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Slave Culture: Nationalist Theory And The Foundations Of Black America

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Slave Culture: Nationalist Theory and the Foundations of Black America, by Sterling is a ground-breaking study which brings up the problem of race in America during the eighteenth, nineteenth and early twentieth centuries. The book exposes the untold story of how Africans formed a common culture on plantations in the South despite the difference in appearances, traditions, and language. Throughout this book, Stuckey suggests that black culture in the United States is essentially Africa. To support this argument Stuckey not only examined the thought of major theorists such as David Walker, Henry Highland Garnet, W.E.B. DuBois, and Paul Robes, but he also drew evidence from art history, west Africans traditions, the folklore of the American slave, and anthropology.

Scholars in both history and …show more content…

No? That's okay because of the African consist of a mixture of countries with various tribes that each have their own unique characteristics. Being so divergent and different from the black culture we forget that the black culture is an offspring from the motherland. From Singing, drumming, and dancing to food, fashion, and language the African culture has been formative and unique to the melting pot known as America. Esceppically during their resistance to slavery and their quest for freedom, African peoples differing in appearances, traditions, and language became a single people and began to share common cultural themes. Stuckey stresses this in his thesis, black nationalists have been to underestimate the depths of African culture in black Americans and the sophistication of the slave community they arose from. He argues that at the time of emancipation, slaves still remained essentially African in culture, a conclusion that has had profound implications for theories of black liberation and race relations in

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