Song of Lawino: Cultural Duality and Universality Song of Lawino by Okot p’Bitek centers on the main narrator Lawino’s plea towards her husband, Ocol, who shuns his old Acholi background for Westernization. Lawino implores Ocol not to abandon his heritage but rather accept both Acholi and Western cultures; as noted, cultural duality serves as the prime theme in Song of Lawino. Through the character of Lawino, p’Bitek conveys his message that Acholi and Western cultures could be fused in the era of Westernization. In making his point, p’Bitek employs techniques, namely the language, diction, syntax structures, imagery, and figures of speech, to ensure that Song of Lawino supports both Acholi and Western characteristics. Furthermore, the …show more content…
For example, p’Bitek applies positive imagery when he portrays an Acholi woman in the arena, ready to dance: “The tattoos on her chest / Are like palm fruits, / The tattoos on her back / Are like stars on a black night; / Her eyes sparkle like the fireflies / Her breasts are ripe / Like the full moon.” (442 – 448). Immediately, the reader notices words and phrases, such as “palm fruits,” “stars on a black night,” “fireflies,” and “full moon,” which all relate to the natural world. In contrast, p’Bitek presents indecent imagery to delineate the environment “dances of the white people” take place in: “Some dungs are red like ochre / Others are yellow / Like the ripe mango, / Like inside a ripe pawpaw. / Others are black like soil, / Like the soil we use / For smearing the floor. / Some dungs are of mixed colours! / Vomit and urine flow by” (600 – 608). From this section, phrases like “ripe mango,” and “ripe pawpaw” also pertain to the nature. However, the depiction of the Acholi dancer emits an aura of fruitfulness and serenity, whereas the Western dances are rather filthy. This brings up an interesting aspect, as p’Bitek works with metaphors and similes associated with the nature in both cases, yet the two instances yield dramatically different effects. The enticing figures of speech indeed bring the two scenes in the spotlight; however, as opposed to supporting both
In this scene, John Grady and Alejandra take their whole relationship to a new level of intimacy when they skinny dip together in the dead of night. McCarthy’s use of imagery emphasizes the vulnerability of both these teens and uncovers their true natures. McCarthy writes, “she stepped from her pooled clothing so pale, so pale, like a chrysalis emerging” (141). Here, the reader sees the use of imagery as
In “Gathering” by Margaret Atwood, the authors use imagery to describe the aging process of the people around her. She use many forms of imagery throughout her story, however there are some instances where her use of imagery really helps to portray her idea of what the aging process visually looks to her; this use of imagery is clearly seen when the author compares aging to” raw wood in a salt wind” (line 5). The authors uses the comparison of aging and the wood to create a image in the readers mind that is very recognizable, because most of her readers have either seen or know that when wood is left close to water especially salt water it becomes very soft and eventually disintegrates. The use of the wood near a salt wind this helps to give
He took his imagery from both the everyday rituals of African American rural life in the south and urban life in the north, melding those American experiences with his personal experiences and with the themes of classical literature, religion, myth, music and daily human ritual” (Ruth Fine).
The author uses tone and images throughout to compare and contrast the concepts of “black wealth” and a “hard life”. The author combines the use of images with blunt word combinations to make her point; for example, “you always remember things like living in Woodlawn with no inside toilet”. This image evokes the warmth of remembering a special community with the negative, have to use outdoor facilities. Another example of this combination of tone and imagery is “how good the water felt when you got your bath from one of those big tubs that folk in Chicago barbecue in”. Again the author’s positive memory is of feeling fresh after her bath combined with a negative, the fact that it was a barbecue drum.
The song of songs it is a well-known but not so well understood book of the Bible, it’s 8 chapters of love poetry and while there are an introduction and a conclusion, the book doesn’t have any kind of rigid literary design and that’s because it is a collection of poems. They are not meant to be dissected or taken apart. They are meant to be read as a flowing whole and simply enjoyed. The first line of the book tells us that it is “the song of songs” which is a Hebrew idiom like, “the holy of holies” or “the king of kings” it is a Hebrew way of saying, “the greatest thing,” this is the greatest song of all songs. We are told in the first line that this “song of songs” is of Solomon, which could mean that he is the author, his name does begin the book after all. But as I read the poems, I discover that the main voice of a woman, called “the beloved.” And while there is also a male voice, it does not seem to be Solomon. Solomon is mentioned a couple times in the poem, but he’s never a speaker, and you do have to admit Solomon is a very strange candidate as the author of this book, given the facts that he seven hundred wines. The “of Solomon” likely means “in the wisdom tradition of Solomon,” he was known for his wisdom, his poetry, his love of learning about every part of life. Also, Solomon became the father of wisdom literature in Israel, his legacy is here carried on, through a collection of love poems that explore the human experience of love and sexual desire. The opening
