Soliloquy : Act 1 Scene 3 Of William Shakespeare 's ' Othello '

Critical Analysis of Iago's Soliloquy in Act 2 Scene 3 of Othello by William Shakespeare

In William Shakespeare’s play Othello, the Iago is the most important character. It is his dreams, hopes and desires that turn him evil, bringing out the worst possible characteristics in order to achieve all the things he wants. Iago’s manipulative traits, deceitful actions and love for Othello eventually cause the death Emilia, Desdemona and Othello himself.

Roderigo also plays as a pawn in Iago's plan when he is lied to by Iago about getting married to Desdemona. For example when Iago says to Roderigo, "Plague him with flies"(I,i,71). Iago uses this metaphor to manipulate Roderigo into going to Desdemona's father and telling him that his daughter is married to the Moor, Othello. Iago wants Brabantio, Desdemona's father, to dislike the Moor because Othello did not make Iago his lieutenant. Roderigo is told by Iago that if he tells Brabantio that Othello and Desdemona are married than Brabantio might get them divorced or break them up. This way Roderigo will have a chance with Desdemona and express his love to her. Another metaphor that helps Iago with his plan is "Thus do I ever make my fool my purse"(I, iii, 375). Iago had been convincing Roderigo that money can buy him anything, even Desdemona's love. Roderigo believes him, blinded by his love for Desdemona, and sells his land to get money for gifts. Iago had been using Roderigo for his money and none of the gifts and jewels Roderigo gave Iago to give to Desdemona actually reached her. Roderigo who is crazy about Desdemona gets so carried away with himself that he is too late to realize that he had been tricked and used for his money. Roderigo is deceived by Iago whom he trusted so dearly

This next part of Iago’s character plays an equally important role in the play. An article says that a “... superb ability of Iago is that he has an acute eye for his victim's weaknesses and exploits them mercilessly.” (“Villainous Role of Iago in Othello”). Iago is able to use the characters weaknesses against them for his own selfish reasons. While the audience is aware of Iago’s plan, the other characters are oblivious to his evil

Throughout this passage, Iago’s main techniques of deception include lies, syntax and diction, and hoodwinking Othello into thinking his way. By quickly averting his conflict with Othello at the start of the scene, he easily avoids confrontation

Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.

Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.

Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,

Act III Scene 3 of Othello reflects the true mastery of Shakespearean plays that transcends throughout history. Shakespeare asserts sentence structure, topics and themes, reveals the scene’s purpose, and depicts the importance of Iago as a character in this scene.

A key figure, if not the most important in the play, is that of the malcontent Iago, who sows the seeds of jealousy in Othello’s mind, and presents him with ‘proof’ to back up his suspicions. Iago acts as a catalyst to Desdemona’s murder and it is his intricate

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

This statement undermines his self-esteem. Because of his self-indulgence, we are inclined to believe his superiority as a warrior. Iago points out to Roderigo that Cassio, the newly appointed lieutenant, is not a true soldier. Iago says Cassio knows more “division of a battle “ (1.1.23) than this “bookish theoric” (1.1.24). Furthermore, there is nothing Iago can do about the situation: “there’s no remedy” (1.1.35). He realizes that “preferment goes by letter and affection” (1.1.36) and not by “old graduation” (1.1.37). So Iago will continue “serve” Othello, so that eventually he can “serve [his] turn upon him (Othello)” (1.1.42). As the reader, we get a clear-cut picture of where Iago was coming from, and we were forced to sympathize Iago’s position. In order to disguise his deep dissapointment and conceal his plans for revenge (which was his choice of action), Iago begins early in the play to reinforce his image as being an honest and loyal soldier. In Act I, Scene 2 for example, in a bit of playful boasting, Iago says that “in the trade of war I have slain men, / Yet do I hold it very stuff o’ the’ conscience / to do contriv’d murder I lack inequity…” (1.2.1-3). This was an outright lie, but he had come on stage with Othello and he said this for his general’s (Othello’s) benefit, posing as the rough and ready , but good hearted soldier. Iago also hides

355,] By playing on his hopes, Iago is able to conjure money and jewels from Roderigo, making himself a profit, while using Roderigo to further his other plans. He also thinks stealthy on his feet and is able to improvise whenever something unexpected occurs. When Cassio takes hold of Desdemona's hand before the arrival of the Moor Othello, Iago says, "With as little a web as this will I ensnare as great a fly as Cassio." [II, i, 163] This language demonstrates the evil inside Iago’s goals of retrieving absolute power. He actually even says of himself, "I am an honest man...." [II, iii, 245] Iago slowly corrupts the character’s thoughts, creating ideas in their minds without implicating himself. His "medicine works! Thus credulous fools are caught...." [II, i, 44] "And what's he then that says I play the villain, when this advice is free I give, and honest," [II, iii, 299] says Iago. In turn, people rarely stop to consider the fact that old Iago could be deceiving and manipulating them; yet they are convinced that he is "Honest Iago." From these quotes from “Othello” it is proven that the dialogue used between Iago and the others is manipulative causing an evil outcome.

important scene where the play’s main themes of jealousy and doubt surface. Through Iago's way of displaying subtle but effective implications in speech patterns and mannerisms, it draws Othello's inner conflict to start and eventually take a hold of him as the play continues. The subconscious worries of Othello become known, not only through Iago's words and unsupported claims, but by filling his mind with the image of doubt envisioned as Cassio. Taking form of his worries, Iago plays the mirror reflecting Othello's inner fear and Cassio as the physical form of all his apprehensions. This scene reflects the most hidden parts of Othello in a way where his future actions become a direct result of this scenes affect and conclusion. Those that believe Iago to be the one to set up Othello's future endeavors and downfall are mistaken in the realization that Iago mirrors Othello's own self in worries and fears. The role Iago has in this scene is not one to manipulate Othello into believing what's not there but to believe what's there by Othello's own mind.

Iago makes a complete fool out of Roderigo. In fact, as play starts Iago is taking advantage of Roderigo. Roderigo remarks, "That thou, Iago, who hast had my purse as if the strings were thine." [Act I, Scene I, Line 2]. Throughout the play, Iago leads Roderigo by the collar professing that he "hate(s) the Moor" [Act I, Scene III, Line 344] and telling Roderigo to "make money" [Act I, Scene III, Line 339] to give Desdemona gifts to win her over. During the Iago keeps the gifts that Roderigo purchases for Desdemona for himself. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. When faced with this accusation, Iago simply offers that killing Cassio will