Summary Of Socrates Cave

As we know, Socrates chose to never write or have his ideas published. We learned of his outlook and ideas through the writing and dialogues of a student whom admired everything about him, Plato. In the “Allegory of the Cave,” we read a dialogue that occurs between Socrates and another student, Glaucon. Socrates describes chained human beings living in an underground cave, which has a mouth open towards the light. Due to being chained, these people cannot see the light of day, nor can they see anything that is not directly in front of them. There is a fire burning behind them, which casts a shadow on the wall they are facing. “To them, I said, the truth would be literally nothing but the shadows of the images” (Plato, 3). Because the shadows are all they see, they are all that is real to them. If one of these prisoners were to be freed to the world above, their neck would be stiff, the light would shock their eyes and they would no longer be able to see the realities they once saw in the shadows. Once the person adjusts to the light, they will be able to understand that the sun is the cause of everything

Plato's Allegory of the Cave is also termed as the Analogy of the Cave, Plato's Cave, or the Parable of the Cave. It was used by the Greek philosopher Plato in his work The Republic to illustrate "our nature in its education and want of education". It comprises of a fictional dialogue between Plato's teacher Socrates and Plato's brother Glaucon. Socrates gives a description of a group of people who spent their lifetime facing a blank wall chained to the wall of a cave. These people saw and tried to assign forms of the shadows projected on the wall by things passing in front of a fire behind them. These shadows as put by Socrates, are what the prisoners can view close to reality (Law 2003). He further compares a philosopher to the prisoner who is freed from the cave and comprehends that he can envision the true form of reality instead of the shadows which the prisoners saw in the cave and these shadows do not depict reality at all.

The one prisoner finally escaping the cave to the outside light shows symbolism as a higher level of philosophy. Returning to the cave was the choice of the prisoner, he felt compelled to spread his new knowledge. Plato’s uses him to represent breaking free from the normal mindset shared. Plato’s argument stands since the cave represents lack of expanding on common knowledge. Even after the prisoner returns to express his findings to others, individuals with philosophies different than the norm is dismissed because of their level above previous things thought of as true.

The prisoners have been in these conditions since their earliest stages of life. The cave, the wall, and the chains are all the prisoners have ever known. Behind the prisoners, there was a raised path. Above the walkway was a platform, where there was a fire burning, and in front of the fire, was a parapet, which as Plato described it , was like that of the screens Puppeteers use to hide themselves and have the puppets be visible . Each and every day, the prisoners see nothing, but the shadows of the objects and people passing between them and the fire. For their entire lives, the prisoners are exposed to nothing but those images and the sounds made by those walking around. These shadows are all they have ever known, in essence; these shadows are their only “reality”. As time passed, the prisoners would grow accustomed to these sights, later on the prisoners would match the objects with names and the familiar sounds to the images of the shadows (514; Appendix A). In discussing the allegory with Glaucon, Socrates toys around the concept of what could happen to a prisoner should they be released after having lived their lives in the cave, with the only knowledge the possess of the world, are the images and sounds by the wall.

Once the prisoner climbs out of the cave and is fully immersed in the sun's rays, Socrates continues to explain the prisoner's bewilderment, fear, and blindness to the objects he was now being told were real. The natural reaction of the prisoner would be to recognize shadows and reflections. After his eyes adjust to the sunlight, he begins to see items and people in their own existence, outside of the cave. When the prisoner looks up to the sky and looks into the Sun, and recognizes it as the cause of all that is around him—he has perceived the "Form of the Good!" This point in the passage marks the climax, as the prisoner, who not long ago was blind to the "Form of the Good" (as well as the basic Forms in general), now is aware of reality and truth. When this has occurred, the ultimate stage of thought has been achieved, and that is

In its most simple and basic terms, Plato’s “Allegory of the Cave” creates an illustration of prisoners who are being kept in a cave; their crimes are never mentioned, but their punishments are beautifully described. Each prisoner, according to Plato, is kept within a cave and is chained in such a way that not only do they face the cave wall, but they are also unable to turn their heads, making the cave wall the only thing they see. Behind them and higher up in the cave is a fire. By utilizing the fire, there are “men carrying past the wall

“Anyone who has common sense will remember that the bewilderments of the eyes are of two kinds, and arise from two causes, either from coming out of the light, or from going into the light, which is true of the mind’s eye, quite as much as of the bodily eye…” (Plato). In this quote from Plato’s “The Allegory of the Cave” an instance in which a person comes face to face with something that confounds them, it can be due to two factors. First, it could be that they are knowledgeable and are paying attention and go to seeing ignorance. Or it could be that they are not knowledgeable and are faced with veracity. A situation such as this takes place in Plato’s

