Social Security In Plato's The Cave

In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).

Plato's Allegory of the Cave is also termed as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It was used by the Greek philosopher Plato in his work The Republic to illustrate "our nature in its education and want of education". It comprises of a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon. Socrates gives a description of a group of people who spent their lifetime facing a blank wall chained to the wall of a cave. These people saw and tried to assign forms of the shadows projected on the wall by things passing in front of a fire behind them. These shadows as put by Socrates, are what the prisoners can view close to reality (Law 2003). He further compares a philosopher to the prisoner who is freed from the cave and comprehends that he can envision the true form of reality instead of the shadows which the prisoners saw in the cave and these shadows do not depict reality at all.

Plato’s “The Allegory of the Cave” starts off with humanity living in a cave chained up to a wall with no ability to move. The only sight that these refugees can see in this dark cave are shadows casted on the wall in front of them. For their whole

The prisoners have been in these conditions since their earliest stages of life. The cave, the wall, and the chains are all the prisoners have ever known. Behind the prisoners, there was a raised path. Above the walkway was a platform, where there was a fire burning, and in front of the fire, was a parapet, which as Plato described it , was like that of the screens Puppeteers use to hide themselves and have the puppets be visible . Each and every day, the prisoners see nothing, but the shadows of the objects and people passing between them and the fire. For their entire lives, the prisoners are exposed to nothing but those images and the sounds made by those walking around. These shadows are all they have ever known, in essence; these shadows are their only “reality”. As time passed, the prisoners would grow accustomed to these sights, later on the prisoners would match the objects with names and the familiar sounds to the images of the shadows (514; Appendix A). In discussing the allegory with Glaucon, Socrates toys around the concept of what could happen to a prisoner should they be released after having lived their lives in the cave, with the only knowledge the possess of the world, are the images and sounds by the wall.

The "Allegory of the Cave" by Plato represents an extended metaphor that is to contrast the way in which we perceive and believe in what is reality. The thesis behind his allegory is the basic opinion that all we perceive are imperfect "reflections" of the ultimate Forms, which subsequently represent truth and reality. In his story, Plato establishes a cave in which prisoners are chained down and forced to look upon the front wall of the cave. In "Allegory of the Cave" there there are two elements to the story; the fictional metaphor of the prisoners, and the philosophical opinion in that the allegory is supposed to represent, hence presenting us with the allegory itself.

Moreover, “The Allegory of the Cave” by Plato illustrates a civilization of physically restricted prisoners. Creating a setting in which underground prisoners are only exposed to a wall, its shadows (whom they see as beings), and the people around them, Plato displays a society of ignorant people who only know what they are able to physically see and experience every single day. However, once liberated by other freed people, these prisoners are able to attain knowledge more easily, and slowly, their individual truths become closer to reality. Despite initially being perplexed and irritated with the realization that what they saw and knew as prisoners is not the actuality of how things are, they, consequently, gain the ability to understand more about the world with their newfound knowledge. Thus, the freed people attempt to free the other prisoners from their chains, and expose them

Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics.

In book VII of Plato's most popular work, The Republic, Plato symbolically describes a fictitious story in the form of dialogue between Socrates and Glaucon, in which prisoners have been chained in an underground cave and have been restricted to only viewing the cave wall in front of them. Far off behind them, men are carrying figures of animals and different objects so that their shadows are casted on a wall ahead of them. One of the prisoners are liberated and walks toward the mouth of the cave into the light. He begins to notice that the shadows he has seen his entire life are not real; there is a world other than the cave.

Life for the prisoners goes on this way without occurrence until one of them is freed, led up outside the cave, and shown the real world. The freed person will realize that the truth of the shadowed reality is actually a falsehood. After this realization the person who visited the upper world is returned to imprisonment in the cave. Her eyes have to adjust to the darkness of the cave once again. However, this adjustment naturally takes a long time. As a result, the once free person can no longer see the shadows as well as she did before her release into the upper world. To the people who have remained in the cave, it seems as though going into the upper world has destroyed her faculty for seeing "reality." Some of the captives then say that trying to reach the outer world is harmful, and that anyone caught trying to loose themselves or another person for the purpose of reaching the outside will be punished. Plato says that the cave symbolizes the world of sight and the outside represents the world of knowledge. Plato also instructs people to "interpret the journey upwards to be the ascent of the soul into the intellectual world." Plato's belief is that in the "world of knowledge the idea of good appears," and that humans should strive to reach this goodness through philosophical thought.

