Social Work Photography Essay

When working in a field of expertise the experts in that area need to know what defines that field. Social work, with its roots over a hundred years old, started out simply offering assistance to others, has grown and changed, and is currently reconnecting with its roots (Bisman, 2004). Bisman (2004) emphasizes the importance of being an advocate of justice and keeping the field focused on the “social” part of social work. This push to keep social work focused on the needs of others defines social work today. Social work focuses on providing aide to the needy and increasing awareness of those that are oppressed.

In Jennifer Baichwal’s The True Meaning of Picture, she focused on the subject of American photographer Shelby Lee Adams’ works. Adams’ pieces emphasize the culture people in poverty from the Appalachian Mountains. Baichwal also spends some time focusing on the controversy of the photographer’s images. The documentary shows direct quotes from Adams himself, the subjects of his pictures, the subjects’ family, and even art critiques. The film collides the views of all these people so that we may learn more about the Appalachian people. Throughout the course of the documentary, the

For this essay the works of Robert Draper, author of “Why Photos Matter,” and Fred Ritchen, author of “Photography Changes the Way News is Reported,” will be analyzed. Though both deal with the topic of photography, their take on the matter is very different. While Ritchen is a photographer who writes on “what professional photographers will be doing in the future,” Draper is a writer for the National Geographic writing on how the photographers of the magazine share “a hunger for the unknown.” Both writers, however, write on the topic of photographers having a deeper understanding of their subjects, Ritchen due to research and practice, and Draper because the photographers “sit [with] their subjects, just listening to them.” In both essays the need for a deeper understanding of the

While emotions were extremely high in the sense of angst for a better life, photography provided a new sense of reality to Americans and for others around the World. Photography all around the World is unlike anything else of its kind. People are able to tell stories and elicit emotions that bring the audience to that desired response. Throughout the 1930’s, photography from governmental institutions or advancements alone brought a new beginning to the end of a terrible time that Americans all around the nation

However in politics people use ad campaigns of still photos all the time. Also photography can be ethical when it is used to help students learn about a topic like I did in biology, or help people in more privileged lands learn what is happening in other parts of the world such as third world countries. For example every year at our school we celebrate a day called women’s day in which people are educated on the struggles of women in patriarchal societies, much like the U.S. In many of the presentations given, presenters use photographs to show injustices such as sexual trafficking, rape victims, or sexist ads in order to spread awareness and help individuals to understand that there needs to be a change in society. On social media websites, people also post photographs about what is going on in society today whether it be politics, poverty, etc., which help those online to understand what is happening around them in the

The first thing I will write about is a person, Jacob Riis. A esteemed author of the book “How the other half Lives”, published in the 1890s. Riis was a pioneer in the time when photography was first starting to catch on. In Riis’s photos he took pictures of people who lived in the slums of the major cities and how they lived. He was termed a Muckraker by our late president Theodore Roosevelt, because journalists like him would, as he would say, rake through all the good things and bad on the ground and only report the bad of the world. But Riis was one of the men of his era

The central photographs of the movement were the images of struggle and resistance that were widely published by the media and found their way into the homes of both black and white America. Images of violence against African Americans were integral in exposing the truth of racism to a nation of ambivalence, unknowing, and utter denial. These are the images that most associate with the movement and were a crucial element in the visual culture of the time. However, civil rights leaders and activist understood that these images could not work alone. It was important to present images that would alter the nation’s attitudes towards race, images that were radically different than photographs of protests and violence.

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

This photo called attention to the issues in civil equality that are still prevalent today, it was the start of a very long fight for equality.

In addition, photography does it pivotal role by showing people the realities of life. One relevant example to this is photojournalism. Through photographic presentation, people are informed of the real situations of the stories about the real situations around the globe, may it be good or bad news. It is very easy to understand news or stories with photos attached to them. Therefore, photography is a powerful communication tool that embeds social happenings to the human awakening, with no other form of media can

Photographs are used to document history, however selected images are chosen to do so. Often times these images graphically show the cruelty of mankind. In her book, Regarding the Pain of Others, Susan Sontag asks, "What does it mean to protest suffering, as distinct from acknowledging it?" To acknowledge suffering is just to capture it, to point it out and show somebody else that it exists. In order to protest suffering, there has to be some sort of moral decision that what is shown in the photograph is wrong, and a want from the viewer to change that.

As the saying goes, “Our children are our future” and who you are as a child can determine who you can be later on in life. It is important for a child to be in a safe, comfortable and loving environment during its development so that the child can have the full advantage to become the best he can be in his future. My future career as a social worker will ensure just that. I chose this profession because of my own history. Growing up, I’ve had my share of social workers in my house. I experienced them as people who helped my family during a hard time. This is a career where I can fight for people’s rights. I will also be able to protect

What is a photograph? The simplicity of taking a photograph leads many to ponder its artistic value. Yet, it is undeniable that there are some photos that cause an emotional reaction deeper than simply observing a recorded point in time. Surely, there are photographs that cause more reaction than some modern art pieces. There seems to be two types of photographs. The first classification is the ‘time capture’ photo – an image with the sole purpose of recording a particular event or point in time. The second nature of a photo carries a ‘deeper meaning,’ which has the ability to change the observer’s mood and cause a reaction. But what distinguishes these two varieties? There are a

Photographs, drawings, cartoons and videos cover significant political matters. Photojournalists such as Lynsey Addario present critical political issues that affect the world today. In her book, It’s What I Do, she presents scenes surrounding the fall of prominent political leaders such as Muammar el-Qaddafi. The pictures on pages 4 and 5 of her book, for instance, show the struggles that the rebels went through in their quest to dethrone Qaddafi. She quotes Robert Capa, who once said, “ ‘ If your pictures aren’t good enough, you’re not close enough’ ” (Lynsey 7) which shows that photographs are significant in the world of journalism. A video such as “Shouting In The Dark” reveals the heinous acts done by the government of Bahrain towards its own citizens. In the video, we see the brutal force used by the government to silence the peaceful protesters. People were beaten, shot, imprisoned, and killed.

Have you ever taken a picture or been looking through a photo album and felt a sudden rush of emotion? Do you wonder what caused that emotion? Many find themselves captivated by a photograph and overwhelmed by the emotions that the photograph arouses. Believe it or not the arousal of emotion from those photographs was not caused by the content of the picture but by certain elements within the photograph. When a photograph is viewed it is not only the subject that triggers the overwhelming emotional response, it is the length of time that the film was exposed to sunlight, the way lighting is used and played with, and the strong detail of colors or lack thereof. While many believe that the subject acts as the primary stimuli to emotions, the