Slumdog Millionaire - Analyse How Visual Techniques Are Used to Develop Deeper Ideas in a Visual Text You Have Studied.

Interestingly, visual techniques are also effective in portraying the theme of free will versus determinism to question the responder who and what controls our lives. The tripartite storytelling structure incorporating three wholly, self-contained alternate versions of events is an unconventional filming technique reinforcing the postmodernist perception of having minimal control over life. As Lola rushes past minor characters in the film, flash forwards offer alternate glimpses of the possible outcome of their future, suggesting that fee-will alone is not a sole determination of the outcome of life. In each run, Lola’s encounter with these minor characters varies, showing that even the slightest change can become a significant impact to life. An extreme close-up

‘Slumdog Millionaire’ is a film that features a character, Jamil Malik, who lives in Dubai and is considered an ignorant young boy. Jamil Malik had never went to school or college and would not have known any of the answers for the game show, “Who wants to be a Millionaire” but was given the prejudge of being on the show because he grew up in the slums of India. Jamil’s life experiences allowed him an

During the film, the subject of poverty was actively depicted. Even though this issue has raised great concerns for India in the past, statistics show that this problem has gradually decreased. In 1978 the percentage of people living on less than $2

“Poverty is the worst form of violence.” Mahatma Gandhi’s words still ring true in today’s society. Poverty is nothing to sweep under the rug or put on the back burner. While many statistics state that poverty is decreasing, other sources state the opposite. Poverty is a hot topic in the U.S., foreign countries, and speaks true about many genders, ethnic groups, and children.

Despite the many attempts to eliminate poverty, the problem has never been solved. Even though these efforts have helped lower the numbers of people becoming poverty-stricken every year it the numbers still seems to progress. In the novel Behind the Beautiful Forevers Author, Katherine Boo brings a different perspective. Boo takes the reader into the Annawadi slum of Mumbai, India. The Slum was presented a jumbled, filthy and impoverished area hidden from the view of westerners and better-off Indian citizens beyond the concrete wall. Her Novel Serves as a snapshot into the lives of the impoverished people of Annawadi and a great comparison to poverty lines in America. In this essay, I will compare the way that Katherine Boo has presented the miserable lives of those in the slums and the poverty-stricken in America today.

Poverty and oppression is a serious condition that is prevalent even in today’s modern society. Women and children are exposed to poverty and subjected to a life of injustice. One of the countries where such problems still occur is in India. Despite the country’s modernization, there lies an undercity where the disparity of wealth is transparent. These social problems are thoroughly described in movies and literature such as Slumdog Millionaire and Behind the Beautiful Forevers. In the book Behind the Beautiful Forevers by Catherine Boo, the author describes slum life for a set of individuals and the hardship that their social conditions confined them to. Another movie that gave insight to slum life in India is Slumdog Millionaire

There are various elements that contribute to the significance of a film. Cinematography, is one important element in which the camera is used to capture visual images through a number of other controllable elements such as; camera lens, framing, scale, movement etc. Editing is another fundamental component of film studies in which different shots are put together in a coherent sequence in order to make meaning of a film.

Another interesting use of camera cutting can be found in the in between scene where Cleo is roaming the streets of Paris. She is now becoming the one watching other people rather than being the one watched as she was in the beginning (probably because of her beauty and famous singer status). While she is watching the camera cuts between other people’s conversations and then while she is walking the camera is in essence her point of view. However during this walk, the people passing are watching her as well, thus proving that this is the transition time. The use of cutting between shots of her and shots of all these people passing her not only show this change in who is watching who, but also allows for a sense of time passing. Interspersed with these shots are images of people we have already met, the widow, the boyfriend, the piano player, as well as the images of a monkey resting on a clock and her wig resting on the mirror, these things conveying how the people who know her see her and how she sees herself. This is a genius montage because these two things represent the same thing, how people see her, how she sees people, and how she sees herself, and by interspersing them we see

Anyhow, temporal relationships between shots are away to be creative in a plot to make you go back to certain events that happened in the beginning of the film. For instance, having a flashback is used when taken back in time. “Flashback (the interruption of chronological plot time with a shot of series of shots showing an event that happened

In Danny Boyle’s film ‘Slumdog Millionaire’, a vast range of effective film techniques are used to communicate not only transitions and character traits/personalities, but also the ideas of how power can corrupt individuals, and how ideas can be communicated, such as how ambition can enhance an individual, or be the reason for their downfall, and how our past informs our future; our outcome in life is determined by where we’ve come from. They are able to visualise this with the three main characters. The protagonist Jamal, the antagonist Salim and Latika.

Many describe poverty as an economic deprivation, or lack of income. However, this alone does not incorporate the different social, cultural and political aspects of this unfortunate reality. Poverty is not only a deprivation of economic or material resources but a violation of human dignity. The general scarcity, lack, or the state of one without a specific amount of material possessions or money. It is a versatile concept that may be defined as either absolute or relative. Time and again, poverty is a call to action, for the poor and the wealthy alike, it is a call to change the world so that many more may have enough to eat, adequate shelter, access to education and health, protection from violence, and a voice in what happens in their communities.

Montage, a name synonymous with Editing, is an original film style with different techniques used by the Soviet filmmakers between 1924 and 1930 to construct a film narrative. Montage is the connection between one shot and the other, a continuous or discontinuous relationship between shots. According to David Bordwell and Kristin Thompson (2012: 478), Soviet directors maintained that, “through editing, two shots give birth to a feeling or idea not present in either one”. This ‘feeling’ or ‘idea’ then guides a viewer into understanding or making a “conceptual connection” of the narrative (Bordwell 1972: 10). Strike (1925) and Mother (1926), directed by Sergei Eisenstein and Vsevolod Pudovkin respectively, are films made in the Soviet Montage era that show a juxtaposition between shots across the film. This essay discusses the different techniques used in these films that show the functions and effects of Montage.

India is a country in central Asia with a population of over 1.22 billion people making it the second most populous country in the world. Its high population is one of the factors that results in India having such a high poverty rate. In India today over 37% of the population live below the poverty line. The reality of such a statistic means that these people live in conditions unimaginable to people of the western world. In the film Slumdog Millionaire by director Danny Boyle deeper ideas associated with this poverty are developed including destiny, loyalty and how poverty frees us. These deeper ideas are developed through visual techniques

The shot/reverse shot between the Gamin and the Tramp in the paddy wagon conveys understanding between the two characters and sympathy from the Tramp. The conversation between the two characters is communicated through the editing as well as actions and facial expressions.

Thousands of individuals are living in poverty. Why is it that this worldwide dilemma is still rising in rapid numbers till this day? Is it because of a lack of authoritative power, or a lack of one’s self control to do good? Despite the unknown cause, it has managed to drastically affect the lives of many. Poverty is like a curse, one that is wrongfully placed, difficult to get out of, and resistant to many forms of help.