Essay on Social Commentary in Chopin's The Story of an Hour

The doubt and misconstruction placed upon the women in the stories is a huge factor in the way their characters develop. Mrs. Mallard's sickness was misdiagnosed by both her family and doctor. They believed she suffered from heart problems but no evidence of this was produced during the story. When Mrs. Mallard was up in her room, her sister, Josephine, was worried that Mrs. Mallard would make herself ill because she was alone and suffering from her husband's death. Chopin gives the reader an insight as to Mrs. Mallard's thoughts by using a third person limited omniscient narrator, and by doing so, allows the reader to understand that Mrs. Mallard's family's ideas of her health were false. Near the end of the story the doctors and Mrs. Mallard's family believe that she has had a heart attack because she was happy to see that her husband was alive, while in actuality, she died because didn't want to live if she had to live with him.

The short story The Story of an Hour, by Kate Chopin, describes a woman conflicted with the death of her husband and her outlook on life after his assumed passing. Through the story, Chopin shows the transformation of Mrs. Mallard from that of an ordinary wife to that of a woman cherishing her newfound freedom. Although Mrs. Mallard is deeply saddened at the news of her husband’s passing, she finally begins to feel a sense of relief and witnesses what it means for her as a woman. Just as she begins to fully cherish her life, she is horrified at the sight of her “dead” husband’s return and proceeds to perish. Through the use of imagery and syntax, Chopin illustrates the interchanging psychoanalytic perspective of an individual following a personal loss.

     Relationships seem to be the favorite subject of Kate Chopin’s stories. As Margaret Bauer suggests that Chopin is concerned with exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (Bauer 146). In “The Story of an Hour” Chopin deals with the subject of marriage. She illustrates the influence of family alliance on individual freedom. According to Wohlpart,“The Story of an Hour” describes the journey of Mrs. Mallard against the Cult of True Womanhood as she slowly becomes aware of her own desires and thus of a feminine self that has long been suppressed”(Wohlpart 2). The Cult of True Womanhood in the XIX century included “purity” and “domesticity”. The former suggested that women must maintain their virtue. The latter – denied them their intellectual and professional capabilities (Papke 12). Being the victim of this Cult, Louise Mallard was a good example of a wife without “her own desires and feminine self”.

Mallard’s welfare by Richards and Josephine is immediately apparent. This concern is emphasized through the external narrative perspective used by Chopin as displayed in the first sentence when “great care was taken to break to her as gently as possible the news of her husband’s death” (74). Josephine treats her as you would a child by breaking the news to her “in broken sentences” (74) and “veiled hints” (74). The external perspective is effective in visualizing how Mrs. Mallard reacts to the news of her husband’s death when she immediately brakes down as “she did not hear the story as many women had heard the same”

Kate Chopin is known for being criticized for empowering the subject of female sexuality and independence. In Chopin’s short story, “The Story of an Hour”, it is placed in a time where men were known as being the head of the household while women were only in charge of raising the children and caring for the home. In the 1890s, women didn’t have so much power to themselves compared to today’s society where female empowerment is frequently encouraged. Chopin’s story narrates a sequence of Mrs. Mallard’s emotions that goes within the motion of the story. As she overcomes the sudden death of her husband, her emotion of grief soon turns into the sudden feeling of freedom, later on emerging into a strong independent woman.

Men were considered the alpha male as a focal point in marriage back then which evasively caused women to serve the men. Since Kate Chopin is a woman who lives between the late 1800’s, and early 1900’s, she experiences the gloom of marriage in that time. Kate Chopin was speaking of the story as if her own true feeling about women, and marriage. “A clear and exalted perception enabled her to dismiss the suggestion as trivial”(206). Perhaps Mrs. Mallard dies because of the endeavor that women face, and implies that dying is better than being of the oppression of man at that time. There is a sense of women being fearful of men, and wanting a say against men who over oppress in their relation of their

Mrs. Mallard is, outwardly, a typical woman in the 19th century with a husband, family, and home. It is first apparent that Mrs. Mallard is not satisfied with her role as a wife when she receives the news of her husband’s death and begins to feel a sensation of joy that overcomes her. The wife’s unhappiness with her married life is enhanced when the narrator states, “She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.” (Chopin 16) The reader infers that Mrs. Mallard was figuratively suffocating under the duties and stereotypes a 19th century woman was subjected to, such as caring for a house and family instead of pursuing a career outside of the home. Mrs. Mallard views her husband’s death as an escape from her role and a chance to have control over her life and choices, showed when she whispers “Free! Body and soul free!” (Chopin 16) In the final portion of the story Mrs. Mallard’s husband returns home, having never been in an accident, and she dies of what doctors determine is an overwhelming joy for seeing her husband alive. The reader infers that Mrs. Mallard has lost her chance of a new start and freedom from her role and dies of grief over her loss of freedom. The author contrasts Mrs. Mallard’s lack of control and freedom in her life to

