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Snow Falling on Cedars, The Greasy Pole and To Kill a Mockingbird Compared

Good Essays

Through composers use of conflicting perspectives, a diverse set of values are presented, offering responders insight and a deeper understanding of political, social and economic incongruities within society. David Guterson’s courtroom drama, Snow Falling On Cedars (1994) utilises the symbolic setting of the court trial and the island of San Piedro as a microcosm to reflect the embedded racial discrimination within American society. The characterisation of Ishmael, as an embittered individual allows us to see the deleterious effects of cultural divides in society. Alma De Groen’s 1988 dystopic play ‘Rivers Of China’ examines Rahel’s individuality as an archetype for expressing one’s creative spirit and promoting change, suppressed by the totalitarian environment of the matriarchy. Audra, an archetypical character for compliance, holds an alternate opinion and fears progression, reflecting the gender inequity within Australia’s dividing society. Antony Jay’s and Jonathon Lynn’s political sit-com, Yes Minister ‘The Greasy Pole’ (1981), explores the disparity of perspectives between the caricatures, Jim Hacker, the minister, and the bureaucrat, Humphrey Appleby, through the use self-parody to expose that politicians will take politically expedient decisions rather than impose beneficial legislation, illustrating the inherent failures of the Westminster system.

Conflicting perspectives convey the diverse opinions held by individuals, exposing the deep divide in society.

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