Sonnet 18 Essay

The poet’s tone changes as we move throughout the poem. The poem starts out with the poet declaring that his love for his mistress is limitless and will stand the test of time. “My vegetable love should grow / Vaster than empires and more slow.” Suddenly, the poet’s tone seems to takes on a sense of urgency. He contradicts his previous beliefs about time, as he now believes time is running out and will prohibit him from loving his mistress forever or ever loving her at all. “Times winged chariot hurrying near; / And yonder all before us lie / Deserts of vast eternity.” He now sees time as a looming death that will prohibit him from loving his mistress indefinitely. Considering that time is of the essence, the author’s attitude suggest

as a part of the season which is known as spring; it can be assumed he means all life and all things are subject to the ravages of time. Mortality is all around us and with it the stages of all life and time pass. In terms of the opening lines, thought, youth and beauty are fleeting indeed.

The second stanza tells about a “glorious lamp of heaven”, the sun, running a race from sunup to sundown (Herrick 385). In the third stanza it talks about when people are youthful they think they have all the time to accomplish their goals but “times still succeed the former”, which simply means time

The theme of new beginnings and the harness of the past in another natural setting is discussed again in the second stanza, but now with a focus on time. The visual image presented my the passage as the sun hesitating and losing its direction show allow the reader to observe the symbolism of the sun. The sun universally represents time, the rise and set of sun symbolizing the beginning and ending of each day, days leading into months, years, and lifetimes. The rise of the sun is a new beginning, but it "seems to hesitate," and "lose its/ incandescent aim." The new beginning brought on by the rising of the sun was held back and lost "in that second." Hope and the fresh start were halted by the sun, who was not ready to let time pass and continue. The passage concludes with an affirmation of the symbolism, that "the past is brighter yet" than the sun who could not pull the new start cleanly into the future.

Once more, the poet anticipates his own death when he composes this poem. But in each of these quatrains, the speaker fails to confront the full scope of his problem: winter, in fact, is a part of a cycle; winter follows spring, and spring returns after winter just as surely. Age, on the other hand, is not a cycle; youth will not come again for the speaker. In the third quatrain, the speaker resigns himself to this fact.]

Through isolating that line, it not only emphasises its importance as a statement, with ‘summer’ being a metaphor for his son, and thus showing pure paternal love; but also the importance of the new tone, pride. The word ‘But’, although with negative connotations, is used to positively emphasise the importance of the new phase of acceptance of his son’s death, and the continuation of his paternal love. It is through this line that Shakespeare goes on to explain how his love for his son will never diminish, as it is immortalised, along with his son, in the poem. This is the act of creating an autotelic memorial in that the poem will never fade away, ever when the writer dies. Due to this, Shakespeare is able to show that his concept of love, no matter what form it is in, is so strong and true that it is infinite and can overcome all obstacles, even death itself. To a 16th century reader, the concept of love taking many forms and overcoming even death was unconventional, as it contrasted greatly to the accepted ideal of courtly love, which was limited and weak. To a modern day reader, whose greatest fear is death; being told love overcomes death reassures them of its strength. This promotes Shakespeare’s ideology, especially through contrast in the

One of the unfortunate realities of the world is that nothing lasts forever. Beauty fades, love can be lost, and the joy of youth fades into old age. A failure to understand that it is not the nature of such lovely and valuable things to endure forever can lead to intense disappointment and sorrow. Robert Frost wished to convey this point and warn his readers of the inevitable end which such precious things will face in his brief poem “Nothing Gold Can Stay.” Through the use of various stylistic choices and poetic elements, Frost effectively enhances his message and prompts the reader to think on a deeper level.

In William Shakespeare’s 33rd Sonnet, the speaker remarks on the ultimate beauty of the sun and its continuous daily cycle. However, the sun is not completely unmarked as the occasional cloud shields the world from its glory. In Greek mythology, the sun was the ultimate ruler as legend says Helios would drive the sun everyday across the sky in his golden chariot. A similar myth is mirrored in Egyptian history as Ra, the sun god, was the ultimate ruler. The sun holds a vital place in the the human history of power and strength and is the keystone to all life. Although at first read, the speaker seems to be remarking on the sun’s eternal glory despite the occasional shielding cloud, in actuality, the speaker is drawing a parallel between his

“That Time of Year” by William Shakespeare illustrates the coming of death for an elderly man, and the love in his relationship strengthening. Throughout the sonnet, the themes of love, The speaker, a man who is growing old, uses a different metaphor in each of the quatrains to describe to his lover how old age dawns upon us. By using a separate metaphor in each quatrain, Shakespeare uses English form to his advantage. The metaphors that the speaker uses all relate to nature, which unifies them together and relates them to the theme and purpose. In the couplet, we find that although the man is dying and growing weaker, the love between him and his lover seems to grow stronger.

The Disney film Frozen may seem innocent on the surface, but it disguises child abuse and solitary confinement with a whimsical fantasy world containing trolls and magical powers. Throughout her childhood, the older sister, Elsa, remains confined to her room, unable to play with her sister and forced to repress her magic. In one of the film’s most heart-wrenching moments, Elsa sits on the opposite side of the door from her sister, just inches away from her, yet sobbing because she lives isolated from the rest of her family. Elsa’s parents ultimately abandon her to deal with her emotional turbulence and growing powers alone, and when they die, Elsa lacks someone with whom she can share her grief. Thus, Elsa spends her childhood alone,

Truth and honesty are key elements to a good, healthy relationship. However, in Shakespeare's Sonnet 138, the key to a healthy relationship between the speaker and the Dark Lady is keeping up the lies they have constructed for one another. Through wordplay Shakespeare creates different levels of meaning, in doing this, he shows the nature of truth and flattery in relationships.

     The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods by writers to convey different messages to the audience. The strict constraints of the form have often been used to parallel the subject in the poem. Many times, the first three quatrains introduce the subject and build on one another, showing progression in the poem. The final couplet brings closure to the poem by bringing the main ideas together. On other occasions, the couplet makes a statement of irony or refutes the main idea with a counter statement. It leaves the reader with a last impression of what the author is trying to say.

The darling buds symbolize the beginning of his love for her. The buds still have to develop into beautiful flowers, just like their love. It´s the beginning of summer, her beauty and his love.

Sonnet 6 is notable for the ingenious multiplying of conceits and especially for the concluding pun on a legal will in the final couplet: "Be not self-willed, for thou art much too fair / To be death's conquest and make worms thine heir." Here, as earlier in the sonnet, the poet juxtaposes the themes of narcissism and death, as well as procreation. "Self-willed" echoes line 4's "self-killed," and the worms that destroy the young man's dead body will be his only heirs should he die without begetting a child which shows the theme of death. The whole sonnet is about trying to persuade the man to have a baby hence the theme if procreation. And lastly, the man is being selfish in wanting to die without passing on his beauty.

In line nine "thy eternal summer shall not fade" is an allusion to the beloved staying young and beautiful for eternity. This line is referring to the season changing from summer to winter, this means that the beauty is temporary and fades over a short period of time. The beloved on the other hand is