Sophocles ' Antigone : A Play That Deals With The Nature Of Justice

The conditionality of burying the dead shows that gods’ law is less sacred for Antigone than she claims to be. Neither does she care about her living families. She humiliates Ismene publicly, causing Creon’s death indirectly and set her uncle Creon in a dilemma where he needs to punish his daughter-in-law. Her real incentive is individual reputation, for she excludes Ismene from standing by her and asks Ismene to spread the news about her defiant act. She seems to use religion and family as elegant reasons to achieve honor. On the contrary, Creon, as a king, weights the interest of the overall state more than his own family. After experiencing the civil war caused by Polyneices, he understands the great need of the polis for order and thus enacts harsh laws to punish people causing riots. Unanimous obedience to law would also encourage his people to fight bravely in the war by being “loyal and dauntless at his comrades’s side”. Creon has to retain the validity and effectiveness of the law, because if every citizen can pursue any personal interest without fear for grave consequences, the entire social operation mechanism would break down. Punishing Antigone is necessary to retain the order of the polis.

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

Law, principles, and regulations are established in a community in order to create peace and order for the people. But is every law placed- morally correct? Is there anytime when breaking an unjust law is acceptable? Through Sophocles novel, Antigone, he illustrates to his audience regarding to breaking an unjust law and that no matter how high a ruler might see himself as, the Gods will always be stronger and higher than the mortals. He designs one of the first examples of a conscientious objector, Antigone, one who breaks a law that is, to her, unjust. Defying Creon’s law with her beliefs that god's law overrules man's law, she goes against him by burying the body of her deceased brother, Polynices. In spite of the fact that Antigone knew the consequences that had the power to threaten her life, she still decided to honor her brother’s memory and satisfy the gods. When being captured by the guards she had not deny the fact that she was indeed burying Polynices, in fact she stated that she did and took the consequence, even though her life was at risk. To her burying her brothers body meant more than her own life, restoring moral balance and satisfying the gods led her to disregard a law created by man. Many should consider that breaking an unjust law is not wrong, a law that is morally unjust. The law was created to protect the people and their beliefs, yet as we see through the three Theban plays we learn that one's beliefs and morals go against the law, but it's not the

In the play Antigone, written by Sophocles, King Creon created a law that denied proper burial rites to anyone who invaded or betrayed the city of Thebes. Antigone defied this law by burying her brother, Polynices, after he was harshly accused of being a traitor. Both Creon and Antigone showed a tenacious passion toward their perception of justice, unwilling to accept that honoring the law and honoring the individual conscience were both justified in different ways. The stubbornness that they shared led them both to meet their downfalls, which conveyed the idea that being too proud to accept guidance from others ultimately leads to dire consequences.

The seek for justice is never ending. It may be delayed, denied, or postponed, however, the search is timeless. To be just is to argue for fair rights for all. It is to be someone and bring something that will help the surrounding people of the world. However, many times justice is not sought and not given to those who need it most. In the play Antigone by Sophocles, he demonstrates the many ways an unjust leader can overpower those who fight for what is right (Adams, 1). In Antigone’s case, she fought for the just treatment of her brother in his afterlife and bringing him a proper burial. In her fight for justice, Antigone exhibits strong beliefs of fairness to her community regarding family, rights and morality.

Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.

Sophocles symbolizes family over authority by using Antigone and Creon to conflict each other's core beliefs, showing that Antigone is willing to die to honor the love for her family, while Creon is willing to kill to honor and enforce his own authority at any cost. As we see in the story, when Antigone's brothers die, she chooses to bury Polyneices even though she knows this will cost her her life. In the play when Antigone tells her sister what she’s going to do, ismene says, ”But think of the danger! Think what Creon will do! ANTIGONE: Creon is not enough to stand in my way” This shows Antigone represents family for the great lengths she will go to to honor her brother. By contrast, Sophocles paints Creon to symbolize authority through murder of his own bloodline. In the play he plans to kill Antigone for choosing her love for her brother over his rule, and so he plans out her execution although she is family to Creon. The Choragos asks Creon “Do you really intend to steal this girl from your son?,” which then he responds by saying “No; Death will do that for me.” Which shows the reader that Creon is unsympathetic to who Antigone is in relation to him. He disregards the importance of family to uphold his authoritative values. By the end of the play the author has shown us Creon has come to realize his ways have cost him his family, and he regrets his decisions.

