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Slaughterhouse Five Literary Analysis

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So It Goes & Poo-tee-weet Within the novel Slaughterhouse Five the author Kurt Vonnegut uses symbols and themes within the narrative to help reveal the mental effects of war. Billy Pilgrim becomes unstuck in time because his mind is mentally going through a breakdown because of the things he seen in war. “Billy is spastic in time, has no control over where he is going next, and the trips aren't necessarily fun. He is in a constant state of stage fright, he says, because he never knows what part of his life he is going to have to act in next”(Vonnegut, 23). Billy is time traveling in his memories in order to make sense of the firebombing of Dresden, but he cannot find any because there are no answers to why such a horrific event took place. …show more content…

So it goes is supposed to give everyone comfort about the idea of death because we all have to die eventually. Billy seems to accept the idea of death because of the Tralfamadorians logic, “The most important thing I learned on Tralfamadore was that when a person dies he only appears to die. He is still very much alive in the past, so it is very silly for people to cry at his funeral” (Vonnegut, 26). Billy accepts this belief and it works for a while, when describing Derby’s death Billy says, “Everyday was beautiful and nothing hurt” (Vonnegut, 122). Billy seems to be accepting of Derby’s death, but in actuality he’s not. If the idea behind, “so it goes” (Vonnegut, 25) were true than Billy would accept the fact that Derby is dead, move on, and wouldn’t need to mention Derby’s death again. However Billy’s mentioning of Derby at the end of chapter ten allows the reader to realize that death is still a troubling aspect of Billy’s life. Billy is trying to make sense of Derby’s senseless death, “Somewhere in there the poor old high school teacher, Edgar Derby…He was arrested for plundering. He was tried and shot” (Vonnegut, 214.) Billy wants answers and needs something to be said in order for everything to make sense. He cannot find any answers so he’s forced to be believe, “so it goes” (Vonnegut, 25). In the beginning of the novel when Vonnegut talks about death and massacres he

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