It would never be an easy path to walk down, and it would take a lot of struggling. Only certain determined people will actually make it to the opposite side. Socrates says these most qualified people should be the ones to lead the public. I believe this is also true in today’s society. I say this because when it comes to election time, we as a country are not going to vote for an uneducated lunatic. I believe that the president should be someone intelligent with good morals and very qualified. In order to reach that high point, you must go out of your comfort zone, like the prisoner did. In life, people go out of their comfort zones all of the time. I’ve always believed that in order to achieve something you’ve never had/done, you must do something you’ve never done before, such as stepping out of your comfort zone. Only the best can be found when you make an attempt to extend yourself as a human being. I relate the cave in this story to the social norm. No one wants to step out of it because I their life, the norm is all there is. I believe the shadows would represent all of the other things that could be out there, but they have no desire to go find out what they are. They are too comfortable with what they have and haven’t gone looking for more. The cave is a comfort zone for the prisoners in Plato’s time and for teenagers today. Without the outside world, there is no curiosity, no questioning. I believe it is important to

One of Plato’s more famous writings, The Allegory of the Cave, Plato outlines the story of a man who breaks free of his constraints and comes to learn of new ideas and levels of thought that exist outside of the human level of thinking. However, after having learned so many new concepts, he returns to his fellow beings and attempts to reveal his findings but is rejected and threatened with death. This dialogue is an apparent reference to his teacher’s theories in philosophy and his ultimate demise for his beliefs but is also a relation to the theory of the Divided Line. This essay will analyze major points in The Allegory of the Cave and see how it relates to the Theory of the Divided Line. Also, this

Socratics emphasis on the importance of philosophy came in to life in the one of the most captivating of all allegories: The Allegory of the Cave. For Socrates, our senses are neither reliable or enough to reveal the truth about the world, and they hardly represent a

All individuals spend some, if not the entirety of their life in what Socrates describes as, “a cave with a long passageway stretching between [them] and the cave’s mouth,” (Sterling and Scott 209). Cave dwellers find contentment in the shadows on the wall of the cave, never desiring to uncover the root of the shadows and counter fit images. They, unlike philosophers, possess little courage, and desire never to be freed of their shackles and blinders. Philosophers, the minority population of cave dwellers, are those prisoners who not only escape bondage, but have an overwhelming urge to journey outside the cave once they are freed: “One prisoner is freed from his shackles. He is suddenly compelled to stand up, turn around, walk and look toward the light,” (Sterling and Scott 210). The journey from darkness to light, as painted by Socrates, involves pain, confusion, ridicule, and sometimes death; however, those who journey towards the light ultimately reach a greater awareness of true reality, not the disguised reality of shadows and false images on the cave’s walls. Socrates states, “It is a conversion, a turning of the soul away from the day whose light is darkness to the true day. It is the accent to

The man ran up the hill towards the light and the end of the cave where he was temporarily blinded because he was used to the darkness inside of the cave. Of course this is all very confusing to him and maybe even angers him because he does not understand what he is seeing. Eventually this man will gain knowledge of the world and everything in it, from the shadows of the objects he saw on the wall of the cave all the way up to how the sun helps the earth. He will see that was he was made to see and understand was not reality but just was he was made to believe. This freed man now pities the other prisoners that are still inside the cave because he realizes how wrong they were about everything they know. Plato describes how if the freed prisoner were to go back to the cave and tell the others what he has seen that they would criticize him, laugh at him and tell him he would have been better off if he had never escaped. They even go as far to say that if another person were to be released that they should be caught and killed so as to not follow the same fate as the released prisoner.

As Socrates is describing the cave and the situation, he stresses the point that the prisoners are completely oblivious as to what is reality as they would know nothing but the shadows casted by items held by the puppeteers, and believe this to be their own reality. This is important to the story as it shows that what we believe is real from the moment we are born is completely wrong based on our own flawed interpretations of reality. The point so far is that it is not what we can see but what we can’t see is what grasps our minds and Plato describes this thinking as “imagination.”

These two pieces written by Plato also have two characters, Socrates and the prisoners, who are similar. After returning to the cave, the prisoner would be reentering a world of darkness, having to talk to all the unreleased prisoners. He would live with the other prisoners, being able to see better than all of the rest. Because of his different perspective of reality and new knowledge, he would assume the position of the leader of the group and take care of the prisoners. Socrates does this exact thing in The Symposium. He seems to be the most enlightened one in the group and appears to be the puppet by which Plato speaks about his own views. Alcibiades speaks about how he looked up to and loved Socrates during his speech starting at 212c. Socrates acts as the mentor and leader in The Symposium, just as a prisoner would be if he were to leave the cave and become enlightened.

Socrates’s anecdote of the cave presents a ghastly image: people who “are in it from childhood with their legs and necks in bonds so that they are fixed, seeing only in front of them, unable because of the bond to turn their heads all the way around” (193). Also inside the cave is a “fire burning” which allows certain objects (out of sight and controlled by others) to project shadows (193). Consequently, the prisoners believe that the shadows are the most real things. When a prisoner is released, he experiences pain due to the light of the fire. In time, he recognizes the truth and becomes accustomed to it. He is then “dragged out into the light of the sun” (194). After a few moments, he tolerates its rays. Most importantly though, he grasps “the sun itself” (195). Finally, the escapee is not content with keeping this