Dr. Arce begun her presentation by asking, “why the image of this figure[…] is synonymous with the Mexican Revolution, yet discursively and hence historically erased in the same gesture?” Dr. Arce beings by pointing out the roll that the soldaderas played in the Mexican revolution. She rightfully describes them as integral parts of the military. On the contrary, Dr. Arce brings up the fact that the soldaderas were referred to by different names, some of which were romanticized, such as “Adelitas,” while some, like “Cucarachas,” were derogatory. The dichotomy between their necessity and the way that the soldaderas is extremely odd, but it answers Dr. Arce’s first question, as pointed out when she said that the soldaderas, “operate within a cultural economy that simultaneously needs and despises them.” The men did not like to depend on the women, and commanders such as Villa say them as burdensome and hard to control. Nonetheless the soldaderas were as necessary and instrumental in the armies as the men. …show more content…
Egyptians despised the US’s involvement and yet greatly benefited from the US’s military and economic aid. Yet in this scenario the Egyptians recognize the aid from the USA, whereas Mexican culture did not recognize the aid of the soldaderas. The reason that the dichotomy of despising and hating the soldaderas was unique in that little objective evidence of their aid was known to the masses. Instead of having what Dr. Arce called “official texts or “cultural products”,” expressing the role of the soldaderas, they were remembered through corridos which, being that they are not made with the intent of being objective, created a biased in the memory of the
Preview of Main Points: First, I will discuss the story of La Virgen de Guadalupe and the importance in the Mexican culture. Then, I will discuss how I identify myself with this culture and one experience in which I explain why la Virgen de Guadalupe is important to me.
Matthew Restall, a Professor of Latin American History, Women’s Studies, and Anthropology at Pennsylvania State University. He also serves the Director of the university’s Latin Studies. Throughout “Seven Myths of the Spanish Conquest,” he discusses many false truths that have been passed down through history. For instance, he discusses, “The Myth of Exceptional Men.” “The Myth of Spanish Army,” and “The Myth of Completion.” For the sake of time, I will discuss three myths that correlate with class lectures and serve as the topic of this paper, “The Myth of Exceptional Men,” “The Myth of the King’s Army,” and the “Myth of the White Conquistador.” It should be noted that Restall speaks to his audience assuring us that his “...his purpose is not to degenerate this technique of historical writing completely...Nor do I mean to create a narrative in which individual action is utterly subordinated to the larger structural forces and causes of social change.” (4). He states that his intentions are to react to more than just the works of Columbus, Pizzaro, and Cortez.
In The Underdogs written by Mariano Azuela, we are introduced to a character that strongly symbolizes the fuel of the Mexican Revolution. Heroes like Demetrio Macias brought the Serrano’s hope of giving them what they felt they truly deserved. Although Demetrio Macias, the general (colonel) of a rebel army is hunting down the army of Pancho Villa, he seems to have the same ideals as the enemy. In addition to Demetrio Macias, we meet women like Camilla and War Paint who represent the different roles that women played during the Mexican Revolution.
Miguel Leon-Portilla author of Broken Spears- The Aztec Account of the Conquest of Mexico, tells the story of the Spanish conquest over the Aztecs from the Aztec point of view. It is more familiar in history that the Spanish led by Hernan Cortez defeated the Aztecs with a powerful army and established an easy victory all while having intentions to gain power and greed. However, Leon-Portilla focuses on the Aztec Empire and their story. Leon-Portilla does a great job giving readers the real occurrences and events from Aztec members. This paper argues that history must be told from all sides. It is more common to hear about the Spanish conquest
It is crucial to focus on translators when it comes to understanding the conquest of Mexico. It shows how
For decades, the history of Latin America has been shrouded in a cover of Spanish glory and myth that misleads and complicates the views of historians everywhere. Myths such as the relationship between natives and conquistadors, and the individuality of the conquistadors themselves stand as only a few examples of how this history may have become broken and distorted. However, in Seven Myths of the Spanish Conquest Matthew Restall goes to great lengths to dispel these myths and provide a more accurate history of Latin American, in a readable and enjoyable book.
By the time the Mexican Revolution began, women were ready to be recognized fully for their talents and abilities. While many women chose to stay behind the scenes and care for the soldiers on the sidelines, like Camila in The Underdogs, there were equally as many women who chose to actively participate in the revolution. Women such as War Paint chose to become fighters, while others followed less dangerous paths (although many were equally as radical). Despite the fact that Camila and War Paint are both accurate representations of the women who chose the same paths during the revolution, there are still many different roles that women played during this time that Azuela does not acknowledge.
