Mr Hyde Allegory

By creating Mr. Hyde as this physically grotesque creature, it enhances the readers understanding of the power of evil. If Dr. Jekyll was only transformed mentally from good to evil, it would not have the same effect as transforming mentally and physically. The physical appearance of Mr. Hyde gave everyone who saw him an instant feeling of foulness and darkness. Dr. Jekyll wrote about his first encounter with Mr. Hyde in the letter he wrote to Mr. Utterson, “It came about that Edward Hyde was so much smaller, slighter, and younger, that Henry Jekyll. Even as good shone upon the countenance of the one, evil was written broadly and plainly on the face of the other,” (Stevenson. 71). Dr. Jekyll could take one look at Mr. Hyde and know that he was evil. This idea of evil being something that can be observed from ones appearance is not only found in Stevenson’s novel, but also in literature and media across the world. Another prominent example of evil being depicted as ugly is in Harry Potter and the Prisoner of Azkaban by J.K. Rowling. Rowling writes about a group of ghost like creatures that feed on the souls of wizards called

The Strange Case of Dr Jekyll and Mr. Hyde is a novel written by Scottish author Robert Louis Stevenson and published in 1886. It concerns a lawyer, Gabriel Utterson, who investigates the strange occurrences between his old friend, Dr. Henry Jekyll, and the reclusive Mr. Edward Hyde. This novel represents an ideology in Western culture; the perpetual conflict between humanity’s virtuosity and immorality. It is interpreted as an accurate guidebook to the Victorian era’s belief of the duality of human nature. This essay will explore Mr. Edward Hyde and whether Stevenson intended for him to be a mere character in the novel or something of wider significance.

If Hyde has been described as Hyde "savage, uncivilized, and given to passion…poorly evolved" (Shubh), then perhaps he represents the true, original nature of man, repressed by society, norms, and conscience. The Strange Case of Dr. Jekyll and Mr. Hyde suggests that this restrained, amoral side of human nature, once given a chance to escape, cannot be controlled. Even in this 'height of western civilization', Victorian England, this tempting evil can overcome even the most virtuous of men. Jekyll is neither good nor bad, but a man whose deeply repressed urges motivated him to separate, but not remove, the evil parts of his nature. There is a misinterpretation that Hyde is an unwanted byproduct of trying to create pure good, that Jekyll is not in control as Hyde, and that Jekyll doesn't enjoy being Hyde. In fact, Jekyll loves being Hyde, he revels in the freedom that he brings him (Stevenson 54), but the problems with his dual personality starts when he has to face the consequences of his actions. Jekyll has a difficult time balancing Hyde's debaucheries and Jekyll's rational, refined side. However, Jekyll realizes too late that he has indulged in Hyde too much and has let him grow out of control. At the beginning of the novel, Hyde was the “smaller, slighter, and younger than Henry Jekyll” (Stevenson 57). His more youthful appearance represents how young and free Jekyll feels as Hyde, but also symbolizes how little his personality was seen before Jekyll drank his potion. Early in the novel, Hyde is easily controlled, Jekyll can use his potion to limit how often he transforms into Hyde (Stevenson 56). However, as he starts to morph back and forth, it starts to take more and more potion to control the switches until

the hypocrisy in man. This is because Mr. Hyde is a part of Dr. Jekyll

From the beginning of time, humans have questioned the validity of intrinsic duality of man. Are humans born with both pure goodness and pure evilness or is the latter cultivated? In Robert Louis Stevenson’s novel The Strange Case of Dr. Jekyll and Mr. Hyde, one man, a scientist named Henry Jekyll, concludes that all men are both good and evil, so he decided to separate the two natures within one body. The outcome of his experiment resulted in the formation of a somewhat different product than he had imagined a creature by the name of Edward Hyde. Although Dr. Jekyll and Mr. Hyde are the souls of one body, there are differences and similarities in their appearance and personality that illustrate the natural duality of good and evil within a man.

On their weekly walk, a particularly practical lawyer with the name Mr. Utterson listens as his friend Mr. Enfield tells an awful story of violence. The tale describes a dark figure called Mr. Hyde who treads over a young girl, disappears into a random door on the street, then intently pays off her relatives with a check signed by a respectable gentleman. Because Utterson and Enfield dislike gossip, the agree to drop the subject. However, one of Utterson’s clients and close friend, Dr. Jekyll has will documents written to Mr. Hyde. Soon, Utterson starts having nightmares of a faceless figure who courses through the streets of London at night. Confused, the lawyer visits Jekyll and friend Mr. Lanyon to try and learn more about Hyde. Lanyon confesses he doesn’t really see much of Jekyll anymore, because of a dispute they’ve had over the course of Jekyll’s research, which Lanyon states as “unscientific balderdash.” Interested, Mr. Utterson watches over a building Hyde visits, which is actually a laboratory attached to Jekyll’s

The idea of the superego’s morality vs. the id’s impulses effectively display how one’s decisions are influenced by their emotions. This is evident through Mr. Hyde’s violent impulses, Charles Halloway’s analogy of the unconscious mind and, Dr. Jekyll’s transformation. Mr. Hyde’s violent impulses towards people demonstrate how one’s decisions are a product of one’s emotions. Mr. Hyde says, “Instantly the spirit of hell awoke in me and raged. With a transport of glee, I mauled the unresisting body, tasting delight from every blow; and it was not till weariness had begun to succeed, that I was suddenly, in the top fit of my delirium, struck through the heart by a cold thrill of terror. […] my lust of evil gratified and stimulate […].” (Stevenson 116) Mr. Hyde’s violent impulses are a prominent part of Stevenson’s story as they effectively portray an out of control id. It is clear that since Mr. Hyde represents Dr. Jekyll’s pure id, he embodies his aggressive and sexual desires. As a result, Mr. Hyde gains enormous pleasure from satisfying the id’s aggressive emotions by harming people. Thus, Mr. Hyde’s decisions to brutalize people are a product of the id’s aggressive nature. Furthermore, In Something Wicked this Way Comes, Charles Halloway’s description of autumn people portrays the relationship between the superego and the id in people. He says, “‘Such are the autumn people. Beware of them.’ After a pause, both boys exhaled at once. […] ‘Then –‘ Will swallowed – ‘does that

