Social Injustices In Herman Melville's Moby Dick

Throughout the first chapter of Moby-Dick, a theme of inevitability is brought up time and time again. In a contest of free will and fate, it seems that fate has – and always will – win; this lack of control, though interestingly not viewed by Ishmael as distressing, sets the stage for future events.

Published in 1851, the story of Moby-Dick is not just the tale of one mans search for control over nature, but also the story of friendship, alienation, fate and religion that become intertwined amidst the tragedy that occurs upon the doomed Pequod. The crew itself are an amalgamation of cultures, from the cannibal Queequeg, to Starbuck, "a native of Nantucket." The Pequod can thus be seen as a microcosm for immigrants and whaling within America. In Moby-Dick Herman Melville examines both the exploitation of whaling and the reality of being born outside of America.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

When your life revolves around the sea as ours does, you hear stories. Stories of deep sea monsters, mermaids, giant squids right out of a Moby Dick novel, are just some of the tales we’ve heard. Most stories about mysterious creatures we shrug off as ‘not bloody likely’, but others enter the realm of real possibility.

In the novel Moby Dick by Herman Melville, there is an untold truth about racism. The “whiteness of the whale” and Ishmael’s relationship with Queequeg suggest more than what meets the eye. Moby Dick was written approximately 10 years before the Civil War in America, a time when the fight over race was more relevant than ever. Although some may argue that race cannot be argued in Moby Dick, an article from The Massachusetts Review says, “the novel is a a floating Babel of racial types” (Bernard). The order of the Pequod demonstrates the hierarchy of race in the world at this time. Due to the focus on the “whiteness of the whale”, the broad-mindedness of the characters, and the secondary position of the colored characters.

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

Moby Dick, a book about the voyages and pursuance of a white whale, was imagined by an incredible man. Herman Melville was a talented writer who wrote many fantasies and adventures, including Moby Dick. He’s most infamous for his work about the tale of the white whale and known less for his works of Typee: A Peep at Polynesian Life and Omoo: A Narrative of Adventures in the South Seas. (“Herman

This is not the first time Ahab has spoken to himself as he often paranoidly talked to himself about what he would do if others tried to hurt him, then proceed to tell himself how crazy he is. These are Ahab’s last words. It’s funny how these are not only his last words, but the first time Ahab said anything with true feeling in the book. Though he may have not killed Moby Dick like he truly wanted, Ahab found the whale again and threw in a few last punches while cursing it and fate before his demise. I feel that, though Ahab did not kill Moby Dick, he was ready to die because he had closure since he found the whale again and was able to throw one final spear and give it his all. Following his death there was silence because the only

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

While the topic of slavery is never discussed explicitly in Herman Melville’s Moby Dick, racial disparities and Melville’s attitude towards them are portrayed both subliminally and prominently throughout the novel. By creating a parallel to the slave industry with the whaling industry, Melville is able to indirectly criticize the injustice of slavery. Moby Dick was published at a time where the country was on the brink of the Civil War and whaling and the slave trade were the most profitable industries. The narrator of the novel; Ishmael, openly mocked white and Christian supremacy in America. It can be understood by a modern reader that the novel entails a metaphor comparing slavery to the whaling industry and gives insight to Melville’s standpoint on racial inequalities. Throughout the entirety of the novel, the inhumane tactics of whaling is used as an extended metaphor of slavery and the pursuit, capture, and killing of runaway slaves to help readers understand the brutal and unethical nature of slavery.

His most famous book, Moby Dick, features the observant narrator, Ishmael, aboard the Pequot, a ship captained by the menacing one-legged Captain Ahab. Having lost his limb in a previous voyage to an enormous sperm whale named Moby Dick, Ahab scans the seven seas in manic search of revenge against the giant. Queequeg, Ishmael’s menacing best friend, and the rest of the crew are subjected to extreme jeopardy and later death due to Ahab’s monomaniacal disregard for bad omens and danger. The whale slices the boat clean in half and none survive to tells of its greatness except Ishmael.

In the novel, A Moby Dick, Pip is a young African American boy, who has almost no power on the Pequod. Pip only makes a handful of appearances in the novel, which leads the reader to ask: why does Melville include him in this novel? Pip normally serves as an entertainer for the crew and cleans up the ship. However, after being left in the ocean for hours, he forms a special bond with Ahab. Through their time spent together Pip positively affects Captain Ahab, which is why he is included in the novel.

Melville believes that mankind are the only truly divine beings in the universe and that they must all look to each other, and not God, for comfort and support. Queequeg and Ishmael’s relationship is a significant point in the story because it is such an ironic and strange friendship between and cannibalistic savage that has a good heart, and a philosophical white man like Ishmael looking to find his own truth at sea. Their relationship is so strong that they are inseparable until death and they represent Melville’s first argument of the true nature of man. In the cook’s sermon to the sharks, if the sharks are taken as an analogy of mankind, he is saying humans’ hearts all have a shark nature within them but if one governs that nature, then that person will become an angel like and pure. The cook after being ordered by Stubb to tell the sharks to stop their racket says that he doesn’t “blame [them] so much for;

Many have the desire to control the uncontrollable, or change the unchangeable. This idea is shared through many novels and movies; one of those being Herman Melville’s Moby Dick-a narrated voyage of a whaling ship, the Pequod, and its captain, Ahab, whose one desire was to kill the great Sperm Whale, Moby Dick. As his whaling journey continued, still unsuccessful, Ahab’s character began to change. Many adjectives could be used to describe Ahab’s changing character, but three specific ones are as follows: obsessive, conceited, and manipulative. Ahab’s one desire changes him from an obedient captain to a madman.

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.