Social Conflict In Pat Mora's Fences By Pat Moora

The play, Fences, in conclusion acquires many interpretations of the “fence” that is mentioned variously. Despite there only being one physical fence, it represents many figurative fences throughout the play. The “fence” is signified as having both positive and negative

When it comes to comparing and contrasting two different cultures and morals the differences can be night and day. In Death Of A Salesman and Fences, these stories follow two middle-class families around the same time period (late 1940-1950’s), who are both facing problems within their own household’s. From marital issues to failing father/son relationships, both of these stories paint a picture to the audience of what life in an urban family living in that time setting was like through the author’s eyes. And even yet with all the things between these two plays that make them alike, there are also many things that make them very different.

August Wilson’s play, “Fences”, is a play about a father who is trying to make do to support his family as well as come to terms with his boisterous upbringing and the collapse of his Major League Baseball career. The Father, Troy Maxson, resents his son’s painless childhood and chances to pursue a college level football career. In multiple excerpts from the play, Troy brutally lectures his son Cory about life and adulthood. He uses short and incomplete sentences, rhetorical questions, repetition, connections from his past, and current examples to support his claim: life is not about being liked, but being treated with righteousness.

Throughout time there have always been conflicts of morality and injustice. August Wilson wrote this play about issues that were prevalent in the 1950’s but also still are sadly present today. In Fences, there is an abundance of evidence of cultural clashes. In this play these clashes span over racial, generational, and even gender lines and its effects on the characters.

Finally, the next six final lines of the poem explicitly show the class division between the speaker and the tourists. Mora states that, “Once my little sister / ran barefoot across the hot sand / for a taste” (13-16), she ends on a period, almost hoping that her sister would be able to run across the side where the rich tourists are, to perhaps play with the joyful children, to be equal to them; if the poem had ended here, it would have been difficult to identify an absolute interpretation of the class division and privilege (and to

Fences took place in the 1950’s, during that time the role of women in the 1950 was repressive and constrictive in a lot of ways. The 1950s is often viewed as a period of conformity, when both men and women observed strict gender roles and complied with society’s expectations (Women in 1950’s). Society placed a very high significance on different expectations on behavior in public as well as at home. Women were to be homemakers, caring mothers, and to be an obedient wife to their husbands. A wife was only considered a “good wife” if she did anything and everything her husband asked for and agreed with everything the man would say. This was the type of way Troy treated Rose in fences and how he thought of women and their

There eyes make her feel different like an outcast not wanted by anybody. The way they find hers and judge her so quickly, so harshly. Mora again supports that she is viewed as an outsider, a ‘legal alien’ by following that up with lines fourteenth and fifteenth. “an american to mexicans/ A mexican to americans.” These two lines have a strong meaning, and also supports the way she feels, nobody wanted her. She did not belong to either because they judged her based on the other half of her race. the other half of who she is. When in all reality race should not matter, should not affect one's judgement. Somebodys race makes them no better nor no worse than the next person. Moras next two lines sixteen and seventeen, have a strong meaning and the use of a metaphor. “a handy token/ sliding back and forth.” She is referring to herself or her character as a ‘hand token’, which I would assume is a metaphor that symbolizes that she slides back and forth between what feels like two completely different worlds just trying to fit in. To be seen for who she truly is. “between the fringes of both worlds.” Mora now very matter of factly states that to her or her character those lives are two different worlds completely. It also supports that she does not mix them together very much. In the next line Mora chooses to show an emotion in a way. I believe Mora chooses to wait so long before putting a real

In Pat Mora's poem, "Legal Alien," the author describes her biracial character as being "viewed by Anglos as perhaps exotic, / perhaps inferior, definitely different, / viewed by Mexicans as alien," a description which highlights the situation encountered by people who strive to be prestigious individuals by floating between cultures and who consequently fail to be a part of any particular group (Mora 9-11). Often the individuals are biologically trapped between two probable lives, and they forge ahead to meet the opportunity of possibly belonging to the higher society while they degrade the small culture which has weaned them from birth. These people find themselves

Conflicts and tensions between family members and friends are key elements in August Wilson's play, Fences. The main character, Troy Maxon, has struggled his whole life to be a responsible person and fulfill his duties in any role that he is meant to play. In turn, however, he has created conflict through his forbidding manner. The author illustrates how the effects of Troy's stern upbringing cause him to pass along a legacy of bitterness and anger which creates tension and conflict in his relationships with his family.

