Slaughterhouse Five Delusions

Many argue that Billy is completely insane. Their position may include the fact that Billy never mentioned the planet Tralfamadore before he got into the plane crash. This is a great point because an event such a plane crash could very well leave

The central conflict of this book is Billy coming to terms with the unfortunate events happening around him, and facing this character versus world scenario of everything and everyone always being against him in some way or another. Billy sees so much suffering and so much death. He is blamed for the death of Ronald Weary, which is not his fault. He witnesses the Dresden Firebombing, and has an overall uneventful blain life to begin with. Billy needs to find a way to cope with this unbearable pressure, and whether or not the Tralmalfadorians are real, their message is real to Billy. The philosophy they present is the excuse Billy needs to justify all the wrong he sees around him. The Tralmalfadorian belief being that there is no free will, and that you timeline is fact, and that you simply experience death, but continue “existing” afterwards. Essentially, you always exist and what happens to you is predetermined fate. This allows Billy to pass on all of the death and misery around him as meant to be. He can rest assured knowing that there is nothing he could about anything in the past, present, or future. There was nothing he could have done or can do to stop the death and torture, weather it is the death of his wife, the firebombing in Dresden, or even his own death. This motivation-less philosophy is his resolution to his devastating conflict, and is directly responsible for his lack of action throughout the story.

The Tralfamadorians, who explain this nature of time and existence to Billy, are shown as enlightened creatures while the humans back on earth are seen as backwards -- to such an extent that they believe in free will. Billy towards the end of his life becomes a preacher of these virtues of existence taught to him by his zookeepers on Tralfamadore, going around and speaking about his experiences and his acquired knowledge. This is ironic, because he is attempting to reverse the steady path of life, even time itself.

Moments in Billy's life change instantaneously, not giving Billy a clue to where he will end up next. In one moment, he is sitting in his home typing a letter to the local newspaper about his experience with the Tralfamadorians, and in the next he is a lost soldier of World War II running around behind German lines aimlessly without a coat or proper shoes. He then became a child being thrown into a pool by his father and afterwards a forty-one year old man visiting his mother in an old people's home. In the novel, changes in time are made through transitional statements such as, "Billy traveled in time, opened his eyes, found himself staring into the glass eyes of a jade green mechanical owl." p.56 In the movie there is no such thing and different moments in Billy's life happen instantaneously. Because scenes are continuous as times change, the movie better displays the author's attempt to capture in the notion of being "unstuck in time." On the other hand, the novel does help the audience follow these time changes better by setting it up for the next scene, offering a background of Billy's experiences before they begin through these transitional statements.

The reason, behind the readers of Slaughterhouse-five, believing that Billy had become “unstuck in time” was simply the way he moved back and fourth in time. But as the reader reads on, Billy’s illusions become stranger. For example he believes that he is taken the night of his daughters wedding to a different planet with the Tralfamadorians. It all begins for this part of time travelling when he could not

More of the time travels Billy has take him to his time on the planet Tralfamadore. Billy says that the aliens abducted him on his daughter's wedding night and returned him a few milliseconds later, but actually spend many months on Tralfamadore because the Tralfamadorians can also see in the fourth dimension, time, which allowed them to keep Billy for what seemed like longer than what he was actually there. While on Tralfamadore, Billy learns to accept his life as it is dealt to him because nothing that happens to you damages you forever. Since time is relative, and your life is like a mountain range, your death ,birth, and all the events in between are nothing more than peaks in a range of mountains, irremovable and able to be visited numerous times.

Billy Pilgrim's life is far from normal. Throughout most of his adult life he has been moving backwards and forwards through time, from one event to another, in a non-sequential order. At least, this schizophrenic life is hard to understand. Because Vonnegut wants the reader to relate to Billy

Since the first time Billy claimed to have come unstuck in time while in the forest leaning against a tree, he has depended on an alternate reality in which he has created a new life for himself to avoid thoughts of the horrific events he witnessed while in Dresden. Although Billy claims that he was abducted by the Tralfamadorians, in reality, he was captured by the Germans. The reason that the Tralfamadorians exist is so that Billy can escape from the harsh reality of being a prisoner of war. Although separate in Billy’s conscience, the Nazis and the Tralfamadorians are interchangeable. Billy’s adventures on Tralfamadore all have significant and undeniable connections to his life:

This is the Tralfamadorian faith to the point where the is no reason of trying to change anything makes Billy feel like everything he has gone through, no matter how awful, could not have gone any other way. "Little Billy was terrified, because his father had said Billy was going to learn to swim by the method of sink-or-swim. His father was going to throw Billy into the deep end, and Billy was going to damn well swim. It was like an execution. . . . [Billy] dimly sensed that somebody was rescuing him. Billy resented that."

A small simple adage is evident; that you don’t know what you have till it is gone. The return of a loved one, who was placed in harm’s way is now standing before you. How can anyone not feel that emotion? Second chances are rare in this life and I believe Billy knew this. A second chance to say I love you, thank you, I missed you. He was home, if even for a short time.

They could always visit him or her with the use of time travel when he or she was alive. Because the phrase was very often repeated, it somewhat served as a tally to show how frequently death occurs and just how inevitable it is. Billy knew the exact date of his death and how it would happen, but he could not alter it and was no longer afraid of dying, so it had no effect on him because “there is no why[,]” it just “simply is” (77; ch4). He learned this from the Tralfamadorians.

Billy has lost a sense of love as death has faced him in the eyes once too many. Billy deals with his pain by turning to alcohol abuse, he cannot deal with his mourning, "Sometimes it's not as if they have died so much as that I myself have died and become a ghost." (43). From Dolores and Billy, the central theme is slowly revealed.

But ignoring death and its suffering is exactly what Billy should not be doing, Vonnegut suggests. To do so makes him, like the Tralfamadorians, alien and inhuman. He has no sense of his own mortality, an awareness he needs in order to understand that, as Stephen Marten has observed, "life is valuable not because it is infinite but because it is so scarce" (11).

Once Billy becomes capable of time travel and comes into contact with the Tralfamadorians, he simply goes through the motions of life but avoids falling into a defeatist attitude. Under the tutelage of the Tralfamadorians, Billy fashions a brand new perspective towards society and enhances his natural persona, “When Billy accepts the Tralfamadorian philosophy, the passivity that he has displayed his entire life—from wanting to drift quietly at the bottom of the YMCA pool after his father throws him in, to begging Roland Weary to leave him behind—is justified. If the future cannot be changed anyway, why even try?” (Farrell 9). Though the interaction with the Tralfamadorians seems to allow Billy an outlet to construct his own ideals upon the universe, he nonetheless continues along the same path as before. Billy becomes an extremist towards passivity in life rather than utilizing the experience to impart a strong impression

When he tells Billy that he needs to figure it out and snap out of it, Billy says, “ You guys go on without me. I’m all right” (Vonnegut 47). This just displays the hopelessness in Billy’s life. The war has driven him to lose touch with himself and not value his own life. This makes it very easy for a reader to feel empathy for Billy and get an idea of how war can really affect these men. Billy isn’t the only character that Vonnegut uses to depict the terrors of war.