Social Destruction Of Medieval Paris

In the middle of Napoleon III's reign, the transformation of Paris began. He commissioned Baron Georges-Eugene Haussmann to renovate the city between 1852 and 1870. Baron Haussmann received a lot of criticism for his redesign of Paris and it unfortunately led to his downfall in 1870. However should one see Haussmann as the saviour or destroyer of Paris?

“Words are not passive; indeed, they help to share and create our perceptions of the world around us. The terms we choose to label or describe events must, therefore, convey appropriate connotations or images of the phenomenon under consideration in order to avoid serious misunderstandings. The existence of different terms to describe gentrification is not an accident, neither is the plethora of definitions for it” (Palen & London, 1984, p. 6). SAY SOMETHING Peter Marcuse (1999) argues that, “how gentrification is evaluated depends a great deal on how it is defined” (p. 789). Defining gentrification properly is necessary for anchoring an analysis of neighborhood change, particularly in light of recent scholarly efforts to replace the term (to describe the process) with less critical names like: ‘urban renaissance’,

During the nineteenth century, Paris further developed into the entertainment capital of the world. Alistair Horne, the author of the Seven Ages of Paris, vividly illustrates several historical moments that occurred in Paris. Through the horrors and triumphs, Paris was able to endure through it all for ages and still emerge greater than before. In comparison, Vanessa R. Schwartz, the author of Spectacular Realities: Early Mass Culture in Fin-de-siècle, demonstrates how the explosive popularity of the boulevard, the newspapers, wax museums, panoramas, and early cinema led to the creation of a new culture in Paris. Driven by consumerism, a cultural revolution was happening, who’s new culture transcended gender and class divisions. Both authors

The eighteenth-century city was a place in which actual physical space was subjected to a complex mental layering of conceptual spaces, focusing on the design theory of architects as Boullee and Durand, with his charts. Which legacy was continued later on through the architecture of Paul Philippe Cret, Frank Lloyd Wright and Louis Kahn, some of the most outstanding modern architects of 18th-19th century. Furthermore, distinctive features of neoclassicism and outlines

The developments in planning and design of urban cities inform the argument surrounding the unsuitability of grids to carfree cities, whose medieval patterns provided efficient radial routes for centrally located goods, services, and transport. The emergence of city planning as a profession borrows significantly from the long and complex history of planning, whereby all cities display variations in forethought and conscious designs that define their layout and functioning. The paper uses Rome as a case study to analyse and critique the concepts and principles in the history of urban planning and design, and their

I would rather been a member of urban poor in 18th-century Paris instead of a serf on a 13th-century French manor. First all all, although the serfs were not the slaves, they still have limited freedom. “Agricultural labor was traditionally carried out by serfs, who were bound by tradition to fulfill their obligations to their lords” (McKay et al, 171). If I were a poor people, however, I can do things or find jobs as what I want instead of being controlled by the landlords.

The environment in which people live in demonstrates the societal norms and values of said culture. In Émile Zola’s The Belly of Paris, Florent, a political outcast, returns to Paris only to find that the regime has drastically changed. Napoleon III, a self-elected emperor, has torn down many of the streets of Old Paris to make room for the angular and orderly streets of New Paris as well as the new markets of Les Halles. Throughout the novel, the character’s lives revolve around the various markets in Les Halles and the streets of Paris. Zola uses descriptions of architecture and city planning as well as how people use space within Paris to demonstrate the city’s corruption, signifying that the architecture of a city is a reflection of

Paris as the City of Light, or the “modern” Paris, emerged in the mid 19th century as the demolition of “Old Paris” by Prefect Haussmann paved the way for the urban renewal program set out by the Emperor Napoleon III. New streets, sewers, and parks, and new town halls, hospitals, and schools were all created at this time. Not all were admired though. In fact, some Parisians grew angry that the historic core of Paris was lost in these bold projects. Lights throughout Paris evolved over the 19th century as well. Candle-lit lanterns that once lit the city became oil-burning lamps. It wasn’t until the year 1900 that Paris was illuminated by electric lighting, and formally became known as “Ville Lumière.” Main monumental spaces such as the Palais de l’Électricité, the Eiffel Tower, and even the new central wide boulevards were illuminated with these lights. Paris displayed the pleasures of the city to visitors who came to experience it, however, it also divided Parisians on the basis that the city’s traditions and memories were destroyed. Despite being called the most cosmopolitan city in the world by Baedeker, its history left out the dark side of it all. Paris was desolated of its historic memories and its traditional morals. However, renovations did bring sunlight and air into the historically beloved unhealthy, cramped streets. Ultimately, this image of Paris is all about its visually appealing aesthetics and does not mention what a true Parisian, in the center-periphery or banlieues, for example, would vision.

