Society, Class, and Conflict the Social Criticism of Virginia Woolf

Moreover, the fluidity, represented by the thoughts of the characters, is enhanced by the form of the novel: Mrs Dalloway is not divided into chapters; thus, it does not leave behind a sense of completeness. It is largely intertwined with the narration of Clarissa and that of the other characters and the action largely takes place in the mind. This is presented in form of free indirect discourse: the narrative conveys the thoughts of the selected character. This leaves the readers with an impressionistic story. To demonstrate how different characters bring about unequal messages, here is an illustration from the work: when Clarissa is strolling the streets of London, she and Septimus both see the same car. The vehicle leads them to different thoughts: for Septimus it is seeing in it the power of the modern world, which “was about to burst into flames” (13) or rather the oppressive relationship of technology and war, which ultimately leads to his suicide. He is bound by the internal, his suffering thoughts cannot help but to be captured in the memories of the World War I he fought in. For Clarissa, hearing the noise of the car provokes her to think she has heard “a pistol shot in the street” (12) (which later turns out to be true). By using such a form of representation, Woolf points to the invisible connections of people in a dehumanised, yet technology-bound, world, which create between them a form of interaction that serves as compensation for what Septimus (and

The 1920s exist in the popular imagination as a time of freedom and wild energy, a time where social mores were discarded and independance embraced. This perception hardly fits with the reality. As with most eras the 1920s had a multitude of conventions and taboos. As with most eras, those who broke with such things were frowned upon. While parts of society were changing, conformity was still very much valued, as explored in Virginia Woolf’s Mrs. Dalloway. Through the character of Clarissa Dalloway and her parallel found in Septimus Smith, Woolf portrays oppressive conformity and the inner self it hides, especially as related to queerness and compulsory heterosexuality; all this serves to illuminate the themes of conventionality and conversion

‘Mrs. Dalloway’, by Virginia Woolf is a derivative text of ‘The Hours’, written by Michael Cunningham. The novels both share an important theme of mental health. The circumstances of mental health are commonly sympathetic, and empathetic. The characters Septimus and Clarissa in ‘Mrs. Dalloway’ and Richard, Laura Brown, and Virginia Woolf in ‘The Hours’ show the strongest symbols for this theme. Most of the problems and treatments these characters face are in direct result of the age they live in. Both novels express a relationship between era, illnesses and treatments.

Throughout her life, novelist Virginia Woolf suffered with mental illness, and she ultimately ended her life at age 59. As art often imitates life, it is not surprising that characters in Woolf’s works also struggle with mental illness. One of her novels, Mrs. Dalloway, recounts a day in the life of Clarissa Dalloway, a high society woman living in London, and those who run in her circle. As the novel progresses the reader sees one of the characters, Septimus, struggle with post-traumatic stress disorder brought on by serving in war. At the end of the story, he commits suicide. While there is no explicit articulation of any other character suffering from mental illness in the novel, Septimus is not alone. Through her thoughts and actions, we can deduce that Clarissa also endures mental and emotional suffering. Though Clarissa does not actually attempt to end her life in the novel, her mental and emotional suffering lead her to exhibit suicidal tendencies. To prove this, I will examine Clarissa’s thoughts and actions from a psychological perspective.

Few works address the complex lives of women and literature like Virginia Woolf's A Room of One's Own, an essay that explores the history of women in literature through an investigation of the material and social conditions required for the writing of literature. Woolf, born in 1882, grew up in a time period in which women were only just beginning to gain significant rights. Likewise, the outbreak of WWI left a mark on the world that Woolf lived in and also affected the literary style of many writers at the time. In her essay, Woolf presents two passages that describe two different meals that she receives during two university visits; the first passage describes the first meal that was served at a men's college, while the second passage

In the novel Mrs Dalloway, Woolf conveys her perspective, as she finely examines and critiques the traditional gender roles of women in a changing post-war society. Woolf characterisation of Clarissa Dalloway in a non linear structure, presents a critical portrayal of the existing class structure through modernist’s eyes. Titling her novel as Mrs Dalloway presents Clarissa’s marriage as a central focus of her life, drawing attention to how a women’s identity is defined by marriage. Despite the changing role of women throughout the 1920s, for married women life was the same post war. Clarissa experiences ‘the oddest sense of being herself invisible…that is being Mrs Dalloway…this being Richard Dalloway,”

Woolf writes about life for women during that time period. She herself being a woman, found it hard to get her work to become public. During that time women are seen as property and that they must follow social norms. Things such as obeying her husband and waiting to be allowed to speak(if she were allowed to speak) were “just how things are done”. In society women are looked down on and seen as things or property rather than people who have feelings,

