Solace Across the Bridge Essay

The home as a place of comfort does not exist for the narrator; companionship with her husband is lost. Her only real conversations occur on paper, as no one else speaks to her of anything other than her condition. She is stripped of her role as a wife, robbed of her role as a mother, and is reduced to an object of her husband's.

Last but not least, Mama and Ruth have the aspiration of living in a new home. The apartment in which they currently reside is small, dark, and handled with care: "the furnishings of this room were actually selected with care and love and hope [. . .]" (988). It is evident that the home is a very important to the Younger family and it is a critical

For the first time in 130 years, more young adults are living with parents until their mid thirties. Part of this could be an emotional attachment keeping them from leaving home because after they leave, everything will change. However, many are losing their real sense of home and are just using it as a place where they can avoid paying bills and many other responsibilities. Many young adults now do not understand the extensive sacrifice it is to leave their one and only home. In “On Going Home,” Joan Didion expounds on her struggle to connect with her current house, in a nostalgic and resigned tone, and vivid imagery, symbolism, and comparison Didion expresses the regret she feels every time she remembers she left her “home”.

The first home that they live in is with Jeannette’s grandmother, Erma. Jeannette describes the inside of the house, saying, “It was cold in the house, and the air smelled of mold and cigarettes and unwashed laundry” (131). In addition to the house being a tad run down, the kids were only allowed to bathe in four inches of water once a week and that they all must share. Not only did they have unfit living conditions at home, Jeannette was constantly being bullied at school and does not seem to be able fit in with all of the other kids (140), which is also making it difficult for her to concentrate on her schoolwork. The second house that the Walls family lived in is a little old rundown shack on 93 Little Hobart Street which is no better than the house they shared with Erma. In all actuality, it is probably worse since the kitchen ceiling leaks when it rains (154) and the entire area surrounding the foundation becomes a garbage dump because the family cannot afford to pay for trash pick-up (155). With their father, Rex constantly drinking and their mother, Rose Mary leaving the children to fend for themselves, Lori and Jeannette decide that, for their own good and sake of their future, they should distance themselves from the family start a new life in New

“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and

The novel begins with a journey, both physical and emotional; the Brennans are physically moving houses and towns, but also moving into new, unfamiliar territory. The leaving of ‘home’ is synonymous with the leaving of what id known, familiar and comfortable, in a literal and metaphorical sense.

Firstly, Bradbury describes the home with human qualities and actions giving a personality, with “mechanical paranoia,” and a “hissing sigh” (Bradbury 287; 284). Next, the house is granted human-like parts as well. One example of this would be an “attic brain which directed pumps” (Bradbury 290). Also, the house is able to identify feelings as a human would, whom are unlike any other animal on this planet: “[Humans] depend on insights from personal experiences to determine that some mental states have certain ‘feelings’ associated with them and others do not, which we call ‘emotions’” (Welsh). An example of this would be when the house says, “Sara Teasdale, as I recall your favourite,” (Bradbury 289). This displays the idea that the house has knowledge of one’s favourite poem, something that a dog or stereotypical robot does not know, and exhibits a sense of affection. For these reasons, this is influential because it demonstrates that the house itself is a human, showing the lack of need for real humans and that a planet without them would have no great

She tells of the feeling of shame which emerge from not even having a bed throughout her entire childhood (3). She does reassure that she has the security of her family being the only constant in her life, “Close and sweet and loving. Lucky me on my small pallet on the floor” (4). Travelling every summer “We never knew from one day to the next, from one year to the next, where we would go or live or what we would do” (127), her security of her family seemed always there “Having lived in other people’s houses, barns, and in migrant housing in various stages of decay and repair, it felt as though we could make a home out of anything” (99).

I think the term “home” means a place where family members lived together. Everyone in the family supports each other, care about each other, respect each other and everyone gone through hard times together. The home may not be big, but it is cozy, it may not be very fancy, but it is happy to live there. This idea of home applies to the text “Fire From the Rock” By Sharon M. Draper very well. Sylvia and her family lived in Little Rock, Arkansas, during segregation. Sylvia’s neighbor, Mr. Crandall, treated black people badly. Once, Sylvia’s little sister, Donna Jean was bitten by one of Mr. Crandall’s dogs purposely. The other time when Sylvia’s brother, Gary was beaten by Mr. Crandall’s kids because Gary wanted fairness for the black people. Also when everyone in the town knew that Sylvia was one of the black students to attend Central High School, Sylvia faced more pressure and troubles from the white people. But no matter what happen to Sylvia and her family, they always supports each other and care about each other, everyone in the family stood together and gone through hard times together.

Through her memoir, The Glass Castle, Jeannette Walls is implying that home is wherever a person’s loved ones are. Home is an abstract idea in her novel because the Walls family does not have a concrete place to call home. They can’t seem to stay in one place. They just go where the wind takes them because as long as they have each other, there is no need to worry about anything else. The Walls children have a sense of safety and

In any case, Ascher's work for the most part spotlights on the best way to be sympathetic towards the needy while Quindlen's work concentrates more on the genuine significance of having a home. Quindlen starts her article presenting Ann, a vagrant who demonstrates the writer a photo of the house she once possessed. Starting a story with an account produces tenderness. The writer utilizes Ann to tell the readers that "house is the place the heart is and there is no place like it" (189). She expounds on the qualities that a home has and accentuates that the world's most concerning issue these days is

A person’s home should be more than a place to shelter them from the elements. It should be a place where one could express him/her self freely and not have to worry about any harm coming to them. In the play Trifles Mrs. Wright lived in a house that was anything but calm. In block eleven,

The house’s efficiency and helpfulness seem to make it cold and emotionless and the fact that it lives on after its inhabitants have passed just proves how the house is only a machine that is unable to love, this house will always be a house but it will never be a home.

Home can be described in many meanings. In both short stories of “Eveline” by James Joyce and “Soldier’s Home” by Earnest Hemingway, it defined home in many similar and opposite ways against one another. Since both authors used different ways to uncover the protagonist’s story, they both resulted in different interpretations of “Home.” Both stories revolved around family affairs so both the protagonist’s mother and father played a major role in the story but they also shared similarities throughout the story. However, both protagonists were caught in different situations that drove them on deciding to stay or leave home.

The Golden Gate Bridge is “considered to be one of the best and most beautiful examples of bridge design” (Poel and Royakkers 110). Unfortunately, this bridge is also "the US's most popular place to commit suicide" (110). Due to this fact, bridge designers decided that they needed to consider the option of installing some sort of suicide prevention system. Before any decision was made, the ramifications of both implementing a system and not implementing one had to be considered. Deciding whether or not to implement a system calls for an in-depth analysis of the ethics. One must identify the ethical dilemmas present, and provide analysis on the effects on all the stakeholders involved.