In his allegory of the cave, Plato describes a scenario in which chained-up prisoners in a cave understand the reality of their world by observing the shadows on a cave wall. Unable to turn around, what seems to be reality are but cast shadows of puppets meant to deceive the prisoners. In the allegory, a prisoner is released from his chains and allowed to leave the cave. On his way out, he sees the fire, he sees the puppets, and then he sees the sun. Blinded by the sunlight, he could only stare down to view the shadows cast onto the floor. He gradually looks up to see the reflections of objects and people in the water and then the objects and people themselves. Angered and aware of reality, the freed prisoner begins to understand illusion

In Plato’s essay, “Allegory of The Cave” Plato creates a story about three prisoners in a cave, through this he further makes his point that without knowledge our view of the truth is askew. Plato explains that the three hostages have been shackled in the dark cave their whole lives unable to see the real world. The only piece of actuality they can see are shadows of people crossing in front of the opening of the cave. These figures can drive anyone insane without having any real truth to what the images could be. Without any awareness of the real world just outside of the cave they are forced to adapt and therefore accept their own reality. Plato goes on to say that, “the truth would be literally nothing but the shadows of the images” (122). The obscurities are significant because they are the only apprehension the prisoners have, they have nothing to compare it to. The actuality of it to the captives is something other than the truth would be outside of the cave. The forms on the wall are only just shadows, but to them that is everything they have ever known. Plato through his legend portrays

The “Allegory of the Cave” by Plato represents the differences in the way we perceive reality and what we believe is real. In his story, Plato starts by saying that in a cave, there are prisoners chained down and are forced to look at a wall. The prisoners are unable to turn their heads to see what is going on behind them and are completely bound to the floor. Behind the prisoners, puppeteers hide and cast shadows on the wall in line with the prisoners’ sight, thus giving the prisoners their only sense of reality. What happens in the passage is not told from the prisoners’ point of view but is actually a conversation held between Socrates and Glaucon (Plato’s brother).

In his novel Being There, Jerzy Kosinski shows how present day culture has strayed away from the ideal society that Plato describes in his allegory of the cave. In his metaphor, Plato describes the different stages of life and education through the use of a cave. In the first level of the cave, Plato describes prisoners who are shackled and facing a blank wall. Behind them is a wall of fire with a partition that various objects are placed and manipulated by another group of people. These shadows are the only action that they ever see. They can only talk to the surrounding prisoners, and watch the puppet show on the wall in front of them. Naturally, the prisoners come to believe that the shadows on the wall in front of them are

Technology is everywhere from our cars on the road to televisions in our houses and phones in our pockets. Tech is very useful to production and manufacturing to construct the basic needs and wants for our survival. So right away, it’s associated with being something positive. When taking a closer look at tech though, is it really a good thing, or is it a hidden evil waiting to take us down from the inside? We have already let it into our lives full force, and already invited it into our houses. Could it be lurking, waiting for when we fully depend upon it to strike? It 's already in our lives and slowly forcing our dependence upon it. It 's only a matter of time before it handicaps us both mentally and physically. Technology negatively impacts our social norms.

Socrates describes people in a cave since birth, bound so they can only see what is in front of them. There are shadows and sounds that can be observed but the source is unknown. Socrates says in 515c, “…such men would hold that the truth is nothing other than the shadows of artificial things.” Their reality is limited by their experience. Then a prisoner is freed from the bonds and is forced to look at the fire and the statues that were used to cast the shadows on the walls. He is overwhelmed by the revelations and learns that the shadows were not the reality.