What’s the first thought that pops in to your mind when you think of love, is it flowers, chocolates and teddy bears or maybe a romantic sonnet?
The cliché of these superficial representations have been around for years and continue to plague our society today. But are the traditional roses on
Valentine’s Day and anniversaries really a good signification of true love or would you prefer a unique and realistic approach? Good morning/ good afternoon Mr. Day and classmates, today I will be comparing two sonnets. These sonnets deal with the issue of ideal and unconventional love
, however they do so in exceedingly different ways.
Sonnet 90 by Francesco Petrarca is a representation of a
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For example
, ‘her way of moving was no mortal thing, but of angelic form’.
Petrarch’s
Sonnet is an expression of his love for his mistress; he describes her as attractive and sublime. This love may be seen as superficial.
Another renowned poet and playwright of Elizabethan times was William Shakespeare. Shakespeare’s one hundred thirtieth sonnet introduced a new era of sonnets. Far more different from traditional sonnets of the 1600’s, Sonnet 130 has also been recognized as ‘Anti-Petrachian’. In comparison
Sonnet 130 by William Shakespeare has the same discourse but instead of being cliché, mocks the courtly sonnets in his realistic portrayal of his mistress. He deals with the discourse of love and he does so in a way to bring to light the superficial clichés that had been held so highly. (show poem)
Shakespeare concentrates on his mistress’s physical imperfections by portraying to the reader that his woman in not attractive. The reader can draw powerful images with Shakespeare’s language and dialogue signifying a range of human emotions and conditions
Instead of exaggerating the beauty of his lady’s eyes by claiming that they outshine the sun, the speaker starts off with a simile proclaiming ‘my mistress’ eyes are nothing like the sun’ , he doesn’t describe the eyes at all,
In Shakespeare's poem “My mistress’ eyes are nothing like the sun” published in 1609, he successfully expresses a few more difficulties of love through a humorous tone. Women are too often held to high beauty standards which Shakespeare strikes down by helping the readers realize that beauty is in the eye of the beholder and that nature should not be compared to women in the first place. By making multiple comparisons between his lover and nature Shakespeare focuses on being honest and having realistic standards for his
Shakespeare’s sonnet 130, “My mistress’ eyes are nothing like the sun” and Pablo Neruda’s “My ugly love” are popularly known to describe beauty in a way hardly anyone would write: through the truth. It’s a common fact that modern lovers and poets speak or write of their beloved with what they and the audience would like to hear, with kind and breathtaking words and verses. Yet, Shakespeare and Neruda, honest men as they both were, chose to write about what love truly is, it matters most what’s on the inside rather than the outside. The theme of true beauty and love are found through Shakespeare and Neruda’s uses of imagery, structure, and tone.
Shakespeare examines love in two different ways in Sonnets 116 and 130. In the first, love is treated in its most ideal form as an uncompromising force (indeed, as the greatest force in the universe); in the latter sonnet, Shakespeare treats love from a more practical aspect: it is viewed simply and realistically without ornament. Yet both sonnets are justifiable in and of themselves, for neither misrepresents love or speaks of it slightingly. Indeed, Shakespeare illustrates two qualities of love in the two sonnets: its potential and its objectivity. This paper will compare and contrast the two sonnets by Shakespeare and show how they represent two different attitudes to love.
William Shakespeare’s “Sonnet 116” and Edna St. Vincent Millay’s “Love Is Not All” both attempt to define love, by telling what love is and what it is not. Shakespeare’s sonnet praises love and speaks of love in its most ideal form, while Millay’s poem begins by giving the impression that the speaker feels that love is not all, but during the unfolding of the poem we find the ironic truth that love is all. Shakespeare, on the other hand, depicts love as perfect and necessary from the beginning to the end of his poem. Although these two authors have taken two completely different approaches, both have worked to show the importance of love and to define it. However, Shakespeare is most confident of his definition of love, while Millay seems
Although the major early modern writers scorned the Petrarchan poetic construct, in this work Shakespeare utilizes it to tell a story about more than just tragic and miserable love. He illustrates that this construction of love, is not actually love and in fact can be easily exploited. It is Shakespeare’s critique of Petrarchanism, that also allowed him to demonstrate other issues of current
In "Sonnet 73", the speaker uses a series of metaphors to characterize what he perceives to be the nature of his old age. This poem is not simply a procession of interchangeable metaphors; it is the story of the speaker slowly coming to grips with the finality of his age and his impermanence in time.
“Sonnet 116” written by William Shakespeare is focusing on the strength and true power of love. Love is a feeling that sustainable to alterations, that take place at certain points in life, and love is even stronger than a breakup because separation cannot eliminate feelings. The writer makes use of metaphors expressing love as a feeling of mind not just heart as young readers may see it. To Shakespeare love is an immortal felling that is similar to a mark on a person’s life.
