Song Of Solomon Essay

Women are objectified during multiple instances throughout Song of Solomon. Specifically, Milkman focuses on Pilate. “He hadn’t thought much of it when she’d told him, but now it seemed to him that such sexual deprivation would affect her, hurt her in precisely the way it would affect and hurt him, hurt her in precisely the way it would affect and hurt him” (Morrison 300). Having sex or being able to express oneself sexually seems to be integral to being and

_Song of Solomon_ in the Bible is about love, just as it is one of the most popular themes in Morrison's novel. Love is apparent in several ways throughout the novel, from Hagar's immoral, and eventually psychotic, love for her cousin, Milkman, (which eventually leads to Hagar's death), to the lack of love that leads Milkman's mother to habitually breast feed him, at least daily, for years just to get a small amount of pleasure. Morrison explains this by saying, "...he was old enough to be bored by the flat taste of mother's milk."(Morrison)

For my service hours, I volunteered at St. John’s Vacation Bible School. Vacation Bible School took place in the basement of St. John’s Catholic Church during the week of June 15 - 19th. It was actually four days long because on Tuesday night the basement flooded, so Wednesday class was cancelled. I volunteered alone, but made many friends that week. The reason I volunteered for Vacation Bible School is because Mrs. Bronder told me about it and I was interested in doing it. This was my second summer volunteering at Vacation Bible School; the summer before I volunteered at LCC’s Vacation Bible School. The theme this year was Hometown Nazareth. The groups were named after the twelve tribes of Israel and the activities were based on what Jesus

Quan Wang focus on the uniqueness of Pilate in her article “The Lack of Lack: The Lacanian Androgyny in Pilate”, arguing that through the existence of androgyny, that is, the co-existence of femininity and masculinity value in one body, Pilate serves as a solution to the rigid gender dichotomy that demands females to live up in their appropriate gender roles assigned by patriarchal culture, and represents herself as a full and complete human being. While I agree that Pilate is one of the most exciting figures who carries symbolic significance in Song of Solomon, I consider applying the lens of androgyny to analyze her image as problematic, and further disagree with the understanding of her “wholeness” as a solution to the dilemma faced by

Her first experience with female attraction was with her cousin, “ Ruth watched her teenage cousin undress to take a bath while Ruth sat on the bathroom rug, locked in the bathroom so her cousin could babysit her as she’d been told.” Ruth’s cousin was nude, and thus emerging the sexual lust within Ruth. Readers can be distressed by this imagery, because Ruth’s teenage cousin’s nude body was not sexualized, however those reading may see it as

to Ruth, one of the three kids, who had just finished her second operation “I think she wants to

Chapter 17 of How to Read Literature Like a Professor tells us that “when authors write about sex, they really mean something else.” This point is really driven home in this book. Sex in the Republic of Gilead does not mean passion or love or even desire. It is represented as a necessity, an act as common as washing dishes or changing bedsheets. Women lose the little respect they had gained over centuries, and are treated according to their ability to sufficiently reproduce or not. Despite the fact that the state has changed to center around women, they are reduced to their fertility.

“Pilate’s Wife Apologizes For Eve” contains a precise logical theory that women see and understand the plight upon their sex, and Layner reasons that this plight is an injustice by

Each generation of women in the novel teaches the importance of men and being married, this generational belief is seen in the girls at a young age. “Morrison goes to great lengths to show how strong, matriarchal lines of temperamental

Ruth was probably terrified; she could have been abused or turned away from Boaz’s field with no food for the night. Just like with Ruth, God sees exactly what we’re getting ourselves into so we can trust that His plan is good. Ruth trusted God to take care of her, and He used the obedience of Boaz to attend to her needs. King and Stager shed some light on Ruth’s dangerous lifestyle living as a widow, and explained the expectations for Boaz’s hospitality.

Everyone at one point or another judges someone else and makes the wrong assumption. People have that habit, but sometimes people can fool others. After all, people dress and act how they want to look to others. In the Elizabethan era romantic comedy A Midsummer’s Night Dream, William Shakespeare suggests the theme that people have hidden layers and disguises which can lead others to foolish choices.

Pentheus' manic desire to view the acts of the women on the mountain was the manifestation of his perverted sense of pleasure. This voyeuristic desire could only be satisfied through experiencing another perversion set up by

When we first meet Ruth, we can tell that she is going to be trouble; like the moment she was sitting in the sandbox,

This simple narrative is a summary of the Song of Solomon (Song 3:6-11; 4:1-7; 5:1-2; 7:10; 8:6-7, New King James Version). When the work is viewed from this angle, it demonstrates the beauty of sexuality within the context of human marriage (Estes

This central association symbolized this sexual charisma and inherited ‘religion of lust’ that emerged momentous. Purposely, women and girls were strongly conditioned to worship these female deities in ways crucially bound-up with their sense of themselves and their community roles as sexual and reproductive beings. Furthermore, this religious, ‘goddess practice’ remained entrenched in tradition that triumphed customarily protected by local laws, propagated by the local priests and other followers. Essentially, due to this long primordial sexual programming within the social domain of females, this consciousness grew into a massive spirit of lust and religion into itself. One predominantly championed spirit of lust that excelled in this area over sexuality succeeded as one of the ‘Twelve Olympians’ (the Greek gods of the pantheon); which existed as Aphrodite, the queen over sexuality.