Sophocles' Antigone - Creon's Fatal Flaw

“...And justice for all” is the last line of the Pledge of Allegiance for the United States of America. According to the Merriam-Webster dictionary the official definition for the term “justice” would be: the process or result of using laws to fairly judge and punish crimes and criminals. Creon has a very unique understanding of government, an unsuccessful search for justice, and learns about putting his pride before people he loves.

Antigone is a tragic play written by Sophocles in about 441b.c. The play is a continuation of the curse put upon the household of Oedipus Rex. Sophocles actually wrote this play before he wrote Oedipus, but it follows Oedipus in chronological order. The story of Antigone begins after the departure of Oedipus, the king of Thebes, into self-exile. Oedipus’ two sons, Eteocles and Polyneices, were left to rule over Thebes. An argument over rights to power forces Polynices to leave Thebes. Some time passes and Polynices returns with the army from Argos and attempts to overthrow his brother. The two brothers fight and kill one another and the war ends. Creon, the uncle of the two

In the play Antigone, Creon starts off as the loyal king of Thebes. He is loyal to the gods and loyal to the welfare of Thebes. However, over the course of the play, Creon degenerates into a tyrant. His degeneration is showing his character development. Creon’s pride about the human law also develops throughout the play, creating conflict with the divine law. When Antigone rebels against his law, he becomes stubborn, and makes myopic decisions and grows into his hamartia. Besides his hamartia, Creon’s position as the king makes him a power hungry man. His power madness degenerates him into becoming a ruthless and vindictive man, even to his family. However, over the course of the play, Creon begins to see that because of the laws of men, he was being blinded of what’s

“Your temper terrifies them” (Sophocles 222). In Sophocles’ tragedy “Antigone”, Creon, the obstinate king of Thebes, embodies the stereotypical monarch. Ancient Athens, where Sophocles called home, used plays to educate their audience and persuade them to think a certain way; thus, Sophocles wrote of the struggle between Creon, and his son, Haimon, from the perspective of a member if a democratic government. Sophocles sought to influence his audiences political beliefs by creating the character Creon, the King of Thebes’, whose power hunger and temper makes monarchies appear absurd; however, strengthening stereotypes as a political weapon did not cease in Ancient Greece. In the past century, American screenwriters have

Tragedy always involves human suffering, but not everyone who suffers is a Tragic Hero. According to Aristotle, there are five basic criteria that must be met for a character to be considered a Tragic Hero. Aristotle’s ideas about tragedy were recorded in his book of literacy theory titled Poetics. In it he has a great deal to say about the structure, purpose and intended effect of tragedy. His ideas have been adopted, disputed, expanded, and discussed for several centuries. In this essay, I will examine these criteria in regards to Antigone’s Creon, King of Thebes.

Hero. Hero comes from the greek word heros meaning “A person who faces adversity, or demonstrates courage, in the face of danger.” Growing up we have always read stories about heroes coming to save the day; for instance, Captain America. Being that our whole lives we were mostly exposed to heroism, have you ever asked yourself what is the opposite of a hero? A villain is the opposite of a hero, but their is another opposite form of a hero; a tragic hero. A Tragic hero is “A literary character who makes a judgment error that inevitably leads to his/her own destruction” (“Tragic hero as defined by Aristotle”). For instance, in the play written by Sophocles Antigone, the tragic hero is Creon. Creon who is Antigone’s

Every Greek tragedy must have a tragic hero. In Sophocle’s play, Antigone, the most tragic hero is Creon. He is an essentially good man of high position who takes pride in his role as king. He possesses the tragic flaws of excessive pride and an oversized ego. This causes the tragic reversal that leads to his emotional ruin and eventual remorse and repentance.

Creon, the leader who wanted to kill his niece, because she wanted to bury her brother. Antigone will bury her brother, although she knows that Creon’s laws must be obeyed. Creon doesn’t see women strong enough to stand against him. Creon said,“ Whoever is chosen to govern should be obeyed, must be obeyed in all things, great and small, just and unjust “. Creon rejects the rules laid down by the gods. Creon decided to punish everyone who will not obey his law, even if it means having his own niece killed for

Son against father, brother against brother leaving heartbreak and destruction in Thebes. This city once peaceful and happy gets destroyed by men doing anything for power. From the destruction of a family and city comes a new king with plans of his own. In the play Antigone by Sophocles, the character Creon takes the placement of king, and decides to go against the gods for his own pride. The king of Thebes, Creon, is the tragic hero of the play because he passes from happiness to misery, his downfall happens because of a character flaw, and he recognizes clearly, but is too late to fix his errors.

​The legitimacy of a state or political leader has often been questioned in many different countries throughout the years. In Antigone one can question the legitimacy to rule of Creon. In different instances throughout Antigone, it is evident that many of Creon’s subjects obey his laws and demands because of fear, not because they believe his orders and laws are justified. For example, Antigone’s sister Isemene refused to help Antigone with the burial in fear of being captured and killed by Creon (Sophocles, p. 3). In another instance, the Sentry obeys Creon’s order to find and capture the one who disobeyed him, Antigone, in order to save himself from the wrath of Creon (Sophocles, p. 13). Creon instills fear in his subjects in order to obtain

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

Greek tragedy would not be complete with out a tragic hero. Sophocles wrote Antigone with a specific character in mind for this part. Based on Aristotle’s definition, Creon is the tragic hero of Antigone.

Soon after his decision of the fate of Antigone, Creon’s tragic flaw blooms the greatest. This Hubris focuses on the Creon’s relentless, uncompromising, and egotistical attitude. Many try to convince Creon to reconsider on his misguided decision, however, Creon does not yield. It is at this point when one realizes the Hubris of Antigone. Creon possesses a false sense of pride and/or confidence in his intelligence. He believes he cannot be wrong, therefore his uncompromising and egotistical attitude shines brightest. It portrays him as “superficial, pigheaded, self-important man.” (Porter) This is Hamartia, his relentless,

   This essay will compare two of the characters in “Antigone”, Antigone and Creon, in an effort to determine the identity of the tragic hero in this tale.

wife, and his will to live, but is doomed to live on in his pain. Antigone