Something More By Tracey Moffatt

Stephanie Coontz is a teacher, historian, author and a scholar activist. She has also very indulged in the world of public debate on families, this mostly due possible because of her extensive skills to study modern families as well as historical patterns. In her book The Way We Never Were, Coontz presents a historical look at the family and how it has changed over time. Her interest in the subject comes for her need to understand how families functioned in the past and present, and what lead to notion and definition of family nowadays.

Narrative stories or essays can expand through a wide variety. Although a narrative is telling a story, it could be a person narrative or something they have experienced. This allows others to become creative when telling their stories. Reading “The Sanctuary of School”and “Tell Me Something”, the authors used various ways of writing and publishing a narrative story.

The Artslink Queensland production of Ruby Moon by Matt Cameron can be described as an example of the Australian Gothic dramatic style. Ruby Moon, set in picture perfect Flaming Tree Grove, is about the tragic dilemma of a couple, Ray and Sylvie, trying to cope with the earlier disappearance of their young daughter, Ruby, while on the way to visit her grandmother at the end of the cul-de-sac (Queensland Education, 2014).

In the book Girl, Interrupted by Susanna Kaysen, Susanna Kaysen was only 18 years old when she agreed to enter a medium security psychiatric facility in Boston, McLean hospital in April 1967, after a failed suicide attempt. She insisted that her over dose on aspirin was not a suicide attempt, but after a 20 minute interview the doctor decided she needed to be admitted to a hospital. During her prolonged two-year stay at the hospital Kaysen describes the issues that most of the patients in her ward have to deal with and how they all differently deal with the amount of time they must stay in the hospital for. While in the hospital Kaysen experienced a case of depersonalization where she tried to pull the skin of her hands to see if there were bones underneath, after a failed escape attempt. Soon, after going to therapy and analysis she was labeled as having recovered from borderline personality disorder. After her release she realizes that McLean Hospital provided patients with more freedom than the outside world, by being free responsibility of parental pressure, free from school and job responsibilities, and being free from the “social norms” that society comes up with. Ultimately, being in captivity gave the patients more freedom then in society and created a safe environment in which patients wanted to stay in.

Sanity is subjective. Every individual is insane to another; however it is the people who possess the greatest self-restraint that prosper in acting “normal”. This is achieved by thrusting the title of insanity onto others who may be unlike oneself, although in reality, are simply non-conforming, as opposed to insane. In Susanna Kaysen’s Girl, Interrupted, this fine line between sanity and insanity is explored to great lengths. Through the unveiling of Susanna’s past, the reasoning behind her commitment to McLean Hospital for the mentally ill, and varying definitions of the diagnosis that Susanna received, it is evident that social non-conformity is often confused with insanity.

Reflecting on this event many times in my past, I have called it an "innapropriate romance", I have called it “an unprofessional relationship”. However, most frequently, I have called it “the thing that happened that summer.” As in — remember the thing that happened that summer? What I never called it, for reasons similar to that of why I never made a fuss about it when it happened, was sexual abuse.

The short story “The Love Of My Life” by T.C. Boyle's examines two couples who are imagined to be inseparable and how no love comes closer to theirs. The story follows young high school couples who are in the merge of a bright future. They are always together “wearing each other like a pair socks”. They idolized the love they share is something far from real and it is true love. While Jeremy is set to attend Brown and on the other hand China were in Binghamton things took wrong turn. Over the summer before their going to college they mistakenly conceived a baby while they are at a camping trip. The story was pleasant and everything was green and China and Jeremy went to a trip together and had sex. The couples were so keen to avoid this from

In Alison Bechdel 's Fun Home, there is a focus on a sculpted perception of gender roles produced by society and a great emphasis on how Bruce and Alison challenge these strict gender specific characteristics. Through Bruce’s femininity and Alison’s masculinity along with their homosexuality, they are able to go against the norms and the collection of rules set by society. It is also through their struggle with gender roles that one is able to understand their sexual orientation. Although Bruce and Alison seem fairly different from one another, there are elements that pull them closer together revealing their similarities.