These are some of the alternative solution to posed gentrification at the city of Boyle Heights in East Los Angeles. So, have in mind that gentrification is controversial process. It’s clear enough that it only affect the urban development of the cities. But the problem of gentrification needs to be research more for feather results.

Gentrification has been a controversial issue both in urban planning and politics primarily due to the displacement of poor people by the rich folks (Shaw & Hagemans, 2015). Many individuals have viewed gentrification as an illegal act that should be avoided at all costs. On the other hand, another group of people believe that gentrification is the way forward to promoting growth and development. With such contrasting ideas, this paper is going to take a look at gentrification from a positive and negative perspective, its effects, and how it can be prevented or contained. Apart from this, the paper will also address the following questions.

According to Dictionary.com, “gentrification is the process of renovating houses and stores in urban neighborhoods to fit the middle or upper-income families, raising property value, but often displacing low-income families.” Gentrification has been an idea since the 1960s and had an effect on countless cities and neighborhood communities. Gentrification was first used by Ruth Glass in her book London: Aspect of Change in 1964, she noted that ¨gentrification can progress rapidly until all or most of the original working-class occupiers are displaced, and the whole social character of the district is changed.” Nonetheless, gentrification has helped revive many cities and revolutionize them, especially with technological

His first comprehensive city plan was La Ville Contemporaine (the Contemporary City) a project to house three million inhabitants designed in 1922. This was Le Corbusier’s first attempt to reconcile man, nature and machine (Fishman, 189). The city starts at the center with a transportation hub for busses, trains, cars and planes. Surrounding this hub there will be an organized cluster of 24 60-story skyscrapers. These glass and steel skyscrapers are cross-shaped. Each individual skyscraper is to be set within a large rectangular green space. The skyscrapers house the “brain” of the city. The city is beautifully geometric and symmetrical. Placing the skyscrapers in the city center reinforces the emphasis on capital as a means of creating a successful city. Because of the shape and mass of each skyscraper, they have more usable space than an entire neighborhood but also relieves density and congestion because of the organization (Frampton, 46).

As a result of a booming development of the nineteenth century city, “progressive” architects of the time started to deliberate and conceive opinions to create long term solutions. Known for his radical cultural manifestos, Le Corbusier is one of the architects that epitomizes the change in ideal of the Machine Age. He introduced ideas of living in completely analogous, planned, designed, and then built, cities. Le Corbusier 's proposition for the City of Tomorrow had in its roots the intention of creating a series of fundamental principles that would become the skeleton of any modern city plan. However, considerations that were not applied during that period of time, are the cause of its unsuccessful development.

Paris today is known as a center of arts and rich culture both acclaimed and original. Famous moments pop up through the history of France’s art, such as the impressionistic artworks by Monet, the École des Beaux-Arts teachings of classicism, and the iconic Eiffel Tower by Stephen Sauvestre. Paris augments itself with numerous museums to catalog countless masterpieces and sculptures throughout France’s enduring, yet sometimes gritty, history. As a whole, Paris comprises of a mixture between historic architectural themes like rusticated brick clad, mansard roofs, striated columns, and a modern day architectural themes like engineered metalwork, and external program support machinery. The notion of classic French architecture, juxtaposed

It was one of the largest efforts to rebuild the centre of a city since ancient times. While there was the glamour of the many entertainments in the city, there was also a darker side of poverty, crime and prostitution. "The city - with its pristine exterior, its soiled underside, its hollow entertainments - provided the makings of an enormous duality: a two-sided mirror...a spectacle and secret life." (Bromber 1996: 62) One of the key parts to this design by Haussmann were the wide tree lined avenues, which replaced the smaller streets that had previously existed in the city. "Haussmann's grand design for the reconstruction of Paris was being carried forward by the Third Republic, and the city was now laced with wide, tree-lined avenues." (Schneider 1972: 134) In fact, the modern city of Paris is based on the city that was built by Haussmann and the modern perception of Paris as being the artistic and cultural centre that it is known for, is chiefly based on Haussman's design and re-modelling of the city.