Teacher and classmates, A few weeks ago, I questioned Shakespeare’s Romeo and Juliet wondering why, why is this literature still prominent in today's society? The foreign tongue it is written in, the seemingly basic and boring plot and the lack of action all combined being regarded as one of man’s greatest achievements didn't quite equate. However through my studies of the question, How effectively does Shakespeare’s Romeo and Juliet shape our notion of love, I realised. Throughout the text lies defining moments of romantic, fickle and fraternal love and the complexity of the text allows for both interpretation while maintaining relatability. However our perception of love, the strong feeling of affection, has differed immensely since 1595. Romeo and Juliet, a story over four centuries old is the foundation of love and romance throughout history.
In Stephen Book’s edition of the poem, the first lines, “A woman’s face, with nature’s own hand painted, Hast thou, the master mistress of my passion —“ (162), are annotated in regards to the word “with” and “painted”. While distinguishing the meaning of these two words, the editor makes references to Merry Wives of Windsor, a play by Shakespeare, and compares the meaning of “with” in the context of the sonnet to how it is used in his other works. “Painted” is also interpreted to mean colored by way of cosmetics. In a second edition edited by Katherine Duncan-Jones, the sonnet has much fewer punctuation marks and annotates “with” to mean by nature herself, and “painted” to correlate with “superficial beauty” (Duncan-Jones 150). This demonstrates the idea that the when the signifier is changed or standardized, the range of possibilities for the signified is significantly limited.
The title of the poem “My mistress eyes are nothing like the sun” suggests that the speaker is not in love with his ‘mistress’. However, this is not the case. Shakespeare uses figurative language by using criticizing hyperboles to mock the traditional love sonnet. Thus, showing not only that the ideal woman is not always a ‘goddess’, but mocking the way others write about love. Shakespeare proves that love can be written about and accomplished without the artificial and exuberant. The speaker’s tone is ironic, sarcastic, and comical turning the traditional conceit around using satire. The traditional iambic pentameter rhyming scheme of the sonnet makes the diction fall into place as relaxed, truthful, and with elegance in the easy flowing verse. In turn, making this sonnet one of parody and real love.
The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods by writers to convey different messages to the audience. The strict constraints of the form have often been used to parallel the subject in the poem. Many times, the first three quatrains introduce the subject and build on one another, showing progression in the poem. The final couplet brings closure to the poem by bringing the main ideas together. On other occasions, the couplet makes a statement of irony or refutes the main idea with a counter statement. It leaves the reader with a last impression of what the author is trying to say.
Edmund Spenser’s Sonnet 67 is one of 85 sonnets from Amoretti which was written about his courtship of Elizabeth Boyle. Spenser and Boyle were married in 1594. Sonnet 67 uses a hunting themed metaphor common in 16th century England comparing the woman to a deer and the man to a huntsman in pursuit. Sonnet 67 appears to have been inspired by an earlier work by Petrarch, Rima 190, but with a different ending. In this paper we will take an in depth look at this work, also commonly referred to as “ Lyke as a Huntsman”.
Sonnet 6 is notable for the ingenious multiplying of conceits and especially for the concluding pun on a legal will in the final couplet: "Be not self-willed, for thou art much too fair / To be death's conquest and make worms thine heir." Here, as earlier in the sonnet, the poet juxtaposes the themes of narcissism and death, as well as procreation. "Self-willed" echoes line 4's "self-killed," and the worms that destroy the young man's dead body will be his only heirs should he die without begetting a child which shows the theme of death. The whole sonnet is about trying to persuade the man to have a baby hence the theme if procreation. And lastly, the man is being selfish in wanting to die without passing on his beauty.
William Shakespeare is recognized for being one of greatest poets of all time. His works are still popular to this day. Many of his works included extended metaphors and similes with rhetorical language and were rooted in the nature of love. Two of his poems that are rather alike, but also very contrastive are “Shall I compare thee to a summer’s day?” and “My mistresses’ eyes are nothing like the sun.” They both contain a core theme of love or anti-love in some aspects. While these two poems are built around the same type of subject, their interpretations come across in separate ways. In contrast to Shakespeare’s “Sonnet 18” which is a serious love poem that contains imagery and metaphors, Shakespeare’s “Sonnet 130” is more negative and humorous but contains imagery and similes.
Shakespeare, who wrote the sonnets in 1609, expresses his own feelings through his greatest work of literature. The theme of love in the poems reflect thoughts from the Renaissance period. Love is one of many components of Shakespeare’s life shown in the sonnets. Love can be defined in many ways other than a strong affection for a lover. In Shakespeare’s sonnets, the concept of love can be seen through many uncommon means such as the love of life before death in “Sonnet 73,” love in marriage in “Sonnet 116,” love through sexual desire in “Sonnet 129,” and love through nature in “Sonnet 130,” proving that love can be expressed through many different feelings and emotions.