Louise Pubols, Fathers of the Pueblo: Patriarchy and Power in Mexican California, 1800-1880, article concentrated on the de la Guerra family from Santa Barbara, California. Pubols expresses to her audience that she wants to depict Mexicans from California Mexico in a different style from the usual. Pubols starts off by giving the reader a simple description of the way the California Mexican is usually presented. Typically, Californian Mexicans have little to no agency; they lose all their land and belongings and are lost to history. Pubols uses the de la Guerra family to show that California Mexicans not only had agency but also played a large part in society. Pubols second argument was that patriarchal language was being used to describe the de la Guerra’s family governance within their community.
During the Mexican Revolution, Mexico as a nation torn in many directions, people gave up simple farming lives to take up arms against causes that many of them did not fully understand. Gender roles during the period in Mexico were exceptionally degrading towards women. Having little more rights than slaves and treated as trophies or property more than human beings, women role in society was nothing near that of a man’s. In The Underdogs, Mariano Anzuela highlights the issue of gender roles by continuously illustrating the punitive role of women and their mistreatment. Augmenting Anzuelas work with citations from Oscar Lewis and Stephanie Smith will paint a picture of the degrading gender roles for women during the Mexican Revolution. Highlighted points brought up by Azuela are how men speak with and treat women, women’s place in society, and general disregard for women’s feelings.
The Mexican Revolution brought multiple parties and movements out of the woodwork. In John Womack’s Zapata and the Mexican Revolution, a story of one state’s drive for agrarian reform and its people’s evolving mission was told, with Emiliano Zapata as a pivotal leader. The dynamics of the revolution, however, reach deeper than Womack’s account portrays. While Womack documents the revolutionary path of the Zapatistas from the southern state of Morelos, the story of Pancho Villa, an arguably parallel character fighting for states in the North against the repressive powers of General Victoriano Huerta, reads more as a subplot. The writings of Samuel Brunk, Ana Maria Alonso, and Mariano Azuela shed light on the less simplistic dynamics of
While dealing with the hardships of being Mexican, a woman also had to face the burden of being a female. A social hierarchy was clearly in existence. While the men were inferior to the Spaniards and Anglos because they were
The Underdogs by Mariano Azuela is arguably the most important novel of the Mexican Revolution because of how it profoundly captures the atmosphere and intricacies of the occasion. Although the immediate subject of the novel is Demetrio Macias - a peasant supporter of the Mexican Revolution -, one of its extensive themes is the ambivalence surrounding the revolution in reality as seen from a broader perspective. Although often poetically revered as a ‘beautiful’ revolution, scenes throughout the novel paint the lack of overall benevolence even among the protagonist revolutionaries during the tumultuous days of the revolution. This paper will analyze certain brash characteristics of the venerated revolution as represented by Azuela’s
Representation” by Michael Schreffler argues that “ . . . early modern rhetoric and iconography . . . constructed a distorted view of painting in Aztec Mexico and entangled it in the conventions of colonial historiography” (407). This essay is effective because of its thorough examination of the accounts that explain a painting made by the Aztec’s at San Juan de Ulúa on Easter Sunday of 1519.
Villa’s exploits on and off the battlefield have broadened into legends that remain an integral part of Mexican history and folklore, especially as a champion of the poor and landless. (Johnson)
The perception of history is often crafted by the information given and the information available, however, almost too often the facts accessible are warped by the viewpoints of others before they can be properly assessed. Differing outlooks thus explicate the controversial nature of historical events and why the motives and conclusions behind certain occurrences are called into question. The Mexican American war as many American historians would call it ushers a contrary tone in Mexico as their own historians would claim the “war” as United States invasion; the difference in referral is based on the different perceptions of the conflict. In the American viewpoint, the Mexican American War was driven by economic, social and political pressures to bolster United States territories, through the annexation of Texas. In the converse, it could be argued that Mexico did not declare a formal war against the United States but rather was interested in defending their country’s territorial integrity and resisting United State’s invasion. In a Mexican viewpoint then, the war was not a result of arrogance but a consequence of defending Mexican territory from United States invasion. Nonetheless the aftermath of the war produced immense repercussions, furthering American exceptionalism, slavery, and disregard for international borders prompting the inquiry of not only the unjust methods applied but the unjustified results.