My “moment” is the infamous Dove Ad that recently went viral for its insensitive and racialized use of promotion. This Ad displays a black woman transforming into a white woman after using the Dove soap. The Dove brand has also been criticized for labelling their products for “normal to dark skin”. This use of language conveys the idea that there is a more socially accepted skin tone whereas darker skin is less accepted as it is something outside of the “normal” skin. From a sociological perspective, this ad is more than just a creative way to demonstrate that soap will make someone clean by taking “the dirt”off them. It exemplifies society’s rigid standards of beauty due to the social pressures of conforming to the dominant standards of western beauty. Through the use of my sociological imagination, this essay will analyze how this ad is an example of how race and beauty are socially constructed as well how these larger social forces such as advertising companies impact individual’s behaviours, perceptions and lifestyles.
The Dove ad was a culturally unsafe way to promote their new product. Dove is a business, they want to make more profit so they attempt to convince people that they are inferior or less than ideal which diminishes and disempowers the cultural identity of minority females. It demonstrates how larger social structures such as cosmetic companies can influence the way meaning is attached to one’s racial category. The use of racial stereotyping in this ad
In “The Fashion Industry: Free to be an Individual” by Hannah Berry, Hannah emphasizes how social media especially advertisements pressure females to use certain product to in order to be considered beautiful. She also acknowledges the current effort of advertisement today to more realistically depicts of women. In addition, these advertisements use the modern women look to advertise products to increase women self-esteem and to encourage women to be comfortable with one’s image.
What does an ad say about a society? When viewing a product advertisement, many people never stop to think why the ad and product appeals to them. However, when a more critical look is taken, it’s easy to see precisely how ads are carefully tailored to appeal to trending values of a targeted demographic, and how that makes it easy to examine the society of those whom the ad is targeted at. In the analytic writing Advertisements R Us, Melissa Rubin provides an excellent example of this, as she crafts a logical and clear analysis of a 1950’s Coca-Cola magazine ad which thoroughly explains how advertisements can reveal quite a great deal about the society in which they were created.
In our society today a business is not a business without an advertisement. These advertisements advertise what American’s want and desire in their lives. According to Jack Solomon in his essay, “Master’s of Desire: The Culture of American Advertising,” Jack Solomon claims: “Because ours is a highly diverse, pluralistic society, various advertisements may say different things depending on their intended audiences, but in every case they say something about America, about the status of our hopes, fears, desires, and beliefs”(Solomon). Advertisers continue to promote the American dream of what a women’s body should look like. They advertise their products in hopes for consumers to buy them, so they can look like the models pictures in the ads. Behind these ads, advertisers tend to picture flawless unrealistic woman with the help of Photoshop. In our society today to look like a model is an American dream and can be the reasons why we fantasizes and buy these products being advertised. “America’s consumer economy runs on desire, and advertising stokes the engines by transforming common objects;signs of all things that Americans covet most”(Solomon).
Beauty is an important aspect of many women’s lives, often dictating their everyday behaviours. Women are held to narrow, unrealistic expectations of what they should look like; these expectations being portrayed through beauty ideals and trends. Although these trends, and the advertisements they are promoted through, seem relatively harmless, they can often reinforce racism and become their own system of oppression. Throughout cultures, dark-skin is seen as unwanted and unappealing, whereas light-skin is valued and privileged. This white supremacist ideal is propagated through these various beauty trends and their advertising, inseminating privilege towards lighter skin shades. The beauty trend of using skin-bleaching creams to lighten one’s
Jean Kilbourne’s film, Killing Us Softly 4, depicts the way the females are shown in advertisements. She discusses how advertisement sell concepts of normalcy and what it means to be a “male” and a “female.” One of her main arguments focuses on how women aspire to achieve the physical perfection that is portrayed in advertisements but this perfection is actually artificially created through Photoshop and other editing tools. Women in advertisements are often objectified as weak, skinny, and beautiful while men are often portrayed as bigger and stronger. Advertisements utilize the setting, the position of the people in the advertisements, and the products to appeal to the unconscious aspect
Americans live in a media-saturated world, where images constantly flow from the pages of magazines, television, and computer screens. Media creates a brand of beauty by helping the viewer identify the item with the beautiful people that are selling it. They are selling a “brand” of beauty. Hundreds of years ago, a brand was sometimes burned into the skin of some slaves. The damage of the brand was not only horrible physical scars, but also emotional trauma. When society begins accepting the media’s brand as their standard for their own physical identity, or when ethnic groups are defined by these brands, the results can be just as devastating.
