Social Space In Wilde's Fairy Tales

Maria Tatar’s “An Introduction to Fairy Tales” discusses the impact on how the stories help guide the children from their younger age. The first five paragraphs of the article mentioned about how the children can overflow with imagination, and can vividly see their reality of desire and also, fear. The fairytales can also corrupt the naïve minds of the child in a way of making them realize the reality of the world is unjustified, and people can be harsh. Moreover, Tatar gives an explanation on how people grow up with the same fairy tales with different versions; which gives an entirely different personal idea. Fairy tales also develop the child’s intellectual mind by reading various kinds of genre.

To analyze Poe’s characterization of class differences and power struggle, we may look at the Masque of the Red Death. In this story, the Prince Prospero and his wealthy friends are shown as wicked in their utter disregard for the common man dying outside their gates. The idea of the upper class being evil and ignorant is seen again in the line, “The external world could take care of itself. In the meantime it was folly to grieve, or to think” (Poe, 269). Here, as in Hop Frog, there is the underlying idea that the rich and powerful are often evil and ignorant but must eventually reap their just rewards. Surprisingly, even though Poe utilized information and understood the popular taste, he did not have incredible success in real life against his own rich and powerful adversaries. His writing may have been a venting apparatus for his own frustrations with those who were in positions of power; namely his father and wealthy capitalists unwilling to provide him with

A main factor in the storyline is the way the writer portrays society's attitude to poverty in the 18th century. The poor people were treated tremendously different to higher classed people. A lot of people were even living on the streets. For example, "He picked his way through the hordes of homeless

The extent to which the Lais of Marie de France can be categorized as fairy tales is dependent on the definition of “fairy tale.” Using various scholars’ definitions of “fairy tale” and conceptions of the fairy tale genre, criteria for “fairy tales” arises. Then, close-readings of three lais, “Guigemar”, “Lanval” and “Yonec”, are used as a mechanism for meeting or failing the criteria. This methodology is then evaluated and problematized. The criterion for fairy tales includes origin, form, content, style, and meaning. Etymologically, the word ‘fairy tale’ has disputed origins. Supposedly, it comes from the French “contes des fees” or “tales about fairies”, popular in French courts and salons in the seventeenth century. However, Jack Zipes argues that “conte féerique” actually translates to “fairy tales” and refers to narrative form, rather than content.

In The Paradise of the Bachelors and Tartarus of Maids Melville demonstrates how the oppressive power of the upper class over the working class, molds and kill the social, emotional and physical life of the working class while they benefit from it. Melville depicts how industrialism created an economic separation of classes that although seemed unrelated and contradictory in their different spaces, both sustained each other. The upper class, the bachelors, needed the labor of the lower class to maintain the wealthy life they had and the lower class, the maids, survived with the small wages gained with their labor. In order for the upper class to continuously enjoy their privilege, they had to exploit in any way possible the working class.

In his evaluation of Little Red Riding Hood, Bill Delaney states, “In analyzing a story . . . it is often the most incongruous element that can be the most revealing.” To Delaney, the most revealing element in Little Red Riding Hood is the protagonist’s scarlet cloak. Delaney wonders how a peasant girl could own such a luxurious item. First, he speculates that a “Lady Bountiful” gave her the cloak, which had belonged to her daughter. Later, however, Delaney suggests that the cloak is merely symbolic, perhaps representing a fantasy world in which she lives.

A main factor in the storyline is the way the writer portrays society's attitude to poverty in the 18th century. The poor people were treated tremendously different to higher classed people. A lot of people were even living on the streets. For example, "He picked his way through the hordes of homeless

As a child, I was told fairytales such as Snow White and the Seven Dwarfs every night before I went to sleep. Fairytales are an adventurous way to expand a child’s imagination and open their eyes to experience a new perspective. Modernizations of fairytales typically relate to a specific audience, such as adolescence, and put a contemporary spin on the old-aged tale. Instead of using whimsical themes heavily centered in nature, the contemporary poems connect with the reader in a more realistic everyday scenario. Also, many modernizations are written in poetic form to help reconstruct a flow in the piece and to develop or sometimes completely change the meaning from that of the original fairytale. Comparing Grimm’s Fairytale Snow White

There is nothing more precious and heartwarming than the innocence of a child. The majority of parents in society want to shield children from the bad in life which is appreciated. Within human nature exists desires of inappropriate behavior; envy, deceit, selfishness, revenge, violence, assault and murder. The most well-known fairy tales depict virtue and the evil in life. Even more important, the form and structure of fairy tales suggest images to the child by which he can structure his daydreams and with them give a better direction to his life. (Bettelheim).