1. Who’s Afraid of Virginia Woolf begins with a very tranquil stroll home from a party, before the viewer is aware of Martha’s drunkenness and George’s exasperation. These several shots of the couple holding onto each other and moseying their way down the sidewalk help concrete the statement that despite what occurs between these two characters, they are still very much companions who have no one else to turn to. Despite this, “their conformity to the pre-packaged values of their culture obscures this recognition” (pp. 30). Therefore, George and Martha rely on an illusion that has taken over their lives in order to function as a practical married couple in “a culture obsessed with power and objectified control” (pp. 29). The main characters

In Virginia Woolf’s Mrs. Dalloway, Clarissa Dalloway and Septimus Warren Smith are perceived as completely different people, but as one looks deeper, their characters become hard to differentiate from one another. While Septimus is a young, male, middle class veteran suffering from post traumatic stress disorder, Clarissa is an older woman in the upper class who enjoys throwing parties. However, as the day continues one can see these two characters share more in common than previously determined. All in all, Clarissa and Septimus are an unlikely pair of characters to relate to each other, but the two are more alike than different.

Throughout Mrs. Dalloway, Virginia Woolf uses the characters Clarissa and Lucrezia not only to further the plot of the story but to make a profound statement about the role of wives in both society and their marriages. While these women are subjected to differing experiences in their marriages, there is one common thread that unites each of their marriages: oppression. These women drive the story of Mrs. Dalloway and provide meaning and reason in the lives of the men in the story; however, these women are slowly but surely forced to forsake their own ambitions in order to act in accordance with the social standards set in place by marriage for women. For women outside of many modern cultures, marriage has been a necessity for a woman’s safety and security, and it required her to give up her freedom and passions and subjected her to an oppressed lifestyle. Ultimately, through the wives in Mrs. Dalloway, Woolf communicates that marriage is an institution where in women are forced to suppress their individual desires and passions in order to serve their husband and further his own ambitions as first priority.

  Clarissa Dalloway, the central character in Virginia Woolf's Mrs. Dalloway, is a complex figure whose relations with other women reveal as much about her personality as do her own musings. By focusing at length on several characters, all of whom are in some way connected to Clarissa, Woolf expertly portrays the ways females interact: sometimes drawing upon one another for things which they cannot get from men; other times, turning on each other out of jealousy and insecurity.

Post World War I London society was characterized by a flow of new luxuries available to the wealthy and unemployment throughout the lower classes. Fascinated by the rapidly growing hierarchal social class system, Virginia Woolf, a young writer living in London at the time, sought to criticize it and reveal the corruption which lay beneath its surface. Mrs. Dalloway, Woolf’s fourth novel, was born in 1925 out of this desire precisely. A recurring focus in many of Woolf’s major novels is the individual and his or her conscious perceptions of daily life. Throughout Mrs. Dalloway, Woolf uses this technique, known as a “stream-of-consciousness,” to trace the thoughts of Clarissa Dalloway and Septimus Warren Smith during one day in London five years after the Great War. It is exactly this narrative technique which allows Woolf to compare the lives of these two characters which belong to different social classes to argue that social placement has a negative effect on one’s life and psychological being.

In the book Mrs. Dalloway, Virginia Woolf wanted to cast the social system and bash it for how it worked. Her intricate focus is focusing not on the people, but on the morals of a certain class at a certain historical moment.

War is an important theme in Mrs. Dalloway (1925), a post World War I text. While on the one hand there is the focus on Mrs. Dalloway’s domestic life and her ‘party consciousness’, on the other there are ideas of masculinity and “patriotic zeal that stupefy marching boys into a stiff yet staring corpse and perniciously public-spirited doctors” , and the sense of war reverberates in the entire text. Woolf’s treatment of the Great War is different from the normative way in which the War is talked about in the post world war I texts. She includes in her text no first hand glimpse of battlefield, instead gives a detached description. This makes it more incisive because she delineates the after effects in personal ordinary lives. Judith

In her own writing on the novel Mrs Dalloway, Virginia Woolf stated, "I want to give life and death, sanity and insanity; I want to criticize the social system, and to show it at work at its most intense…“ In this essay, I shall use this quote as a means to examine the theme of love and solitude in one of her most famous novels which follows a set of characters that go about their day. Virginia Wolf was able to illustrate the isolation one experiences within its own mind and the importance of one’s soul and ways in which souls connect through different memories and events. Even though independency is highly valued, the inability for people to communicate and build meaningful relationships is the most important aspect in the novel.