This literary device is being used when he states, "I see a young Negro boy. He is sitting on a stoop... The stench of garbage is in the halls. The drunks... jobless... junkies are shadow figures of his everyday world". The use of imagery throughout his passage is to evoke emotions like empathy, from his audience. It allows his audience to be able to establish a connection with the images he portrays, and for the audience too also be able to understand how desperately social change is needed in the United States. Another example of imagery would be where he states," black people, brought to this land in slave ships and in chain, had drained the swamps, built the homes... to lift this nation from colonial obscurity to commanding influence...". He uses imagery to put the audience into the Black community's hoes, so that they are able to comprehend that the way Americans are treating them is not right and needs to be changed because they also made the nation great. He is further persuading his audience for social
This use of artistic descriptive words creates an image of beauty and peace. Both of these feelings are shown to have been lost by the time he is a
In the story “The Treasure of Lemon Brown”, the author uses figurative language to relate to the mood and the setting. In the story, the author described the setting by using personification by saying “Gusts of
While the speaker has succeeded in providing an enhanced image of the performer, the act of assigning meaning to the performance and the representation used holds the capacity to limit the experience. As the speaker continues to reconfigure her strip tease into a “[graceful] and calm” artistic dance, he makes a simultaneous attempt to distance himself from the crowd, making no mention of his gender or race directly (5). However, the speaker’s attempt to portray the dancer from objective eyes falters as his
Krakauer adds specific words such as ‘luminous’ rather than bright and ‘idyll’ rather than just happy. This diction in relation to imagery gives the reader a specific picture in their mind to further understand the depth of the information that is presented, so there is nothing left to interpretation. “Here, on a low, sun-scorched rise dotted with collas and indigobushes and twelve-foot ocotillo stems, McCandless slept on the sand under a tarp hung from a creosote branch” (Krakauer, 49). Krakauer continues to use diction to explicitly illustrate the image he wants the reader to see. By utilizing these two rhetorical devices together Krakauer can really display how isolated McCandless is and what situation he has gotten himself
A descriptive word that creates a vivid image in one’s mind is imagery. Imagery is used in all different forms of literature like short stories, dramas, and poems. Words or phrases that use imagery can describe the senses such as sight, taste, or even smell. Poets use imagery in their poems as it helps readers connect to the poem. Readers can create their own personal images and pictures in their head with the assistance of imagery. Imagery also has readers look at and analyze poems through their own individual experiences with the imagery used. Imagery can also set the mood for a poem. If words like “sunny” or “soft” are used in a poem they’d set a happy mood, but if words like “rainy” or “foggy” are used they’d set a sad mood. “The Love Song of J.Alfred Prufrock” by T.S. Eliot uses plenty of imagery to give readers insight as to what exactly the speaker sees and feels. The speaker in the poem takes what seems to be the woman he loves on a walk through, what he describes, “streets that follow like a tedious argument/ of insidious intent” (Eliot 759). The imagery that the speaker uses to describe the street is strange because instead of taking the woman he loves through a romantic and nice street, he describes the street as an argument, which is something that can be annoying,
The poem “Blessing” is about an unfortunate group of people who miraculously find clean water because of a pipe bursting. This is seen as a blessing because of the inadequate amount of water they get in addition to the hot weather conditions and constant droughts. Imtiaz Dharker sets the poem “Blessing” in a shanty town near Mumbai. She starts the poem with a powerful simile describing the state of these people whilst setting the scene. “The skin cracks like a pod”. The word “skin” could demote metaphorically to the earth. Immediately an image of drought and dry soil comes to mind. The phrase “cracks” highlights how hot the country is. This is effective because it allows the reader to envision the scene. The use of onomatopoeia exemplifies the noise of the ground exemplifies the noise of the ground. On the other hand the poem. “Island Man” is about a Caribbean man who one morning woke up in London. This anonymous character is used live in the Caribbean island but wakes up every morning to the sounds and blissful memories of the Caribbean. The Caribbean Scenario that he thinks he has woken up to contrasts harshly with the reality of his existence in London. The sentence “wakes up to sounds of blue surf” proves that Island Man sees the Caribbean as a calm and relaxing location however the poet describes London as a “grey metallic soar”. This usage of language is an illusion compared to the
The story, Oroonoko; or, The Royal Slave, written by Aphra Behn, depicts the main character, Oroonoko, as being an African prince that lives among his people, whom all abide by a code of virtue and fidelity. When Oroonoko is faced with a dilemma in his own country and living among a “civilized” white society, that are devout Christians, he is confronted with the burden to uphold his code of virtue and maintain a title of being a “Noble Savage” by means of loyalty, religious beliefs, and honor.
One of my favorite poems is People by Yevgeny Yevtushenko. It explores the devastating nature of what it means to be human and the tragedy that, “Not people die but worlds die in them.” I have always been deeply moved by the poem’s sentiment. However, by examining People through the lens of iconicity and also with Michael Burke’s Iconicity and Literary Emotion in mind, I gained a deeper understanding of how Yevtushenko employs iconic devices to underscore and bolster his poem’s emotional effect. This essay will explore a few of those linguistic techniques and how they enhanced my reading of the poem.
Toomer’s placement and choice of imagery is crucial in establishing what he wants the audience to see; if he had used different imagery, his poem would not be interpreted in the same way. For example, the first line of his poem states, “Hair -- braided chestnut” (Toomer 1). By describing hair as “braided chestnut”, rather than simply saying “brown”, the