Sleeping Beauty

Most modern fairytales are expected to have happy endings and be appropriate for children, nonetheless, in past centuries most were gruesome. Consequently, fairytales have been modified throughout time. The stories “Beauty and the Beast” by Jeanne-Marie LePrince de Beaumont and “The Summer and Winter Garden” by Jacob and Wilherm Grimm share similarities and differences. The two stories are distinct because of the peculiar year they have been written in. LePrince de Beaumont’s story is written in London of 1783 and Grimm’s in Germany of 1812. At the time, wealthy people in London, were educated and had nannies who would read to their children; whereas, in Germany, the Grimm brothers created their own interpretation into a short story.

Perrault’s version is the most well-known, for the glass slippers and pumpkin carriage. And the one with the most modern interpretations. While the Brother Grimm’s version reads more like a short horror story than a children 's fairytale. My version is a combination of both. Mostly based on Perrault yet I’ve incorporated some of the active personality of the Grimm 's protagonist besides to some violent elements which gives it a Grimm’s vibe. While researching my fairy tale I was taken back to the time when I’d read the tale, recalling how I didn’t question her submissive nature. I accepted that it should be this way and although my eyes would become teary, the younger version of me couldn’t see any way out of the situation other than marrying the prince.I have completely reimagined Cinderella.

When comparing the Grimm Brothers story and Disney’s version, they have three major differences. By Disney changing Cinderella from the original Grimm version, they were taking the dark and twisty parts and changing them into a more enjoyable scene. The changes between the two stories are so drastic you might have never thought Disney’s Cinderella was originally based off of Grimm’s written version,

The story of Sleeping Beauty is told in many different forms and is most famous from Walt Disney’s Sleeping Beauty. For example, the fairytale “The Sleeping Beauty in the Wood” by Charles Perrault is quite different than Disney 's version. This fairytale should be researched because it has an interesting historical background and it is still culturally relevant to this day. The three main points that will be discussed about Sleeping Beauty in this paper is historical background, the different ways this fairytale is represented, and the cultural significance this story has on society. Researching this story has opened my eyes that the Sleeping Beauty movie I

Everyone loves a good fairytale, and nothing is quite as magical and heartwarming as a Disney fairytale. The themes of love, comedy, and morality deem them as more than just little kids' stories, but suitable and entertaining tales for the entire family. This is known by a majority of the stories' readers. However, what one may not be so familiar with is the origin of these tales. Where did the stories of Cinderella, Ariel, and Rapunzel come from? The Disney writers certainly did not create them themselves. The differences in the originals will shock anyone familiar with Disney. And what about Snow White? There are differences between the original Brothers Grimm version of the ebony-haired, white-skinned princess and the Disney movie, believe it or not. Some major differences between both versions are the multiple ways the evil queen tries murdering her stepdaughter, the cause of Snow White's revival, as well as how the evil queen died. Why the story was altered is obvious:

Walt Disney’s Cinderella is adapted from the original fairy tale written in 1697 by Charles Perrault. There are some key differences between Walt Disney’s Cinderella and Charles Perrault’s Cinderella. In Charles Perrault’s tale, Cinderella’s father is not dead, but the father is controlled by the stepmother. Cinderella’s younger stepsister is much more polite than the older stepsister, who calls Cinderella Cinderwench. The king in Perrault’s tale hosts a two day Ball, which Cinderella attends with the help of the fairy godmother. During Cinderella’s preparation for the first night of the Ball, Cinderella helps the fairy godmother find a coachman when the fairy godmother could not find one. Cinderella’s glass slipper comes off on the second

The Beauty and the Beast starts with a lively music in the castle which immediately set us into action. A castle full of expensive housewares and beautiful ladies wearing white gowns dancing to the music represent perfection. The ball is interrupted by a knock from an unexpected beggar who offered the insensitive prince a rose for shelter. The loud thunderclap and the way the chandelier lights were blown off by the wind intensified the scene. When he refuses, the beggar transformed into an enchantress and changed him into a hideous beast and his servants into housewares. The camera angle which showed the shadow figure of the prince turning to a beast was amazingly done. She casts a spell on the rose and it would only be broken if he could learn to love another and earn their love in return by the time the last petal fell. On the other hand, Belle starts the film in a small lively village which implies peacefulness and security. Belle is a simple, creative girl wanting to leave her monotonous village life to explore new things and go to an adventure. This came true when her horse Philippe went home anxiously without Maurice, her father. The way the horse neighed repeatedly implied that something is wrong. Belle, without hesitation, stormed off to the castle where her father was imprisoned and took his place as