In Killing Us Softly, Kilbourne gives the example of the common advertising image of a black women in a jungle setting, wearing a leopard skin. In most media, white women are considered the “standard model” of what is desirable, both from the perspective of what a women should look like, and
The article refers to how commercials that reintegrate the usage of the typical black woman misrepresentation or stereotype becomes offensive when it involves consumer
Moreover, as Richins (1991) reports, women always make social comparisons between the advertising models and themselves. As a result, advertising images create negative affect and increases women’s dissatisfaction with their own appearance. Since those images are edited through the consistent usage of digital technology, these idealized images do not portray women in a healthy manner. Indeed, these enhanced images would give these young girls the impression that they need to be ‘perfect’, just like these ‘fake’ images. According to Reist in ABC’s Gruen Session (2010), ‘young women get the message that they need to be thin, hot and sexy just to be acceptable’ in this society. Therefore, by generating the wrong perception of real beauty, the responsibility is pushed to the marketers, as they portray women with this stereotypical body type as acceptable. In addition, as the brand, Dove’s tagline in its advertisement - What happened to the ‘real beauty’? (Reist, 2010), marketers need not market their products in manners portraying women as airheads. Consequently, marketers gave most consumers viewing the advertisement, the wrong impression that
Race representation in advertisements is often anything but diverse, however as time moves forward and attitudes in society change there has been a considerable amount of progress with the inclusion of more than the typical white male or female. One of the most classic examples of the progress in representation of more than one race in advertisements is with the classic body products from Dove and their commercials seen on TV. Upon exploration of Dove’s older ads, the typical female portrayed is a White female with either brown or blonde hair, playfully cleaning her skin, often times she has a face blooming of satisfaction and happiness. The classic ad for Dove’s Pink soap released in 1958 not only seems to be selling the pink and fragrant soap but a
A relatively recent topic, meaning in the last one hundred year, within society is the concept of race and if it is biologically true, this meaning that evidence suggests a biological reason behind the different categories of race that are independent from social, economical, or personal views. This type of discussion can raise many concerns, questioning the possible social constructs revolving around race and its reason for being used in society today.
In “Soft-Soaping Empire: Commodity Racism and Imperial Advertising” the author Anne McClintock argues, that due to the social discourse that occurred in Victorian England, resulted in the emergence of commodities in capitalism. McClintock uses advertising in the soap industry of that time, to investigate the marketing, production, and distribution that has contributed to the evolutionary racism and imperial power that has influenced media for generations. In the chapter, McClintock takes apart district and common fetishes that were reoccurring in soap advertising by taking examples for Pear and the Monkey Brand Soap through identifying signifiers such as the soap itself, white clothing, mirrors, and monkeys. The soap itself is portrayed as a “reformation allegory whereby the purification of the domestic body becomes a metaphor for the regeneration of the body politic”. The ad McClintock addresses suggested that the soap brought about the fantasy of racialized groups and minorities being able to free themselves from the stigma attached to the colour of their skin. Many times, these advertisements, white children, women and soap which constructed the idea of purity, social success, and whiteness to be one. The monkey fetish symbolizes the “Western discourse on the borders of social limit, marketing the place of a contradiction in social value”. The use of the primate body ensures that order in society remains, and normalizing
Take a look around and think about how far our society has really come along. Yes, we finally have a woman running for president, an African-American president, same-sex marriage laws, feminism and minority movements, but we still don’t have thing like equal-pay, or proper representation. Similarly to how a magician manipulates his/her audience’s perspectives by directing their attention to a particular part of the stage to see “where the magic happens” while the actual “action” happens elsewhere; Lisa Shaffer argues that pop culture has put on a performance of progression yet works behind the scenes to reinforce traditional social values. In the articles “Men’s Men and Women’s Women” and “Dove’s ‘Real Beauty’ Backlash,” the authors agree with Lisa Shaffer’s idea of the media’s regressive intentions, and support their claim by providing analysis of varies commercials that underline traditional social values.
Society is full of ideas pertaining to the definition of beauty and has been controversial for centuries. Beauty is visually pleasing and can satisfy the other senses as well, but it cannot be fully defined through only the senses. It blossoms from the soul; it is an epitome of serene emotion. Beauty is imperative to the mentality our society maintains as if the world would transform to be completely dark without it. The word “Beauty” originates from the Anglo-French term beute meaning “physical attractiveness” and “goodness and courtesy” (dictionary.com, n.p.) Beauty is charming, mesmerizing, graceful, and captivating. Brutality is invaluable because beauty brings peace to the mind.
Beauty standards have been socially constructed in diverse and various shapes in every society or culture in the world, and cause people to think they are not beautiful if they do not fit the common standard of beauty that has been set by the society. Most people are pressured into the standard by the social milieu. The people who are different from the socially pursued standard of beauty do not think the standard itself is absurd, but they rather tend to be insecure about their appearance. Once people see the beauty through individual’s perspective, not through the socially constructed standard, they would realize how much they have unconsciously forced each other to be fit in the beauty standard. This is something that I have also experienced. I was not a person who fit in the standard of beauty, and that made me shy and timid. However, once I saw myself through a different perspective of beauty, I could see it as a social problem that unconsciously forces one particular standard of beauty.