Social Issues In Art

Prehistoric and ancient artists represent men and women in various ways and the works of art tell an altered story, which reinforces old-fashioned gender roles. Additionally, representations of prehistoric and ancient genders illustrate the social standards of their specific periods. The views of gender presented by the works of art are still recognizable, despite all individual’s current sensibilities and views today. An individual’s contemporary view is of gender and gender rules illustrates the significant social progress that the human culture has made. Although the Woman of Willendorf and Kouros/Statue of standing Youth artworks were created at different times, the genders can still easily be depicted within the artwork.

Many characters’ lives are enveloped by a mental issue and they are a representation for these issues. Art covers these multiple issues. The Holocaust affected millions of people and of these millions, Vladek, Anja, and Mala all were left with

ART can be risky depending on the group of youth and teens that you work with. Although troubled youth are mainly the top people who can benefit this, you still have to watch

Activists make their messages and movements known through art in order to express messages, validate identities, and to make struggles known, calling themselves ARTivists to show that there is an often undervalued intersection between the two. But before the coining of the term, activists have been creating art to advance themselves and their communities. ARTivists within the Chicano community have especially been creating art in order to validate and record their own experiences. ARTivism is crucial in today’s society and culture as it intersects art and politics in order to emphasize injustices that are deeply rooted within these structures. By decolonizing and deconstructing exploitive structures, ARTivists liberate the oppressed while creating a more socially conscious future by allowing the oppressed to create their own voice and tell their own stories.

Mexican muralism offers us one of the most politically charged and expressive art forms of the 20th century. David Alfaro Siqueiros and Jose Clemente Orozco are two of the three so called triumvirate of Mexican Muralists, the third being Diego Rivera. Both of the artists have a unique style and a strong sense of morals and political ideals. Their styles are similar in the sense of the amount of expression and movement in their pieces They also share a common ideology that shows up often in their work. Siqueiros’ Portrait of the Bourgeoisie and New Democracy along with Orozco’s American Civilization and Catharsis show you a great cross section of Mexican Muralism, revealing the passions and beliefs of the time period.

This piece was created during a time of political and social change. Increased political awareness and a focus on celebrity demanded art that was more

The work can be a great choice for the selection as it highlights the significance of art in a very holistic manner. The inclusion of African American women and blue as well as white collar workers depict a realistic picture of the society. As is true about any form of art, a great piece of work is always rooted in the culture of the artist; the scene in the painting is localized by an inclusion of the local landmarks and

Art can be expressed in many forms but one of the best has got to be political art, as it expresses art in a relevant form for many to understand, it doesn’t require knowledge in history. It puts out a statement in a bold way so that people may better understand what is trying to be expressed. Many artists use art in topics like reproductive rights, equality, gun control, human rights, the environment and war to express desire for change. One of the most outspoken political artists is Barbara Kruger, who has had her work installed in many well-known museums. Kruger has become even more known because of her relevance using art to criticize well-known public figures like Kim Kardashian and George W. Bush, she has also been a proud supporter of reproductive rights. One of her most known works is “Your body is a battleground” which was printed in 1989 in her support for the “March for Women’s Lives”. To show the positive and negatives sides of the inner struggle, the good and the evil. She has a reputation of supporting feminism ideas but she hasn’t stopped there, she’s even had her work put on display in the Hirshhorn Museum. She has gotten the attention of The New York Times and The Los Angeles Times because of her distinctive contemporary works. The beauty of her art is that it relates to many, her art ranges from domestic violence to compulsive shopping and everything in-between, it is also really easy

Rivera displays his opinion that the world and its pleasures are built off the sweat of the working man, as the laborer in the painting hoists the demands of the upper classes on his back. Unfamiliar with the luxury of the flowers, he and his companion only understand that the item they carry facilitates their survival. Rivera advances this idea to illustrate the impenetrable cycle that defines the Mexican labor structure. In the painting, neither character acknowledges the magnificence of the blossoms; rather, the workers fail to see the splendor of the flowers because they signify only subsistence, which exemplifies how the figures in the painting are servile to Mexico’s social

A display of public art is not a random act of expression encapsulated across a large canvas overnight but a formulated piece of culture for society to witness and experience. Each piece we have seen this semester has embodied the time and effort it takes to not only create a piece of art worth seeing but giving it a story and meaning more powerful than the piece itself. These pieces have given its audience a glimpse into the known, what the cameras and media neglect. Pieces like the To Protect and Serve, Vietnam Memorial, and Bus Poster all go deeper than the surface to deliver a compelling message that outlines a serious issue.

Controversial pieces of art are nothing new; artists express their opinions and beliefs in their work, and those who see the artist’s views as problematic speak out against it. Art encourages debate, and debates can be angry and emotion-driven. But when a piece of art is created that is almost universality looked upon as having corrupt morals, the debate tends to switch “I disagree with what this art portrays” to, “this work of art should not be allowed in society, regardless of its quality.”

Diego Rivera’s famous painting, The Flower Carrier, is immensely encoded with significant social and cultural messaging. Rivera paved a path for many artists to express powerful social ideas through the medium of art and forms. The Flower Carrier allowed immeasurable masses of people to change the way in which they interact with the world; it had the power to alter the spectator’s worldview by giving them truth through visual story telling. Examining this piece offers a clear lens into the socio-political climate of the entire time period in which it lays and continues to have political weight in our further modernized world. The Flower Carrier is largely encoded with Marxist ideas, highlighting the plight of the working class in the face of

In modern society, there are not only artworks that just represent beauty and attractiveness but also artworks used as tools to indicate social ills. In the world, various kinds of social issues like discrimination, poverty, and climate change have been happening, and a great number of artists depict them to underscore how serious they are. It is important that individuals appreciate artworks that show social issues because each artwork has strong messages more than words and power to change the world. The Flower Vendor (Girl with Liles) (fig. 1), painted by Diego Rivera in 1941, the Holocaust (fig. 2), created by George Segal in 1982, and Breaker-Boys in a Pennsylvania Coal Mine (fig. 3), took by Lewis Hine in 1911, are generally known as

Diego Rivera, one of the most prominent and controversial Mexican artists of the twentieth century, gained international acclaim as a leader of the Mexican mural movement that sought to bring art to the masses through large scale work on public walls. Rivera’s accessibility to grandiose surfaces let him tackle the grand themes of the history and future of humanity; concerning himself primarily with the physical process of human development and the effects of technologic

All over the world, art is used to represent many things, especially the artist's imagination