A merchant has many children, the youngest called Beauty. Once they were rich, but one day they lose almost everything. Beauty is the only one to be cheerful. Two years later, one of the merchant’s boats come into port. Before he goes to it, he obtains requests from all his children, except Beauty, about what they wanted. When pressed, she asks her father to bring her a rose. There were no funds from the ship, so the merchant heads home. Along the way, he stops at a castle where he finds a rose. After he picks the rose, a beast appears and tells him that he needed to bring one of his daughters to the castle. The merchant returns home and tells his children what happened and Beauty volunteers to go. At the castle, she dreams of a prince who asks for her help. Every day she wanders around the empty castle, and every evening she dines with the beast. When he leaves each night he asks Beauty, “Do you love me? Will you marry me” (Lang)? And every night, Beauty tells him no and fall asleep and dreams about her prince. One night Beauty asks if she could be with her family for a short time. In response to her request, Beast said, “I cannot refuse you anything you ask, even though it should cost me my life… Good night, Beauty. Fear nothing, sleep peacefully, and before long you shall see your father once more” (Lang). When Beauty rises, she was in her father’s home. Beauty is slow to return to the castle and when she finally did, she found the beast on the brink of death. Beauty finally agreed to marry Beast, and as soon as she does, the beast transforms into her prince and two women appear. One was the queen and the other a fairy. Beauty and her prince married the next day

The story Sun, Moon, and Talia by Giambattista Basile takes place in a medieval country house in the woods. The major characters in this version of Sleeping Beauty are Talia, the King, and the Queen. In the beginning of the story Talia gets put in a country house and gets raped by a King, Talia has twins, upsets the Queen who tries to murder the twins and Talia. The Queen ends up dead and the King, Talia, and their twins live happily ever after. Sleeping Beauty in the Woods by Charles Perrault is very different than the first and is set in a medieval castle. Sleeping Beauty, a Prince, and an Ogress are the main characters and there are also the fairies that gift Sleeping Beauty. The story all starts when Sleeping Beauty is born and an

Children 's stories have been around for some eras. They have been read to kids everywhere throughout the world in view of how they can identify with youngsters regardless of what society they originate from. One of the even more surely understood children 's stories is 'Sleeping Beauty '. The most generally known form today is the Disney motion picture, made in 1959. This film depended on the Grimm 's variant of Sleeping Beauty called 'Little Brier-Rose’, which was composed in 1812 in Germany. Another less known rendition of Sleeping Beauty is 'Sun, Moon and Talia’, which was composed in 1634 Italy by Giambattista Basile. The primary parts are a princess reviled to a profound rest until an aristocrat wakes her with a kiss. The characters in the stories may have numerous distinctions however; the key qualities that are perceived in Sleeping Beauty characters are still evident.

One of the first versions of Sleeping Beauty was published by Charles Perrault in 1697. However, he based his story on a tale by Giambattista Basile in 1634, called Sun, Moon and Talia. A lord got a beautiful daughter, named Talia. He asked many astrologers and wise men to tell him her fate and after a while they concluded that she would be put in great danger by a splinter of flax. The lord ensured that no flax, hemp or anything of that kind was brought into the house to keep his daughter safe.

Staying true to the traditional tale, the evil queen is in search of eternal youth and beauty and becomes enraged when the magic mirror informs her that Snow White can replace her as “fairest of them all”. The evil queen orders the Huntsman to find Snow White who has escaped her imprisonment from the confines of the castle and dark kingdom. Enthralled by Snow Whites charm and beauty, the Huntsman instead takes on the role of her protector and warrior mentor. Much of the movie is the Huntsman and Snow White’s journey to escape the evil queen and find an army to battle the evil queen to reinstate Snow White to her rightful place on the throne. Don’t worry the beloved dwarfs are a part of this version, though a little rough around the edges, much to the dismay of you Disney fans. Deviating from the original tale, the love interest has been changed. Although, the movie does include a Prince Charming, it is the ruggedly handsome Huntsman who is meant to wake Snow White with his kiss.

Basile’s Sun, Moon, and Talia starts with the king asking the wise men what will happen to his daughter. They say Talia will be hurt by a splinter of flax. Eventually a splinter of hemp went into her finger, and she died. The king was so devastated, he kept her on a chair in the palace. Another king was hunting with his falcon, and the falcon entered the window of the castle. The other king that visited sleeping beauty could have found her unconscious body sexually irresistible. He then raped her dead body, and impregnated her (Bettelheim 227).

We have often seen numerous folktales that appear to be similar among different cultures. Often at times, the characters or locations change to accommodate the surrounding culture, but the message or moral of the story stays the same. In the case of the story, Sleeping Beauty, we notice that the earlier versions of the story are more crude and “adult” and as time passed on, the story evolved to become more suitable for a younger audience. Sleeping Beauty became a story of “rape, adultery, sexual rivalry, and attempted cannibalism” (Hallett, 1) to the clean and innocent Disney version we know today. The three versions of Sleeping Beauty that I will compare are Sole, Luna, E Talia (Sun, Moon, And Talia) by Giambattista Basile, The Sleeping

The original story by Giambattista differs from Disney’s new interpretation in that it explores rape. In Disney’s version of sleeping beauty the princess named Aurora is awakened from a true loves kiss. The story is told to children all over the world and is seen as appropriate for them. The original version of this story involves Talia, the princess, being raped. The Prince laid the dead princess on her bed “where he gathered the first fruits of love” (Basile). This version of the story is grossly inappropriate for today’s modern generation of children and is far from the happy ending we are used to. Fairy tales where not originally intended on being entertainment for children however through constant revisions they seemed to target their imagination, essentially causing them to be successful tales. Clearly the earlier version of sleeping beauty contains ideas that are not yet suitable for