begged her so take the diamond ring and be his companion for life.

SlaughterHouse-Five is a book about a man named Billy Pilgrim who is stuck in time, and constantly travels throughout different events in his life. Billy accepts different values and sees traumatic and morbid events differently than others. Billy accepts a way of life that is not perceivable to other humans. Many would argue that Billy’s experiences make him insane, but Billy’s experiences with the Tralfamadorians actually allows him to preserve his sanity, and stay a very intelligent man.

Many writers in history have written science fiction novels and had great success with them, but only a few have been as enduring over time as Kurt Vonnegut's Slaughterhouse-Five. Slaughterhouse-Five is a personal novel which draws upon Vonnegut's experience's as a scout in World War Two, his capture and becoming a prisoner of war, and his witnessing of the fire bombing of Dresden in February of 1945 (the greatest man-caused massacre in history). The novel is about the life and times of a World War Two veteran named Billy Pilgrim. In Slaughterhouse-Five, Kurt Vonnegut uses structure and point of view to portray the theme that time is relative.

Slaughterhouse-Five book is antiwar novel, and it written by Kurt Vonnegut. A man named Billy Pilgrim who is unstuck in time, and always goes all relives various occasions throughout his life. Billy pilgrim is a main character in this book. “Billy is born in 1922 in Ilium, New York. He grows into a weak and awkward young man, studying briefly at the Ilium School of Optometry briefly before he is drafted” (Borey 1). Then, after training he sent to the Germany during the war. Billy acknowledges diverse values and sees horrible and morbid occasions in a different contrast to others. Billy experiences acknowledges a lifestyle that is not visible to other people. Many readers would contend that Billy's encounters make him crazy; however,

Throughout Slaughterhouse-Five, Vonnegut chooses to use special literary techniques that better explain his own encounters in war as well as help his readers bare the horridness of war. Vonnegut adds black humor in his text to benefit readers as well as “an author-as-character” perspective to set barriers and help protect his own memories in the war. Without adding these two specific devices, Vonnegut could possibly have lost reader’s interests in the book or lost his own interest in writing the book.

When Pedro asks for Tita’s hand in marriage, Mama Elena refuses, stating that Rosaura, who is two years older than Tita, is a better option. Mama Elena states that Rosaura is, “…one hundred percent available, and ready for marriage...” (Esquivel, 13) Despite his love for Tita, Pedro marries her sister, believing that doing so will forge a closer bond between the two. When his father asks his son why would he marry Rosaura Pedro’s response is that he is going to marry, “with great love for Tita that will never die” (Esquivel, 15). Throughout the story, even after she dies, Mama Elena remains an almost foreboding obstacle between Tita and Pedro.

Many people returned from World War II with disturbing images forever stuck in their heads. Others returned and went crazy due to the many hardships and terrors faced. The protagonist in Slaughter-House Five, Billy Pilgrim, has to deal with some of these things along with many other complications in his life. Slaughter House Five (1968), by Kurt Vonnegut, Jr., is an anti-war novel about a man’s life before, after and during the time he spent fighting in World War II. While Billy is trying to escape from behind enemy lines, he is captured and imprisoned in a German slaughterhouse. The author tells of Billy’s terrible experiences there. After the war, Billy marries and goes to school to

    Similar to many other science fiction novels Slaughterhouse-Five dives straight into scenes that place ordinary people in everyday situations, but upon reading the first few chapters the reader is struck by both disturbing depictions and ordinary arguments which

Slaughterhouse-Five has two narrators, an impersonal one and a personal one, resulting in a novel not only about Dresden but also about the actual act of writing a novel - in this case a novel about an event that has shaped the author profoundly. The novel's themes of cruelty, innocence, free will, regeneration, survival, time, and war recur throughout Vonnegut's novels, as do some of his characters, which are typically caricatures of ideas with little depth. Another mainstay is his use of historical and fictional sources, and yet another is his preference for description over dialogue. These aspects of Vonnegut's literary style make the adaptation of Vonnegut to the screen all the more difficult. Ironically, many Vonnegut novels flow with a cinematic fluidity. As described in Film Comment, "Vonnegut's literary vocabulary has included the printed page equivalents of jump-cuts, montages, fades, and flashbacks.