When it is revealed that she has “heart trouble”, her sister uses extreme caution when breaking the news about the death of Mrs. Mallard’s husband. Chopin makes use of certain things in the short story where things can be taken literally and figuratively. Mrs. Mallard’s heart condition can be looked at literally and figuratively because Chopin incorporates it as both a physical and symbolic problem. Mrs. Mallard did have mixed feeling about her marriage and the lack of freedom that she had. When Mrs. Mallard realizes that she has this

Kate Chopin’s, “The Story of an Hour”, uses the death of Mrs. Mallard’s husband to reveal the female oppression that took place in their marriage. Chopin uses a great deal of symbolism, particularly in the open window, to reveal the theme of the oppression of women in this story. Chopin chose to begin the story with “Knowing that Mrs. Mallard was conflicted with heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death” (Chopin 555). While the reader assumes that Mrs. Mallard has a medical heart condition, anyone who has done a close read of this story can assume that Chopin chose “heart trouble” to symbolize the conflicting feelings Mrs. Mallard

“The Story of an hour” a complex piece of literature by Kate Chopin, has various interpretations to it. This story has, one definite interpretation, which is the following: life has to go on no matter what is happened in the past. In this story, Chopin implies Ms. Mallard’s husband has been very cruel to her in her lifetime. However, she never lets her husband get in the way, finally he dies, and, she thinks she is free although she really is not.

The short story “Story Of An Hour” written by Kate Chopin is considered as a scandalous story of political reflection and an unethical message about a woman, who is told that her husband has been in a fatal car crash. After receiving the news she walks off and stares into the window and smiles. Professor reading this would think that the window is a symbol of freedom, and once she steps out in the new world she is free as a bird. ” Scandalous” is what reporters would say in this era because a woman without a man had as much hope of making it in the world, as a dog that could did not bark around strangers. It’s possible, but it never happens.

By presenting an autonomous female character who explores her womanhood and expresses her individuality, Chopin brings about tension, especially amongst Victorian women, and most definitely, their husbands. A character like Edna, who did not comply with society’s expectations, brought women to analyze what they believed in, which led to the realization that there was more to life than simply being a housewife, which made this character’s ideals seem of a rebellious nature. Women came to the realization that just like Edna, their place in society was more than simply being domestic servants out of the obligation of marriage. These social taboos caused quite a bit of heat during the Victorian era, where feminist ideas were barely starting to spread amongst the middle and upper class, and while most women’s lives were still quite restrictive and centered around their family, ideals were actually starting to change. This was just the beginning to the first wave of

The Story of an Hour, by Kate Chopin, is a wonderful short story filled with many different peculiar twists and turns. Written in 1894, the author tells a tale of a woman who learns of her husband’s death, but comes to find joy in it. Many of the things Kate Chopin writes about in this story symbolize something more than just the surface meaning. Through this short story, told in less than one thousand one hundred words, Kate Chopin illustrates deeper meanings through many different forms of symbolism such as the open window in the bedroom, Mrs. Louise Mallard’s heart trouble, and Chopin’s physical description of Mrs. Mallard.

Howard’s argument falters, however, when she fails to recognize the truly radical feminist scope of Chopin’s characters and the messages that she seeks to impart. For example, at one point Howard asserts that “Chopin makes no suggestion that Mrs. Mallard would not mourn for her husband, a man she loved, a man apparently cut off by a railroad accident in the prime of his life”. While it is probably true that Chopin did not wish to alarm readers by directly declaring that Mrs. Mallard did not or would not mourn for her dead husband, something really is amiss when Mrs. Mallard “did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister’s arms. When the storm of grief had spent itself, she went away to

Mrs. Mallard suffers from a heart condition; thus, her sister Josephine gently and carefully breaks the news of Mr. Mallard’s death. Richards, a close friend of Mr. Mallard, is the first to discover the news of Mr. Mallard’s railroad tragedy. When hearing the news, Mrs. Mallard collapses in grief into her sister’s arms and retreats upstairs into her room. While her sister begs Mrs. Mallard to open the door, Mrs. Mallard reflects on her feelings. She sinks into an armchair facing an open window noticing the “new spring life, the delicious breath of rain in the air, the peddler in the street crying his ware, the notes of a distant song which someone was singing and countless sparrows twittering in the eaves” (Chopin 556). This signifies a new blossoming life: a life that she would live for herself. Although her husband is loving, and she knows that she will weep again when she sees his dead body, she realizes how confined marriage is for her. Robert Evans, author of “Literary Contexts in Short Stories: Kate Chopin's “‘The Story of an Hour,’” claims that Mrs. Mallard looks forward to a bright future rather than a dreadful life. She becomes aware that she must live alone rather than being imprisoned by marriage. As these thoughts circulate in her mind, she keeps whispering, “Free! Body and soul free!” (Chopin 557).By conveying the story through Mrs. Mallard’s thoughts, Chopin portrays how women actually feel compared to what they present in society. While Josephine and society expect Mrs. Mallard to be grieving, Mrs. Mallard is actually looking forward to the days ahead of her: “Spring days, and summer days, and all sorts of days that would be her own” (Chopin 557). When Mrs. Mallard discovers that the news of her husband’s death was inaccurate, Mrs. Mallard dies from a heart attack after seeing her husband alive. The