Socially Constructed In Film

Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.

One does not necessarily have to cluck in disapproval to admit that entertainment is all the things its detractors say it is: fun, effortless, sensational, mindless, formulaic, predictable, and subversive. In fact, one might argue that those are the very reasons so many people love it. At the same time, it is not hard to see why cultural aristocrats in the nineteenth century and intellectuals in the twentieth hated entertainment and why they predicted, as one typical nineteenth century critic railed, that its eventual effect would be to over turn all morality, to poison the springs of domestic happiness, to dissolve the ties of our social order, and to involved our country in ruin." said Neal Gabler, the author of Life in the Movie: How Entertainment Conquered Reality. I agree with this quote, that entertainment is mind numbing and lessen the values of our society. Back in the nineteenth century, entertainment was something that actually stimulated their minds,

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

After viewing the first part of Legacies of Social Change: 100 Years of Professional Social Work in the United States, it seems evident that history continues to be presented from the view of those with power and does not acknowledge the downfalls of these movements. History, especially in the United States, is centered toward European and Western civilization and whatever benefits these groups. This film perpetuates this one-sided account of the history social work that worked to only help white people, while diminishing the challenges and progress people of color faced during this period. While one can argue that this film is dated, this is still occurring all throughout our history and has repercussions today. This can be seen with any

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun.

This essay will focus on the film Racism: a History. I picked the film over the other films offered, because it taught me many things about history of the Black Americans. It illustrates how race continues to justify economic misuse and injustices. It shows how people moved from their maternal land, bound in slavery, and killed. This happens when people view others as though they are not human beings.

The film industry’s portrayal of African American people consists of countless stereotypes and inaccuracies. These depictions lead to an innumerable amount of misrepresentations about the African American community. As the latest wave of black films begins to dawn, the clearer the images become of a collective people. Using my personal experiences as a mixed woman of color, as well as including my academic strengths and goals, and points of view regarding various black films, the content of this paper will examine the representation and stereotypes that can be seen in African American Hollywood.

I have chosen the issue of “miss/underrepresentation of minorities in American television and film.” As America has changed over the years to become much more accepting and inclusive, American media seems to be a bit behind. There are countless instances in which characters from a book or graphic novel has been white-washed once they make it to the big screen. Some may argue these choices are made because the actor is very strong at their craft or they are a star and will bring in the big bucks in theaters. While this may be true, it completely discredits not only the original art and meaning of the work but also the community of talented non-white artist in America. I want to delve deep into the reason this can be happening in a generally

Director Brett Harvey documentary, The Culture High is an interesting story that takes a raw and honest look that tears into the very grit of modern day marijuana prohibition to reveal the truth behind the arguments and motivations governing both those who support and those who oppose the existing pot laws. As we ask ourselves will marijuana be legalized in our lifetime? Or is the “war on drugs” really fundamentally affecting this country? This documentary states two reasons why the information on cannabis is kept from the public, either just one joint can cause psychiatric (mental illness) episodes similar to schizophrenia (a long-term mental disorder) or the addiction and how this drug can lead to another drug. The thesis that this documentary

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

Redefining Black Film by Mark A. Reid is the book I’ve selected for the mid-term reading report. This book is an eye opener learning experience as well as a beginning guide to understanding African American film, filmmaking, actor/actress and directors. Mark A. Reid discussed the challenges and obstacles African Americans faced during the turn of the century up and through the civil rights movement of the Sixties including the focus on feminism in black cultural production . Redefining Black Film fits in the history of filmmaking as it relates to the ground breaking movements of African Americans in film as well as production process. The acceptance by white society of African Americans in film was a major part of this book as African American

[2] For films concerning slavery, the role of the filmmaker as educator is substantially heightened. All too often slavery films categorically vilify whites as oppressive forces, polarizing race and stereotyping the white

“ You cannot talk about genre without talking about gender.” Initially, this would appear to be a simplistic statement. On closer analysis, however, one fact becomes evident. It is the representation of gender which informs the genre of the text. Ismay Barwell , in her essay ‘ Feminist perspectives and narrative points of view’ states that “ Every text is gendered since every act of narration…..involves a process of selection….and the nature of that selection implies certain values” ( p.99). She makes the point that “ The desires, attitudes and interests which guide any choices made must be either male or female”( p.98 ). It is within this frame of reference, that the two texts will be analysed.

Beginning at a very young age in our lives, the film industry influences the way in which each individual interprets the actions that are taken by a character in a film. The constant portrayal of what characteristics would best fit with defining what it is to be a hero, seem to focus mainly on masculine traits. The desirable traits that are illustrated in the majority of the films are being independent, strong, and most importantly a male. However, the film Maleficent (2014), contradicts this idea. This film tells the story of Maleficent (Angelina Jolie), a young woman that has been fooled into believing in true love. When the person she believed was her true love, removes her most precious weapon she is left with great agony and a thirst for