The "freedom of expression" is a phrase used so aimlessly today that it is nearly hollow, yet the idea should never be suppressed as the removal of such freedom stifles the growth of the society and the individual. Slaughterhouse Five exemplifies this freedom, nonetheless it has been banned on eighteen occasions throughout history from its publication in 1969 (Morais), and every time it deprives the individual of progression, so in those respects no book should be banned. At its simplest, the novel can be described as the story of a less than mediocre man named Billy Pilgrim experiencing World War Two and his life after. Though many seem to find Slaughterhouse Five by Kurt Vonnegut to be inappropriate or in some sense radical, it's literary

The story of Slaughterhouse Five is about a man named Billy Pilgrim who goes through a series of strange events throughout his life time. And it all starts when he is in a war in Germany. Billy is resentful towards the war and he makes it clear that he does not want to be there. During the war, he becomes captured by Germans. Before Billy is captured, he meets Roland Weary. When captured, the Germans took everything from Weary, including his shoes so they gave him clogs as a substitute. Eventually, he dies from gangrene caused by the clogs. Right before Weary dies, he manages to convince another soldier; Paul Lazzaro that it was Billy’s fault that he was dying so Lazzaro vows to avenge the death of Weary by killing Billy.

One of the more obvious and clear signs that Billy has gone insane is his claim to be have been kidnapped by extraterrestrial beings known as Tralfamadorians. Billy claims to have been taken by these beings and taken to Tralfamadore, where he spends eternity with Montana Wildhack, a famous “hollywood” actress. Also, from the film version of the story Wildhack’s image makes multiple appearances and every time Billy glances at her image he stares in awe. Taking this into consideration, it is important to note the irony- that he just happened to be kidnapped with his celebrity-crush by the Tralfamadorians. To further prove that Billy made up the story about the aliens, viewers must evaluate how he never mentions how he was captured, or how he managed to escape from Tralfamadore. Instead, Billy magically returns to Earth and then rambles on about the culture and philosophy shown on Tralfamadore. The way of life for the Tralfamadorians was stated by one of the beings which it said, “I am a Tralfamadorian, seeing all time as you might see a stretch of the

Kurt Vonnegut is the author of the book Slaughterhouse Five. Of course it was controversial, and still is. The first chapter addresses the conflicts of creating such a novel in the first chapter of the book. In the book Harrison Starr questioned Vonnegut asking if his book were to be a war book. Vonnegut said it was and Starr “Why don’t you make an anti-glacier book instead?” (4). Vonnegut believed what Starr meant by that was wars, like glaciers, are as unpredictable and unstoppable. (4). As one gets farther into the book it completely changed dynamics. The novel then goes into the story of Billy Pilgrim instead of the autobiographical view from the first chapter. The three main literary elements in which will be focusing on analysing is theme,

Slaughterhouse-five strives to remember the tragedy of the bombing of Dresden. Kurt Vonnegut constructs his novel around a main character who becomes “unstuck in time” (23). Billy Pilgrim’s life is told out of order, which gives him a different perspective than the rest of the world. Billy lives through his memories, and revisits events in his life at random times and without warning. Vonnegut introduces Billy Pilgrim to the Tralfamadorian way of thinking about memory and time so that he can cope with being unstuck in time. The Tralfamadorian ideology is set up as an alternative to the human ideology of life. In the novel Slaughterhouse-five, Kurt Vonnegut constructs a reality where memory is unproductive through the Tralfamadorian

Aristotle described plot as being unified through a beginning, middle, and end. Writers use this model in modern literature to display the linear progression of a story. However, the WWII satire Slaughterhouse-Five by Kurt Vonnegut follows a non linear time progression to represent the anguish of the human mind as a result of trauma. Likewise, Vonnegut’s choice proves to be effective, as well as negate the need for Aristotle’s standard model of a narrative. The effectiveness of this unique timeline is made possible due to how Billy Pilgrim’s mind was altered by the war. Therefore, examination of specific aspects of Billy’s life reveals how the novel does not need to follow the standard linear time progression.