The poem begins explaining to the reader the story of a Mexican American as he worked in an industrial factory at some point in his life. “In the factory I worked, in the fleck of rubber, under a press of an oven yellow with flame.” (Lines 1-3) Soto uses visual imagery to describe the color of

Pat Mora easily obtains the audience’s attention by stating that the two characters will be playing a game. La Migra, is the Spanish translation from border patrol in English. It is often heard and used in the media to instill fear in immigrants in the U.S. towards deportation and troubling means. “Let’s play La Migra” (Mora 528) is the first stanza presented in the poem. Having this as the first line, it makes readers wonder. What game is it? How is it played? What does La Migra mean? (to non-Spanish speakers). It grabs and keeps your attention right form the get go because it gets you thinking about what game is going to be played and wanting to find out more of the game itself along with the rules and players. While continuing to read, more is introduced and us readers find out what kind of game it is. Then it bares the question, why would this be considered a game? Immigrants today are living in constant fear of being deported and taken back to their homeland where one can assume escaped life there in hopes of a better life in the states. While this is a real-life situation that people deal with daily, the author turns it into a game to interest the readers more and give insight into what is going on with border patrol.

“La Migra” by Pat Mora is a poem that leads to the different points of view of two opposite personnels. This poem was that it had a very simple, common setting and situation. “And you have been spotted by the sun… I know this desert, where to rest,where to drink. (Mora 1191). This set of lines tells me that the poem took place somewhere near the border where typically people try to cross the border. When crossing the border, there are some lakes or some deserts, it all depends on which part you cross. Although the desert seems empty and boring, this poem had an interesting situation. It gave the readers a chance to see what the two characters in the poem were seeing through their own point of view.

Throughout history, civilizations have built fences to keep enemies out and keep those they want to protect inside. In society today, people create metaphorical fences in order to fence in their feelings, while others create literal fences in order to keep the unwanted away. In the play Fences, the Maxon family lives in 1950’s America whose love for sports and one another are questioned at times when they need to be together the most. In the play Fences by August Wilson, two main characters Troy and Cory Maxon build a fence, literally and metaphorically, which as the book progresses, becomes a symbol that allows each character to truly understand each other.

As the roles of an African American men begin to evolve during the post-slavery time period, women’s roles remained unchanged. In this case, in August Wilson’s play Fences, Wilson’s perspective on gender roles explains the traditions of both men and women, the oppression and objectification of women, and the social roles. For instance, “Indeed, Wilson’s perspective on responsibility might appear dubious to those unfamiliar with his decidedly male ethos, which he links to the history of black male-female relations in America” (Shannon 199). Conflict arises between Troy and his family because of his representation in gender roles that were traditionally meant to play. This is the view on how Troy communicates with his wife, Rose throughout the play. Furthermore, because of the strict gender roles, Troy has a narrow view as how African Americans are being treated in the society and a tunnel view on what he believes on how the world operates.

August Wilson’s play Fences brings an introspective view of the world and of Troy Maxson’s family and friends. The title Fences displays many revelations on what the meaning and significance of the impending building of the fence in the Maxson yard represents. Wilson shows how the family and friends of Troy survive in a day to day scenario through good times and bad. Wilson utilizes his main characters as the interpreters of Fences, both literally and figuratively. Racism, confinement, and protection show what Wilson was conveying when he chose the title Fences.