Essay on Something about Flann O'Brien

The British have reigned over the Irish so long and so cruelly that they have left Ireland in “state of dependence” psychologically, politically, and economically. In other words, the “ideology of Protestant consumption” has “actually eroded” the self-confidence and sense of worth of the Irish so badly that it has left Ireland a nation unable to sustain itself (Mahoney). England is eating up Ireland. But this tribulation cannot be blamed solely on the British. Swift cleverly condemns the British aristocracy for their mistreatment of the Irish people while also criticizing the Irish people for allowing this exploitation.

The short stories of Ireland are distinct and many times distinctly Irish. “The Limerick Gloves” by Maria Edgeworth, “The Pedlar’s Revenge” by Liam O’Flaherty, “The Poteen Maker” by Michael McLaverty, and “Loser” Val Mulkerns are each distinct Irish short stories that deal with Irish topics in original ways. These stories are stylistically and thematically Irish. They are moralistic and offer clear themes that pertain to Irish values. This analysis will explore the Irish-ness of the works and explore their meaning when held against Irish literary tenants.

    In the early twentieth century, Ireland, and more specifically Dublin, was a place defined by class distinctions. There were the wealthy, worldly upper-class who owned large, stately townhouses in the luxurious neighborhoods and the less fortunate, uneducated poor who lived in any shack they could afford in the middle of the city. For the most part, the affluent class was Protestant, while the struggling workers were overwhelmingly Catholic. These distinctions were the result of nearly a century of disparity in income, education, language, and occupation, and in turn were the fundamental bases for the internal struggle that many of Joyce's characters feel.

The primary aim for the narrator is to suggest a reflection on how the Irish are treating the problems happening within their country through satirical writing. The narrator states that, “Infant’s flesh will be in

The author of two novels and multiple classic short stories, Flannery O’Connor is widely regarded as one of the greatest fiction writers in American literature. However, as a Southern and devoutly Christian author in the 1950s, O’Connor was often criticized for the religious content and “grotesque” characters often incorporated into her works. They were considered too “brutal”, too “sarcastic.” (The Habit of Being: Letters of Flannery O 'Connor). O’Connor begged to differ.

The setting of the story, Dublin, has been written in such a way that only

Known for her unique collection of short stories, Flannery O’Connor had a major impact on the writing industry during the 20th century. She is still to this day considered one of the most famous American authors. She very well shows that your life really impacts your writing technique, and tone of writing.

Joyce 's novel demonstrates a city and a society full of contradictions, parochial ideas, and paralysis. The Dublin inhabitants are divided by the river Liffey, into 'North and South ', 'rich and poor classes

Identity is pivotal to the story and holds its own innate power, but what is even more pivotal is that the Irish do not necessarily all share the same views. The Irish find their history very important because it is the foundation of the language. Hugh says, “It is not the literal past, the ‘facts’ of history, that shape us, but images of the past embodied in language” (88). It is evident then that Hugh finds the historical meanings of

Flannery O'Connor is a blunt, cruel writer who uses violence to teach theology. O'Connor's works focus on grace through violent, cruel acts. In her stories' it's hard to find a happy person or a loving family. Her characters, Mrs. May "Greenleaf", the Grandmother "A Good Man is Hard to Find", and Hulga "Good Country People" all make terrible mistakes that result in finding grace through a tragedy. O'Connor does not pull punches, but lets her characters suffer the consequences of their actions. The only reward they receive is the knowledge of God's grace through these acts, but tragically this knowledge comes too late.

Hyde’s speech argues that the Irish had by that point indiscriminately adopted all that was English with little thought as to its value, that the Irish had “[ceased] to be Irish without becoming English.”2 He criticizes those Irish who claim to hate British dominance, yet speak only English, anglicize their Irish names, and remain ignorant of Gaelic literature. His central view is that the Gaelic language is the most important aspect of an Irish identity distinct to that of the British, and that only a return to Ireland’s native language can halt the process of Anglicization. However, he is careful not to make the claim that nothing English is of value, but emphasizes the necessity of not neglecting that which is essentially Irish.

Throughout James Joyce’s “Dubliners” there are four major themes that are all very connected these are regret, realization, self hatred and Moral paralysis, witch is represented with the actual physical paralysis of Father Flynn in “The Sisters”. In this paper I intend to explore the different paths and contours of these themes in the four stories where I think they are most prevalent ,and which I most enjoyed “Araby”, “Eveline”, “The Boarding House”, and “A Little Cloud”.

“To be or not to be, that is the question.” Hamlet’s famous quotation implies only two solutions: to be, or to not be. However, there is another option that Shakespeare never explored: to remain paralyzed between the two states, unable to commit to either. James Joyce’s Dubliners is a collection of short stories first published in 1914, that follows the inhabitants of Ireland. Published nearly a half a century before the Republic of Ireland would be recognized as an independant country, many of Joyce’s short stories in Dubliners explore the theme of Irish paralysis, that Joyce found afflicted both the whole of Ireland and its individual citizens. Many

In William Trevor’s short story ‘Beyond the Pale’, the reader is presented with a text that seethes with the angst of a writer whose country’s Colonial past has been gnawing on his bones. Although there is nothing unusual in this (especially in Irish writing), Trevor manages to fumble the ball in the course of his didactic strategy and snatch defeat from the jaws of victory: what should have been a successful indictment of British Colonial Rule in Ireland becomes nothing more than the grumbling of an intelligent writer who cannot negotiate his patriotic feelings.

At the time of publication, 1916, Ireland had seen events such as The 'Easter Rising ' in which Catholics rebelled against the British and the Protestants in a bid for independence. This mix of both the need for Independence and religious extremism are elements that we see portratyed through Stephen. Knowing this information we can see that Joyce portrays not only his own struggles with religion and independence using this method but also the conflict found