The fairies and the fairy realm have many responsibilities in this play. The most important of which is that they are the cause of much of the conflict and comedy within this story. They represent mischievousness and pleasantry which gives the play most of its emotion and feeling. They relate to humans because they make mistakes but differ in the fact that they do not understand the human world.

Social class systems in the nineteenth century were comprised of the upper class, the middle class, the working class, and the underclass. The different social classes can be “distinguished by inequalities in such areas as power, authority, wealth, working and living conditions, life-styles, life-span, education, religion, and culture” (Cody). The poor, also known as peasants, were usually mistreated and segregated from the wealthy, or those of higher class. During his time, Charles Dickens “seen as a champion of “the poor” by some of the poor themselves” (“What was”). It is said that one of his greatest achievements “was to bring the problem of poverty to the attention of his readers through introducing varieties of poor persons into almost all of his novels, and showing the “deserving” majority of the poor, bravely struggling against the forces arrayed against them” (“What was”). This is clearly evident in A Tale of Two Cities. During the nineteenth century Victorian era, social class systems were a common excuse for the division and mistreatment of many individuals, as evidenced in Dickens’ A Tale of Two Cities.

There are numerous genre’s in literature, but the level of importance and influence on an individual will differ. Exposure to books and stories is especially important for children because it their chance to acclimate themselves to written language and in turn create their own visuals for the toneless words. “Why Fairy Tales Matter: The Performative and the Transformative”, by Maria Tatar contains an ample amount of textual evidence from author’s research into fairytales, as well as writer’s personal experiences with fairytales. Although Tatar supports her claims with evidence, her resources are not concrete, and seems excessive at times. Also, her assertions are weakened by her failure to defend her conclusion against competing beliefs.

Throughout the Industrial Revolution, the lower class’s population continued to increase as more and more people became poor and fell into poverty. Although the upper class was prosperous and wealthy, they failed to assist the struggling population; this only made the problem worse. As the issue of poverty became more critical, it became a topic that authors commonly wrote about. George Orwell, Charles Dickens, and Jonathan Swift were authors who presented the problem of a poor community and a neglectful upper class to the people through the use of allegory and satire. This helped to easily convince and influence their readers. Through the use of satire and allegory, George Orwell, Charles Dickens, and Jonathan Swift effectively address the pressing issue of the upper class’s ignorance and mistreatment towards the lower, struggling class.

In Margaret Atwood’s poem “There Was Once”, Atwood uses irony to point out the societal problems within the genre of fairy tales. Charles Perrault, the author of the short story “The Sleeping Beauty in the Wood”, writes about fantastic creatures, magic, and love, following the generic conventions of fairy tales. When compared to Perrault’s short story “The Sleeping Beauty in the Wood”, Atwood’s poem both compliments and contrasts Perrault’s. These two texts, although similar, offer different views on the genre of fairy tales.

Fairy Folk Tales are the most popular types of literature. The tale is an orally transmitted tradition by generations through the time; some events are changed to fit reality and society. Folk fairy tales deal with the dualism of the good and the evil. They are basing on a conflict between the good and the evil forces. The conclusion comes from aspirations of the human desire to achieve the justices. There are no known authors and sources for ancient’s literature. We have many versions of the story; they are credited by many authors later. Each tale is very like some other culture’s tale. Each culture has own tales, but all the tales are similarities and differences in some points. This essay will compare between two fairy tales, “Cinderella” and “In the Land of Small Dragon”. The tale of Cinderella is a French tale. It is credited by Charles Perrault; it is published in 1697. The in the Land of Small Dragon is a Vietnamese folktale; it is told by Dang Manh Kha in 1979.