“All human beings are commingled out of good and evil.” Robert Louis Stevenson was no fool when it came to understanding the duality of human nature evident within mankind. In his novella, the Strange Case of Dr. Jekyll and Mr. Hyde, Stevenson is able to explore his interests concerning the dark, hidden desires that all human beings are guilty of possessing. In his story, a well-respected professional by the name of Dr. Jekyll experiments with the idea of contrasting personalities and successfully undergoes a physical separation of such identities—one which would soon wreak havoc upon his very existence. As a result of his success, Edward Hyde is born. Hyde, characterized as a miniscule and terrifying, apelike figure from the start,

Throughout the whole course of the novel, readers can identify an unbreakable connection between Hyde and animalistic images as he was shown to be big, awkward and childlike. This kind of figure is regarded by Stevenson as parts of human nature. It also expressed Stevenson’s repression towards hypocritical society during Victorian times.

Stevenson makes Hyde seem a monster/animal/supernatural evil in the way that he is described. Hyde clearly represents “the beast in man” and is described in a number of animalistic images. When Utterson confronts him, he is described as “hissing” like a cornered snake; Poole describes him as a “thing” which cries out “like a rat”; he moves “like a monkey” and screams in “mere animal terror.” He is described as “A Juggernaut”, “Like Satan”, “Deformed”, “Dwarfish”, “Hardly human”,

This essay will focus on how Robert Louis Stevenson presents the nature of evil through his novel ‘The Strange Case of Dr Jekyll and Mr Hyde’. Using ideas such as duality, the technique used to highlight the two different sides of a character or scene, allegories, an extended metaphor which has an underlying moral significance, and hypocrisy; in this book the Victorians being against all things evil but regularly taking part in frown able deeds that would not be approved of in a ‘respectable’ society. This links in with the idea of secrecy among people and also that evil is present in everyone. The novel also has strong ties and is heavily influenced by religion. Stevenson, being brought up following strong

Robert Louis Stevenson, author of his novella The Strange Case of Dr. Jekyll and Mr. Hyde, and Christopher Nolan, director of The Prestige, through their respective mediums, explore the idea that leading a double life is destructive for both oneself and others. Using a variety of linguistic and conceptual techniques such as obsession, simile, pathetic fallacy, and pronouns, both respective authors are able to convey the detrimental physical and emotional effects of leading a double life. Stevenson showcases this with Jekyll’s obsession that leads to the creation of Hyde, a vicious manifestation of humanity’s evil side, who goes on to murder an innocent man, which ultimately leads to Jekyll’s demise. Nolan, on the other hand, shows the

Stevenson discovered many themes that interested Victorian readers, one of which was the battle between “good versus evil”. Good being Dr Jekyll as he suffers through out the story trying to get rid of the evil creative Hyde. This theme shows the idea that everyone has a good and evil side to their personality. In addition the theme of rich and poor is also shown as we learn that Hyde’s mysterious dwelling is run down and neglected. In contrast Jekyll’s home is extremely well kept, majestic and beautiful.

Throughout the novella there is a constant power struggle between Jekyll and Hyde, which Hyde eventually wins but Jekyll finishes by taking his and his counterpart's life. In the beginning Jekyll is in full control, all he has to do is drink the potion and "Edward Hyde would pass away like a stain of breath upon a mirror". Also another important discovery to know was that in the beginning there was only pain turning into Hyde but as committed more atrocities, Jekyll became more consumed by evil, finding it hard to become himself again. Jekyll soon comes upon the theory that Hyde is smaller in person because Jekyll's evil side has been "less exercised", but as Hyde commits more wrongs his stature becomes stronger. Two weeks before the murder of Sir Danvers, Jekyll is in bed in Sohowhen he falls back to

Imagery plays a key role in the exploration of Dr. Jekyll's double character. Stevenson's use of imagery intensifies the plot and its relationship between good and evil (Rollyson 1863-1864). For example, Hyde is described as "apelike" and "like a monkey" while Dr. Jekyll is portrayed as handsome and elegant with "proper stature" (25-26, 38). This example indicates a "reverse evolutionary process" and confirms Jekyll's disastrous attempt to interfere with the order of nature (Page 763). In general, Hyde is illustrated as animalistic, ugly, and deformed mainly to conjure an evil opinion of this character. However, the physical description may be more than simply symbolic. "During the Victorian era, many believed in physiognomy," which was the belief that one could judge a criminal from his or her physical appearance. Hyde is depicted as a vampire who "feeds on the very life of his victims" (Abbey, et al. 327). ."..[Hyde was] drinking pleasure with bestial avidity from any degree of torture to another, relentless like a man of stone" (33). This vampire image suggests the way in which indulgence of evil eats away man's capacity for goodness. Lastly, Stevenson chose ideal names to suit and describe the personalities or actions of his characters. Just as Hyde hides in Jekyll, "Je kyll" hides in "Jekyll." In French, "Je" means I and "kyll" probably