Girl Interrupted is Susanna Kaysen 's memoir a series of recollections and reflections of her nearly two year stay at a residential psychiatric program at McLean Hospital in Belmont, Massachusetts. She looks back on it with a sense of surprise. In her memoir she considers how she ended up at McLean, and whether or not she truly belonged there. Each chapter focuses on one aspect of her experience. Founded in the late 19th century, McLean Hospital had been a facility for troubled members of wealthy and aristocratic families. By the late 1960s, however, McLean had fallen into a period neglect. This was a time of great change in the mental health care field. Kaysen grew up in a wealthy and prestigious family. Like most teenagers, she was rebellious at times, confused and unsure about her future. She didn’t want to go to college and slept with her high school English teacher. She witnessed firsthand the widening generation gap that was developing in the late 1960s. Older generations looked at Kaysen’s generation 's world with alarm.

Sophie Treadwell’s Machinal is a strangely riveting play so filled with unlikable characters that it makes one want to scream and throttle which ever one is closest to hand without prejudice as to which persona it might be as they are all equally detestable in their own way. Unfortunately, the infuriating characters are exactly what make the play so fascinating. Each of the characters in the play, originally intended to display that life is an inescapable machine, exhibits many disturbing psychological qualities, and the main character suffers a slew of near textbook psychological misfortune. Whether Sophie Treadwell created her play with this facet intentionally or not is unknown, but the examples are so perfect it is difficult to think

Through my understanding of the book, Homeward Bound by Elaine Tyler May explores two traditional depictions of the 1950s, namely suburban domesticity and anticommunism. She intertwines both historical events into a captivating argument. Throughout the book, May aims to discover why “Post-war Americans accepted parenting as well as marriage with so much zeal” unlike their own parents and children. Her findings are that the “cold war ideology and domestic revival” were somewhat linked together. She saw “domestic containment” as an outgrowth of frights and desires that bloomed after the war. However, psychotherapeutic services were as much a boom then as now, and helped offer “private and personal solutions to social problems.” May reflects her views on the origin of domestic containment, and how it affected the lives of people who tried to live by it.

Mrs. Fox, by Sarah Hall was published in 2014. Mrs. Fox is a short story by Sarah Hall about a woman who turns into a fox during her pregnancy, much to the dismay of her husband. Mrs. Fox describes a woman who is not satisfied with her life with her husband, Mr. Fox. They both remain detached thorough the story. When Mrs. Fox turns into a fox, Mr. Fox does not understand why his wife was not happy or satisfied in her human life. Sarah Hall does a wonderful job of displaying out an unusually intriguing setting, a breath taking characterization of the two main characters Mr. and Mrs. Fox, and she displays a dark and modern theme, rightfully earning the BBC National short story

Holding Onto the Air an autobiography by Suzanne Farrell takes the reader backstage in the dramatic life of the world-renowned Balanchine ballerina. From her childhood in Cincinnati to her retirement from ballet in 1989, Farrell's story is truly a remarkable one. The book describes at length her time with the New York City Ballet as well as her complex relationship with the legendary Balanchine. Although Mrs. Farrell goes a bit too far into the ballet descriptions, her beautiful imagery allows reader to experience the joy of performing on stage.

The novel, Girl, Interrupted is a memoir of author Susana Kaysen’s life and her journey through early adulthood as she suffered with Borderline Personality Disorder. The novel captures her time at McLean Hospital, a psychiatric hospital located in Belmont, Massachusetts. Kaysen divides the novel into separate anecdotes of events and fellow patients she encountered during the two years she was admitted at Mclean.

Baker starts the article off with a graphic description of her natural lawn after she was forced to mow it. Her use of “mutilated”, “sliced”, and “carnage” effectively create a sense of disgust towards the effect of mowing a lawn. Her tone remains just a serious, as well as informative, as she uses factual support to emphasize why mowing lawns is bad. By doing so, she relies on facts to elicit emotion as opposed to using tone. There is a tonal shift as she starts to reflect on the process of growing out her lawn. Sarah Baker uses the phrase “the whims of town officials” at the end to express discontent with the laws making her mow her lawn. Something to note about the tone of this piece is her use of “we” in her writing. She uses “we” while