   In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact

Until Creon follows the simple burial rites, numerous misfortunes, including the deaths of his loved ones, will occur as a result of his actions. One may think that Creon must challenge the Gods because Antigone challenges his laws; however, fear of the Gods and guilt motivate Antigone to defy Creon. Antigone’s defiance does not lead to the deaths of others because she defies an individual who did not follow the law, while Creon’s disobedience ends in violence.

Unfortunately, Creon does not always make the correct decision because of personality traits that he possesses. When Creon sentences Antigone to death, he is wrong. This decision is based on Creon’s downfalls. He has hamartia and he judges wrong, and he also suffers from hubris. He is excessively prideful and believes that his choice is the only correct one. Creon also has an inaccurate view of his place in relation to the Gods. He believes he is in a position to know what They want and know what They feel is best. No mortal truly knows what the Gods want, but Creon believes he does because he cannot imagine that what he believes is wrong, even to the Gods. Antigone’s death is a bad decision that Creon makes based on his beliefs that the Gods view Polyneices as a traitor and would not want him honored in death.

In the play Creon rejects the burial of Polyneices but still seems to value family heavily. When Creon speaks with Haemon he expresses that he should listen to his father’s choice over anything else “Stand by your father’s ideas in all things.” (Page 37), showing that Creon values family honor. Sophocles shows moments of family love throughout the play, Creon knows letting Antigone go after burying her brother is the right thing to do so he makes the decision to let her go free for the action she performed “I myself, since my judgement has turned and seen better ways, I bound her up and I will go and release her.” (Page 54), this shows that Creon truly loves Antigone and chose family over authority by freeing her. As Haemon finds out Antigone has hanged herself, in

Creon meant to clarify to his son that anyone who commits a crime should be punished - even if the criminal is a member of one's family. Creon's doctrine says that once the state decides something, the law applies to everybody. Therefore, he sees no alternative other than to leave the body unburied for the state. Creon would do anything for the sake of the community whereas Antigone is devoted to her family. The situations mentioned above create tensions in the play because Antigone and Creon are bi-polar in their beliefs.

In the play, Creon and Antigone can be seen as good or bad characters. Both of them show traits of justice. Antigone wanted to save her brother, Polyneices, by giving him a soldier’s funeral with military honors. Creon realized his mistake of putting Antigone in a cave to die for burying Polyneices, and he tried to fix it. Unfortunately, he

The opening events of the play quickly establish the central conflict. Creon has decreed that the traitor Polynices must not be given proper burial, and Antigone is the only one who will speak against this decree and insist on the sacredness of family. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon’s point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. Creon’s first speech, which is dominated by words such as “principle,” “law,” “policy,” and “decree,” shows the extent to which Creon fixates on government and law as the

Sophocles was a playwright who wrote Antigone in 441 BCE at a time when Athens was almost at the apex of their power. The play starts with the brothers, Eteocles and Polyneices, having just killed each other on the battlefield in a dispute for the throne. Eteocles was defending the city as King and Polyneices was trying to take the thrown which had been promised to him. Their uncle, Creon, became King upon their deaths and in his initial speech declares Eteocles to receive full honors at burial and Polyneices to be dishonored and left to rot unburied on the battlefield. Creon also stated anyone trying to bury Polyneices would be punished by death. Antigone, sister of both brothers, was devastated at the thought of her brother not being buried properly and snuck out to Polyneices’ body under the cover of night without being caught. Then later, she returns to the body during the daylight and is caught by the guards and turned over to Creon for defying his law. Sophocles’ use of foreshowing during Creon’s